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  • Customers and clients cannot physically touch the products that online designers create, nor can they smell, hear or taste them. One of the important factors in a customer’s decision of whether to use a product is usually the brand’s visual presence...

  • This Month in Typography
    via liamthinks.blogspot

    Welcome to this month’s roundup of type-related info and entertainment. Today, we remember typography legend Hermann Zapf, hear from Nadine Chahine (who worked with Zapf), talk about dyslexia, discuss the future of typography on the Web, peruse famous...

  • A Versatile Design with Three States of Being An invigorating twist on humanist and rounded sans serif designs, the Between typeface fluidly transitions “between” designs for a wide variety of applications WOBURN, Mass., November 1, 2016 – Monotype...

  • The A to Z of Typography
    via wiki.psdtuts

    Whichever software programme you’re using, and whether you’re designing for print or online, typography will no doubt play a large part in the eventual success (or failure!) of your design. A timely drop cap or an extra bit of tracking can elevate your...

  • New High-Quality Free Fonts
    via luacheia.soup

    Every now and then, we look around, select fresh free high-quality fonts and present them to you in a brief overview. The choice out there is enormous, so the time you need to find them is usually time you should be investing in your projects. We search...

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Blog.linotype.com popular pages

  • Linotype.com Blog | All about Typography

    Bereits in den 90er Jahren hatte der japanische Schriftdesigner Akira Kobayashi die Idee zur Between – einer DIN-ähnlichen Schrift, die jedoch eine humanistischere Ausstrahlung und passendere Eignung...

  • Found | Linotype.com Blog

    At the end of April this year, at the Parsons School of Design, font designer Matthew Carter spoke in memoriam of the well-known font designer Adrian Frutiger, who passed away in 2015 at the age of 87...

  • Linotype.com Blog | All about Typography

    Already back in the 1990s, Japanese font designer Akira Kobayashi had the idea for Between, a DIN-like font that still had a humanist appearance and the right features for volume typesetting. The re...

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