I
YESTERDAY, I HAD THE FENCES & MOONLIGHT BLUES
I haven’t seen either 2017 Academy Awards celebrated HollyWeird “special black experience films“, Moonlight or Fences, but I had the Blues, anyhow. The films, Fences and Moonlight, have been dropped in our collective laps as the “black experience” like the alleged Dallas police sniper Micah Xavier Johnson, and the Baton Rouge police killer, Gavin Eugene Long as if we own them all. Right in the middle of trying to make sense of LUCIFER’S pathological lying son, Donald J. Drumpf and PIZZAGATE, the global mass population psychological warfare and mind manipulating projects, Fences and Moonlight, dropped in our laps covertly, directly with those with eyes to see, attacking the image, re-imaging and subliminally color coding America’s “Black Males“- big and small.
Pursuant to the SS Nazi Germany Dachau Concentration Camp Color Code, the face of Moonlight Chapter Three (3) is named, Black- Badge: Antisocial.
Chiron- Travante Nemour Rhodes
Moonlight and Dachau Designated Color Coded: Black
Moonlight, the coming-of-age drama about a gay black man growing up in Miami became the first film with an all-black (Satanic cabal) cast with a CIA ILLUMINATI supporting staff to win the Academy Award for best picture. Viola Davis won best supporting actress for Demonic Possession and Satanic Harassment of an impoverished Broken Heart black man in Fences. She became only the second black woman to win an Emmy, an Oscar and a Tony for acting. These so-called HollyWeird ethnic color- coded “black experience” movies- who are the ones picking the black experiences implanted with covert programs that we don’t OWN? All of them are seeds of the CIA Occult Bureau and British Intelligence.
Colored Purple Whoopi Goldberg of the secret Sophia Spiritual Cult is the other, and the only black actor to have a so-called EGOT — an Emmy, Grammy, Tony and Oscar.
“Cross My Heart and Hope to Die”—The Mysterious Pagan “X” Sign and Factor
Alice Walker, Color Code Purple, Sign X of the PAGAN Witch
The bi-cross arm sign, or letter X, has a long history of use in the Ancient Mystery Religions, in apostate Judaism, in Freemasonry, and in the occult. The ILLUMINATI elite use it to this day to symbolize key phenomena and mark significant events. These secret signs are also used as some type of mind control trigger, or a subliminal conditioning key. The “Mysterious X” will appear again in direct relation to a key moment involving the Academy Awards & Viola Davis, below. The “Mysterious X” is PAGAN sign!
There is such of thing as Walt Disney Fantasia Mind Control Programming by Coded Colors that has been secretly researched, developed and deployed over the decades, discussed further below. Right now- notice the pulsating primary colors of red, blue, green purple or violet.
YOU WILL CALL ME, FAGAN (PAGAN)!
This extreme disturbing and very difficult video of the Satanic ritual abuse of a child is an actual secret CIA MK ULTRA/MONARCH Color-Coded ritual rite to split off multiple personalities- notice the pulsating primary colors of red, blue, green purple or violet.
This is an official movie poster of the so-called “black experience” Academy Award Winning movie, Moonlight. It is occult color-coded to the three (3) phases of the moon. From left to right, Little (blue-green?), CHIRON (purple), and Black (blue). I am really not good at naming colors, but you should understand basically that this is clear evidence and an example of color coded programming to the Three (3) phases of the Occult Moon.
If you pulsate or strode the red, blue, blue-green, and purple in the Moonlight movie poster, it will recreate the Walt Disney Fantasia Color- Coded Mind Control Programming.
Moonlight: the life of a young black man growing up in a rough Miami neighborhood is told in three phases of the moon: Childhood- PIZZAGATE coded Pasta: Boy (played by Alex Hibbert), teenaged years, Initiated into the PIZZAGATE Homosexual Underground (played by Ashton Sanders), and adulthood Down Low? Homosexual (played by Trevante Rhodes). MPAA Rating Restricted- R
Sexual Content:
– Portrayals of sexual activity with no nudity and some detail.
– Implied sexual activity.
– Simulated sexual activity.
– Same gender attraction.
– Embracing and kissing.
– Sexual references and language
First Phase of the Moon, Alex Hibbert is a mind controlled Monarch Child (3 Pyramids) framed, fenced in color- coded transformation moon beam Blue, and designated Purple- GAY.
By the teen age phase, Chiron–Waxing/Waning Crescent Moon, Ashton Sanders has actually sold his soul to the DEVIL/ILLUMINATI Homosexual Underground in HollyWeird’s CIA Moonlight covert Color-Code ethnic psychological warfare project.
