Piku Banerjee, modern and independent woman cares for her father's house Bhaskor, a hypochondriac with a strong character. Between paranoia and medical disputes, colorful life of this family is totally distraught time for a hectic trip to Calcutta. The long ride their reserve numerous adventures.
To be clear, in the new generation Bollywood industry is largely dominated by women. Character actresses who unveil strong performances and powerful feminist messages to change attitudes. From Queen to NH10 via Margarita With A Straw, Mary Kom, Masaan, The Dirty Picture or English Vinglish, domination actresses is indisputable. And if there is a good actress who dominated the Indian cinema is certainly Deepika Padukone.
Since 2012 she has not experienced failure. Better, the actress chained 8 consecutive wins in Hindi, a benefit that even the biggest superstars struggle to accomplish, especially since it is not limited to codified blockbusters but likes to experiment. Last triumph as of Deepika Padukone, Piku reaped exceptional critical acclaim and an impressive commercial success. Moreover, the filmmaker Shoojit Sircar signed a hat-trick in the category of successful movies after Vicky Donor and Madras Cafe. What about Piku overrated movie or total success?
It all starts in the home of Banerjee, a Bengali family that will gradually take us and make us travel time to an offset adventure, colorful and above all human. The decor is banal, everyday conversations come with some touches of humor to spice the whole. What strikes from the first moments of Piku , is the ease with which Sircar recreates an everyday environment with incredible realism. The arduous nature of Bhaskor, Piku juggling all its responsibilities with a superior air, surface and talkative sister-Doctor homeopath who comes tirelessly reassure Bhaskor.
In a few short scenes, filmmaker assembles us items which constitute a whole which we believe: the Banerjee family, his troubled past, a marriage that was not necessarily happy, the usual remorse and almost uninteresting widower. It is these details that make you immediately believe in the world of film and that one will not become ill member of the family, abandoning our role as bystander. It is rare to find writers or filmmakers that capture so accurately and delicacy which is a fictional reality to which we adhere, and this style Shoojit Sircar is very strong.
As noted a little higher, dialogues oscillate between realism and fine everyday humor and valuable tips. It is primarily of hypochondria Bhaskor that smile, especially when he says he will not die from constipation as Elvis Presley! A hypochondriac in modern replay but also ironically funny. Moreover, in terms of constipation and everything related to the bathroom, Piku happily assume about bad taste and although it tends to repeat we too at times does with such casualness we take everything with a smile rather than fall into the vulgar low end. Sircar had already dealt with the sensitive subject of sperm donation in terms of comedy brilliantly, and it proves once again that he is able to draw life lessons from any subject!
But of course, the great strength of the film is its eponymous character: Piku delicious. Bad faith, angry, impatient and yet endearing, it is the soul of the story. It would be too limiting as the work of granting only a feminist reading, however it must be confessed that this character is a plea for strong, independent women. Without falling into the caricature of woman business-woman who ignores his privacy, Piku reveals an imperfect woman, who has his faults, but who manages to dedicate his free time to his father, but was businesswoman and assuming its economic and sexual independence as underlined his father in an awkward sequence reflects a silent judgment.
In other words, Piku isn't fair or just independent subject, far from it! She is strong mentally, independent but she also knows to take his life in hand, looking after his family well and mix modern and tradition. An interesting view of women in Indian society changing. There is also no doubt that no one could embody Piku with as much accuracy and screen presence that Deepika Padukone who sublime again.
Another great strength of character Piku is the dichotomy between the guide the young woman who at times did not support his father because of his selfishness and his ability to ignore the needs of his family, and the fact that it manifests itself many of these defects. The rejection contrast to this mirror, this undeniable resemblance them is her father. Other dualism in his personality, rejection and the love she has for her father. Due to the complexity in its analysis of father-daughter relations, Piku turns out to be a real gem full of humanity, far-sighted vision of relations within a family, without idealizing, gives us a breath of fresh air.
