“What is the capacity of art – in and for public life, in times of community making and international law breaking?” This question has guided the work of American artist Jeremiah Day for over two decades, across various mediums and contexts. In Means and Ends, he takes the contemporary art gallery—an essential yet often under-described institution—as a point of departure. “What is the capacity of art – in and for public life, in times of community making and international law breaking?” This question has guided the work of American artist Jeremiah Day for over two decades, across various mediums and contexts. In Means and Ends, he takes the contemporary art gallery—an essential yet often under-described institution—as a point of departure.