Chiron & Achilles (PIZZAGATE– James ACHILLES Alefantis)
You can put whatever spin on it, but KHEIRON (Chiron) don’t have a damn thing to do with the “Black Experience.” Chiron was the eldest and wisest of the Kentauroi (Centaurs), a Thessalian tribe of half-horse men. I will cover the Thessalians, Witches and the Drawing down the Moon Rite further, below.
I absolutely refuse to look at substantially or in its entirely anything of Tinseltown’s “black experience” film projects, no matter what it may be. It’s psychological warfare. It’s like running through a mine field, running through hell wearing GASOLINE DRAWERS!
II
FENCES: THE JEWISH TWIST, SLUM IMPRINTS & DEMONIC POSSESSION
Denzel Washington’s Fences is a HollyWeird adaption of a 1983 play by Black-German American playwright August Wilson (April 27, 1945 – October 2, 2005).[1] He was a man without an identity actually born Frederick August Kittel, Jr., son of a German immigrant. His mother, Daisy Wilson, was a domestic. Remarkably, her mother had walked all the way to Pennsylvania from North Carolina to get out of the South.[2]
August Wilson- Initiated Luciferian
Wilson expressed a general caustic view of Christianity. He had grown up Catholic, even serving as an altar boy in his parish church dedicated to St. Benedict. Wilson grew up in the Hill District (1727 Bedford Avenue) of Pittsburgh.[3] St. Benedict the Moor is a Roman Catholic parish located on Freedom Corner in the Hill District of Pittsburgh, Pennsylvania. The church was founded in 1889 to serve African-American Catholics.[4]
St. Benedict the Moor (1526 – April 4, 1589) is the Vatican’s saint for black people. Of course, he was a loyal and obedient African slave and catholic whose parents had been stolen out of the mother country. He was born in San Fratello in the Province of Messina in the Italian region Sicily. He was a shepherd. At 21 years old and frustrated with the country’s racial prejudice, he joined an independent group of hermits who followed the Rule for a “all male” hermit life written by St. Francis of Assisi (1181-1226).[5]
Francis of Assisi and the man he loved in “They Shelter in a Cave” by José Benlliure y Gil, 1926
Historical records reveal a queer (homosexual) side to Saint Francis of Assisi. The 13th-century friar is celebrated by the gay community for his love for another man and his gender nonconformity.
Francis Assisi Hermit, Lady Jacoba also known as Brother Jacoba
When Francis was a young man, he had an unnamed male companion whom he dearly loved — and who was written out of history after the first biography. Other Franciscan friars referred to Francis as “Mother” during his lifetime. He encouraged his friars to be mothers to each other when in hermitage together, and used other gender-bending metaphors to describe the spiritual life. He experienced a vision of an all-female Trinity, who in turn saluted him as “Lady Poverty,” a title that he welcomed.[6]
Young Wounded Child, August Wilson
Wilson attended a private catholic high school. For some reason, he was too wounded and helpless unable to defend himself against bullying and racism. He withdrew and dropped out of school. At Benedict the Moor Catholic Church, Wilson had been an altar boy. It is a space within the shadows and corners of the church where hundreds if not thousands of young boys suffer ritual sexual abuse by priests. He appears to have been silent about the Catholic Church, and the Vatican. Yet, when black (Christianity) ministers appeared or were spoken about on Wilson’s stage, they were objects of pity, ridicule or condescension. Never were they heroic.[7]
Ancient Jewish Passover Seder
What lies behind the veil of August Wilson was not his maternal family remarkable history and struggle in America, but a “Secret Jewish History.” He celebrated the Jewish Passover (freedom of slavery out of Egypt) without question. Yet, he made a dubious and strange distinction between their freedom, and that of his own heritage.[8]
Mordecai & Wilson
His true heroes and heroines, and assumed heritage were among the Jews. Benjamin Mordecai (1945- 2005) a theater producer was long associated with the plays of August Wilson. He first produced Wilson’s plays at the Old Skull and Bones Yale Repertory Theater where he was managing director from 1982 to 1993. At the Rep, he transferred five of Wilson’s plays to New York including “Ma Rainey’s Black Bottom” (1984), and “Fences” (1987).[9]
Mordecai or Mordechai is one of the main personalities in the Book of Esther in the Hebrew Bible. He was the son of Jair of the Tribe of Benjamin.[10] In the mid-’90s, Mordecai formed Sageworks Inc., a business partnership with Wilson that allowed the playwright greater control of his own work.[11] That should tell you a lot about the Jewish Twist to HollyWeird’s “black experience“, and the “mixed up” and deceptive character of a gutless bootlicker like August Wilson.