As for the story itself, we can blame the scenario to 30-35 minutes to really take off. Certainly, the realistic setting is a strength of the film and we had to take the time to install, but after the first half hour composed largely hypochondriacal crises Bhaskor one wonders anyway when the history will finally be launched. And the story is really soars from the trip, which comes after about 45 minutes of viewing. A few strokes of slack so the first part, but nothing terrible either, especially as a result is well worth the shot.
Obviously, we must be clear from the beginning: if you expect the traditional Bollywood movie and an energetic full of twists and turns, there is a good chance that you are bored before Piku . Although we can not talk about full-fledged independent film, we must recognize that this film does not meet the traditional commercial codes in India, and this is also what makes it such a great experience. Taking the time to develop and suggesting us the lessons of life rather than show us with a lot of pathos, Piku turns out to be a kind of poetic journey of initiation, composed of slices of touching lives and characters which it attaches despite their faults and mistakes they make along the way.
The second half from the trip to Calcutta - is more profound. Although the smiles continue to support our travelers, we guess more and more a dark side that hides behind masks. Irrfan's character also grows and is a real asset, finalizing the trio of shock! Amitabh Bachchan beautiful Deepika Padukone who heads the film and Irrfan Khan in great shape again ... what more?
Many comic sequences punctuate the narrative, especially those where Irrfan tries to convince Amitabh drinking a local brew that will free him from any constipation or to stand up when he goes to the bathroom to make it better. Finally someone who mocks panic Amitabh face his imaginary diseases!
From the holy city of Benares which reminded me of beautiful memories of Masaan in Calcutta, the trip becomes more serious and sensitivity but also in depth. The characters become even more realistic by showing us the depth of their thinking. This was only the beginning of a happy family madmen who made us laugh becomes a family both strong and broken, which resists time despite the trials.
We learn to know better and Bhaskor Piku, even if it is not really part of the family, Rana (Irrfan Khan) is revealed too. At times distilled with care and subtlety, we are treated to beautiful emotion sequences and sequences where finally explode unsaid. Night sequence in the car during which explodes against Rana's stubbornness Bhaskor is a marvel and repressed tears Piku are far more moving than if we had been dealing with a torrent of tears.
Once in Calcutta, Piku also reserve its share of surprises and interesting new characters that side. The gently lead us to an end certainly somewhat predictable but still beautiful, which I however criticized for not taking a little more time. 10 minutes would me more than satisfied!
As for performance, Deepika Padukone is undoubtedly the engine of the film. Great actress, she proves again after Finding Fanny 's ability to dazzle us in a different film and handily dominates the film as she is surrounded by two film monsters. She embodies perfectly Piku, manages to move us, surprise us and make us live all the developments of his character with a dexterity that commands respect. A nomination for Filmfare seems logically deserved, and why not win a new trophy for Best Actress.
Amitabh Bachchan again demonstrates his talent this year, after his fabulous performance in Shamitabh . The superstar of Indian cinema tries this time to a more comical register, but it does so with sensitivity and perfectly fits his facial expressions to his character. Bhaskor could not be as well understood without Big B.
Irrfan Khan, as noted earlier, has completed the dynamic trio with a new remarkable and sensitive performance. It fits perfectly its place in this dream cast and confirms his ability to play the middle-class men somewhat battered by events, without falling into the miserable pity. This man is a great actor, though I certainly teach you anything by saying this!
The soundtrack of Anupam Roy is smooth, it lulls the viewer along the road with a contagious efficiency. The more you listen to this album, the more one is seduced by his catchy melancholy, and the songs are perfectly matched to the story without ever being choreographed which was not necessary given the scenario. For his debut in Hindi cinema, the young composer Bengali us know where a landmark soundtrack, and strong, who can accompany the film without ever trying to do too much or get noticed desperately. Congratulations to him.
Ultimately that retain Piku ? This film is not perfect. It lacks pace at times and lost on rare occasions in unhelpful scriptwriting frames (knife discovery in the trunk for example, which is neither logical nor helpful to the plot). However, despite these shortcomings, Piku is a film that has heart. Many heart! Even his clumsiness eventually become his strength and gets carried away by this incroyable slice of life in the mad poetry, and whose deceptively simple subject beautiful life lessons. Piku, this is a little bike ride as carried Amitabh Bachchan, a gentle stroll on a sunny day to the memory trails, self-discovery and liberation. It is almost a journey we described Piku , and the journey is not necessarily where you expect. This is undoubtedly one of the movies that we should not miss this year!
Hunterrr is a sex comedy film which is said to be a tribute to a Hindu God Kamadeva starring Radhika Apte, Sai Tamhankar, Gulshan Devaiah directed by Harshavardhan Kulkarni, produced by Vikramaditya Motwane,Vikas Bahl, Anurag Kashyap and Phantom films.
Mandar Ponkshe (Gulshan Devaiah) considers himself a hunter of women. Actually, he is sex addict and finds himself caught in his own trap. Then he meets Tripti with which he wants to marry, Mandar confronts his past and must face the facts. It has relatively little about the film Hunterrr this year. And yet, despite its 13.50 crore revenue, the film had a budget so ridiculous and so limited promotion it made 125% profit on its budget is proportionately more than Badlapur or Dum Laga Ke Haisha! A discreet but indisputable hit, which has quietly created a surprise when no one was waiting. Especially as he addressed the sensitive subject of sexual addiction.
Apart from Shame and Californication, I have rarely seen filmmakers tackle this theme, and for his first film Harshavardhan Kulkarni decided to treat him as a comical angle (although the drama and depth are never far away Laughter). Hunterrr was also produced by Anurag Kashyap under its banner Phantom, I dare consider as the best guarantee of quality possible in the Indian industry. So surprise quality or vulgar film having surfed about to attract its viewers?
The film begins in the night. Mandar is at full speed, it seems hardly breathe and escape of an unknown problem. A surprising introduction to what promised to be a comedy. It rather discovers a man burnt, disillusioned and worried at the same time. But not the time to discover what is happening, Hunterrr will immediately plunge us in a wave of flashbacks. If I usually appreciate the films that keep us in suspense through flashbacks (Anurag Basu is a master of this art), we must admit that Hunterrr me somewhat destabilized with all its temporal changes. At the beginning of the film, the chronology is so disturbed that she spoils the understanding of the viewer. Besides, after a while you really do lend attention to statements like "six months earlier," as they are numerous. However there is nothing dramatic in this defect, especially as gradually the film will better calibrate the temporal leaps to focus its plot.
What I feared above all with Hunterrr was to find myself facing a free comedy full of jokes below the belt that despise the basic problem of the scenario: a real highlight often overlooked disease. And in some sequences from start there is concern that the comedy does not spoil how to treat this addiction. You get some scenes "classic" addressed the second degree: the pre-adolescent character who discovers her sexuality or goes to a sitting of a pornographic film.
However, the film shows us quickly he has something else to offer. Each period of Mandar life is approached with intelligence and humor. Teenager evil is discovered at ease with girls discovering his main weapon is language in order to engage in a game of seduction. We also discover one of the key elements of the film: his friends and the strong ties they will create together. For Hunterrr will make life newspaper office, it's a record that traces the milestones in Mandar of life, and friendship will hold a special place that will give the film sensitivity and a strong reflection on the evolution of human relationships from childhood to adulthood.
Growing up, Mandar better control his women approach and even juggles his pseudo-romantic relationships, which are limited to physical relationships. Our main character observes the world around him with a sizeable dose of irony, yet is itself a relatively pathetic caricature of what it would be. This is a kind of "perverse naive" as Nabokov said, able to handle a seduction session while it seems loser from the start, but unable to understand the most basic social standards. It is found in many situations quite funny, especially when his friend explains that for an arranged marriage should never admit that they had affairs not involving feelings. The sequence where Mandar successfully apply these tips is particularly successful and triggers laughter necessarily.
There is therefore something that is significant in Hunterrr is the vulgarity with which non-sexual addiction is approached and found the excellent mix between humor and reflection. However, the director takes so tweezers for not doing in the free humor that comes to overlook the theme of addiction. In many passages, it is likely to have more to deal with excessive Don Juan as a sick man, which is a shame! Maybe to treat the subject frontally was too raw for the Indian public, but in the end this main subject of the film is relatively set in the background too often.