August Wilson is celebrated as an unparalleled chronicler of the 20th Century African-American experience. But, he was secretly a Jewish playwrights, too.[12] In my opinion, Fences is a play that should’ve died with Mordecai and Wilson. Fences is the story of Troy Maxson, a mid-century Pittsburgh sanitation worker (GARBAGE MAN) who once dreamed of a baseball career, but was too old when the major leagues began admitting black players. Fences is a clear example of HollyWeird’s clandestine racialist campaign of persistent imaging and re-imaging Black People by the subliminal and subconscious imprints of savagery, slavery, criminality, poverty, social dysfunction, mental illness, homosexuality, slums and damn GARBAGE!
Just recently, I finally came to light about one of my favorite classic black films, Cabin in the Sky (1943) starring Ethel Waters, Eddie “Rochester” Anderson, Lela Horne, and Louis Armstrong. The MGM film was directed by the Sicilian descendant and baptized Roman Catholic, Vincente Minnelli, husband of Judy Garland (Wizard of Oz). The film was produced by the Jewish Arthur Freed (Wizard of Oz) that the infamous child actress, Shirley Temple, accused of being a ritual pedophile.[13]
For decades, I lived under the blind ILLUSION that this film produced by HollyWeird was some type of honest example of racial process and advancement. I had always been so struck with the remarkable and extraordinary talent of the actors, actresses and dancers in the film that I never concentrated on the subconscious imprints in the background.
One scene in the film always confused and concerned me, but I never concentrated on it. Eddie “Rochester” Anderson bought his wife, Ethel Waters, a birthday present, a new washing machine. Then, he made a curious statement. He told her that she could use it when they get electricity. They lived in a wood shack without running water or electricity. Without the extraordinary beauty of people, the grace, music and dancing in film (ILLUSIONS), the overall background subliminal imprint of the movie is marred in permanent abject poverty, abnormal sexual modes and values, criminality, social dysfunction, and DEVIL worship.
Fences Wood Cabin on Cement Cinder Blocks
The background of Fences, the play, also features a wood shack without running water or electricity sitting on top of concrete cinder blocks not unlike Cabin in the Sky. It was not unlike the one or two room wood shacks that my father and mother were born into in the deep south.
Denzel & Viola, I Surely Thank You Lawdy for This Here SLUM!
The background of Fences, the movie, is the SLUM, abject poverty and social dysfunction. It has that STOOP or front porch. It represents an image locked in my mind of my great-grandmother. I have no other images or photos of her. She was born in 1868 just after the Great Civil War. At the end of the Great War in 1865, her mother, the remarkable Alice Packwood, a sister and brother, were thrown out with nothing to the snow, wind and rain. All her life, my beloved was fenced in by the so-called badges of slavery, racial prejudice and violence of the deep south.
RFK & Inhuman Wood Shacks on Cement Blocks in the South
Senator Robert F. Kennedy was one of the few in power that was concerned about the way black people were forced to live in the deep south, and the condition of living in the slums of the North, decades ago.
We were once appalled and outraged by the SLUMS. Dr. Martin Luther King, Jr. led movements to protest and address it. In Fences, Denzel Washington and Viola Davis receive worldwide critical acclaim and awards for living in the moment and the drama of the SLUMS. Viola Davis will talk about reviving the dead in graveyards before she would say anything in protest.
Southern Black Grandmother or Mother’s Wood Shack & Stoop on Clement Blocks
The last image of my great-grandmother was passed down to me comes from my late aunt, Mrs. Onetta Bullock Hutchinson. She said that she saw her Grandmother, my great-grandmother, Lydia Bullock, affectionate known as “Littie” only once as a little girl. In the twilight years of her grandmother, she said that she saw a very large woman sitting on the STOOP of an old shack house in the former plantation town of Tylertown, Mississippi. She was told that the large woman was her grandmother. Sometimes, I lone for an actual image of her just to touch. It still hurt to see the conditions under which they lived, and relive my life in the SLUMS after they took my father away in Project CHATTER. It is still extremely painful. That is part of the design of Fences- PAIN and REJECTION.
I suspected very well that the film’s co-star, Viola Davis, would win the academy award for best supporting actress because of a much publicized scene in the movie, the SNOT Rage (nasal mucus) Satanic Attack.
VIOLA DAVIS, “EXHUME THOSE BODIES”
The Satanic Snot Scene
A Satanic Attack or Possession may lead to gagging, coughing, choking spasms that last a few minutes or longer. This is followed by the release of an excessive amounts of mucus down the throat or out of the nose.[14] My dear God. This Satanic stuff scares me all so much, but what they actually do is meant to be frightening and of extreme evil, horror, darkness and wickedness- UNWORLDLY.
YOU WILL CALL ME, PAGAN!
Satanic Possession is clearly direct in your face, day after day, over and over again. Beyonce is a PATRON of occult satanic signs, symbols and imagery, ILLUMINATI hand signs, and ILLUSIONARY sinister images created by her light shows.
Beyonce DEMONIC POSSESSION- You Won’t Believe Your Lying Eyes
She freely admits to conjuring up and becoming possessed by a PAGAN evil and demonic spirit in mass population public appearances. There is no difference between demonic possession in Hip Hop, and popular mass population media entertainment vehicles like film.
Beyonce- DEMONIC POSSESSION
In the SNOT scene, Denzel, in character, stood up and shared a couple of moments to verbally reflect sadly back with his companion on his 18 years with a pocketful of broken dreams. The black man’s sensitive reflection back on his life wasn’t worth a dignified, humble, loving or compassionate response from his beloved companion. It conjured up a volcano of Snot, DEVIL and Demons.
Viola Davis- SATANIC ATTACK
See for yourself. I so wish this wasn’t so. Viola Davis, in character, shouted back in rage with red blood shot eyes, a steady storm of SNOT running down out of her nose in mad RAGE- she conjured up a harassment DEMON.
Viola Davis- Harassment DEMONIC Possession
She had been on that STOOP, too, with him for 18 years of his broken dreams. What about her being mired in slum poverty, social dysfunction, and GARBAGE with a unproductive and dysfunctional socially rejected black male. Is it her black companion’s fault? That seems to be the overall subliminal impression to internalize- the failures and betrayal of a black man. Was it great grandmother Littie’s fault fenced in by the badges of slavery, racial violence, and prejudice sitting on the STOOP with her sack full of broken dreams?
DEUTERONOMY 18:10-20 KJV
10 There shall not be found among you any one that … useth divination, or an observer of times, or an enchanter, or a witch.
11 Or a … consulter with familiar spirits, or a wizard, or a necromancer.
12 For all that do these things are an abomination unto the Lord: and because of these abominations the Lord thy God doth drive them out from before thee.
In an absolutely twist of things consistent with her veiled wicked and demonic role and character in Fences. It is the icing on the cake.
In her Oscar acceptance speech for best supporting actress in Fences, Viola Davis had some rather interesting, creepy and absolutely bizarre things to say about necromancy (communication with the dead).
In all fairness, if you seek the original stories of original people, exhume those bodies– bring their stories to life. But, in context to what? In genealogical (ancestral worship), I try to tell the stories of the ancestors, bring them alive, in the context that their stories and my true heritage have been maliciously and wickedly suppressed- buried in 400 years of slavery, racial hatred, and human deprivation.
In the art of acting, language and words are carefully crafted and chosen to communicate messages, and create pictures in the minds of an audience. Viola is very seasoned actress that understands very well that her words are scripted very carefully to implant pictures and as I said, messages. She was a top nominee to win an Oscar for her performance in Fences, that means that she prepared an acceptance speech ahead of time.
Viola Davis said,
“There’s one place that all the people with the greatest potential are gathered. One place. And that’s the graveyard. People ask me all the time, ‘What kind of stories do you want to tell, Viola?’ And I say exhume those bodies. Exhume those bodies. The stories of the people who dream big and never saw those dreams to fruition. People who fell in love and lost. I became an artist, and thank God I did, because we are the only profession that celebrates what it means to live a life.”[15]
Exhume does, indeed, mean: to bring back from neglect or obscurity.[16] What brothers me is that in the Satanic Snot Scene is that her character faced a real live character, an ignored, neglected, dignified, but lonely black man, with a story to tell in his own lifetime. Her character turned her back on him as if he was unworthy of a story of his own dignity during his own lifetime. But, the people in graveyards are more worthy of the dignity of being dug up on general principles to tell their stories, because the DEAD dreamed big like Troy Maxson, loved and lost just like a Troy Maxson. Yet, you won’t allow him to tell his story. But, she prefers the dig up the DEAD and communicate with them- that’s the practice of Occult Necromancy.
In other words, she has more respect and compassion to listen to the stories of dead black men, then her broken down black man companion and husband. This is one formula to surely destroy a black man psychologically from within, and drive him off the living edge and “self-destruct“ – maliciously deny him his god given story (humanity) by the ones he love and trust. However, don’t get it twisted on the “Black Experiences” , our mothers and fathers and forbears were “firm.” They taught us to love each other, and one another no matter the ups and downs, odds and obstacles.
Troy Maxson, Invisible Man
I read Ralph Ellison’s book, Invisible Man, several times when I was young. As a young man, I literally read and defined “Invisible.” So, I didn’t understand it at first. However, as soon as you begin to come of age, and try to find your place in society and the world, you understand the feeling of being “invisible” in America, whenever you try to assert your dignity, humanity and tell your story, whatever that it may be. The Snot Scene is like something out of the “invisible man“. In Troy Maxson’s greatest time of need of human dignity to tell his story, he became “invisible.” Well, you may not still believe that there is anything nefarious about Viola Davis and her role in Fences.
Secret Occult X Sign, Julius William Tennon
This man was captured cluing Viola during her Oscar acceptance speech with the occult bi-crossed arm symbol (X-Sign). This man is her husband, Julius William Tennon. He is a fellow HollyWeird actor. Other than general entertainment industry information, little of anything is known about his background.
Ancient X Sign, Homage to Asur (Osiris)
The bi-crossed arm symbol is an ancient sacred salute and homage to the Kemetic mysteries, and the Great God Asur (Osiris). The Kemetic symbol has been bastardized by secret New Age Spirituality Cults dedicated to Goddess Sophia. The goddess Sophia was introduced into Anthroposophy by its founder, Rudolf Steiner, in his book The Goddess: From Natura to Divine Sophia and a later compilation of his writings titled Isis Mary Sophia.
Secret Occult X Sign, Goddess Sophia
Sophia also figures prominently in Theosophy, a spiritual movement which Anthroposophy was closely related to Satanist Helena Blavatsky, the founder of Theosophy, described it in her essay What is Theosophy? as an esoteric wisdom doctrine, and said that the “Wisdom” referred to was “an emanation of the Divine principle” typified by “…some goddesses — Metis, Neitha, Athena, the Gnostic Sophia…“[17]
Jungian Goddess Sophia
Sofia is a pagan goddess of Wisdom (MITHRA) and wife of God. She is the creator of all. She gave breath to Adam.[18] The Knights Templar are said to be the protectors of the Grail, which many say is actually the lineage of Jesus Christ and Mary Magdalene. Some believe Sophia came to earth in the body of Mary Magdalene.[19]
Secret X Sign, Alice Walker & Great BEAST 666 Aleister Crowley
Sophia was, and is, one of the most worshiped Goddesses. Even today, a huge secret Sophia Cult still exists. Sophia is the Greek version of her name. Others include: Hohkma (Hebrew), Sapienta (Latin), Mother of All (Gnostic), and the Holy Spirit (Early Christian).[20] I suspect that Julius Tennon has absolutely nothing to do with respect or the study of ancient Kemetic (African) Cosmology. So, I assume that he is a follower of secret HollyWeird New Age Spirituality Satanic Cults dedicated to Goddess Sophia and or God Mithras.
The “Fallen Angel” (thrown from heaven) motif universally applied to Lucifer, actually describe the Aeon Sophia, the Pleromic (abundant) goddess who fell from the heights of heaven (galactic center), according to the Gnostic star myth, the Fallen Goddess Scenario.[21]
Satanic Cabal Julius Tennon & Viola Davis, Color Coded?
So, we are really taking the about Viola Davis and Julius Tennon, and the secret HollyWeird Black Satanic Cabal. These negroes will cut your throat for Lucifer. My Lord! Fences is an awful, horrible, wicked and heartbreaking impression to be left imprinted in the hearts, minds and souls of the beloved people.
We already know that Denzel Washington is Evil as HELL. He is a senior member of the black Satanic ILLUMINATI cabal. Now, we know that Viola Davis is another black cabal sick MK ULTRA/MONARCH Satanic ILLUMINATI Witch that will drive a stake through the hearts of the people to please her masters.
III
DENZEL WASHINGTON & AUGUST WILSON: FROM THE SLUMS TO THE BLACK BOTTOM- HOW MUCH LOWER CAN WE GO IN THE 21ST CENTURY
Denzel Washington plan to do a HollyWeird film project on August Wilson’s Ma Rainey’s Black Bottom. The play chronicles the twentieth century African American experience. So, they say. The play is set in Chicago in the 1920s, and deals with issues of race, art, religion and the historic exploitation of black recording artists by white producers.<a href="https://mindcontrolblackassassins.com/#_ftn22_4669" name=