But Hunterrr is widely catches up on all that he has more to offer us! The trailer we unveiled a kitsch aesthetic, and it's totally assumed. The characters - especially that of Mandar - are exaggerated caricature and again brings a lot to the humor of the film. Mandar vain himself as a hunter, it is nonetheless a pathetic slave to his impulses and is found in many catastrophic situations (often comical) because of it. Moreover, its maladjustment to community living creates a highly appreciable gap between him and Tripti (played by the great Radhika Apte).
Their relationship is also the major force of the film, a complex relationship made unsaid, sweet lies but also personal tragedies and sweetness. One begins the game directly, so that the film avoids falling into the easy trap of hunter who falls into the nets of an attractive woman. There is no question of redemption in romantic caricature Hunterrr, but rather a somewhat desperate attempt Mandar to adapt to the surrounding world. In a sense, Tripti is as much at odds with his environment, and it is this common point which certainly creates the strength and depth of these two characters.
The writing of characters is performed brilliantly in Hunterrr . And not that of the main characters! Of course, as I mentioned, Mandar and Tripti are brilliant depth (casually) and subtlety. Mandar is full of flaws and suffering it addresses casually convincing if it is only details. It is larger than life and every detail given to changing her look only strengthen its credibility!
But if we consider the secondary characters are touching lives will discover slices. The character of Jyotsna, married woman who falls in nets Mandar is treated with great force. Portrait of a neglected typical middle-class woman who starts dreaming of a better one, it is both crude and fragile, wanting temperamental but submitting blindly (too) quickly. Mandar's friends are also very interesting.
We know that the low Indians for buddy-movies, a genre for which I have a huge low and offered me upsetting movie moments as Dil Chahta Hai, 3 Idiots and even Kai Po Che! and Rang De Basanti in some sense. I confess to being very sensitive to everything concerning the melancholic and Hunterrr manages to handle this emotion very well, never assume it totally. The film is not based on friendship and he takes care never overemphasizing it so as not to interfere with his story, but when it does we see at times be very funny or touching . The scene at which Mandar befriends the son of his friend just upset me! Life balance is both discreet and powerful.
And if it makes us laugh several times, but mostly entertains us Hunterrr is never far away to move us. Some scenes can even become almost disturbing, notably with Rachel D'Souza: a sequence that takes place very quickly but that creates a moral shock doing realize the magnitude of the problem Mandar suffers.
Cast aside, Gulshan Devaiah illustrated once more. This quality player who was simply fabulous in Shaitan plays with impressive conviction its complex character, even adopting his facial expressions and his approach. It confirmed its place great hope of the modern independent cinema.
Radhika Apte is simply fabulous! Bright, charismatic, she electrifies the screen each appearance. She had been the great revelation of Badlapur and confirms again that it is essential to closely monitor the career of this actress. It is absolutely brilliant and is one of the great strengths of the film!
For secondary roles we note in Sai Tamhankar Jyotsna and Vaibbhav Tatwawdi in Kshitij, a friend of Mandar. Suraj Jaggan is the weak point of the cast, but we must admit that the Chaxx character is by far the least worked the whole scenario.
The offset music had not affected me at first listen, but once put into context it adds a real charm to the story. This soundtrack-signed Shah Khamosh knows how to surprise us all by marrying perfectly with the offbeat, kitsch and attaching Hunterrr. Although not a musical masterpiece, so it's a successful album!
In the end, Hunterrr is a very good sign for the rest of the career of a young director. Harshvardhan Kulkarni tackles a taboo subject with a bittersweet smile that is not devoid of emotions. We had to make hard to include only one sex scene (which is far from explicit) in a film about sexual addiction! Although the disease is not treated sufficiently and if the chronology is at times disjointed, Hunterrr none the less a very good surprise.
The Gulshan-Radhika torque captive attention throughout the film and the other one begins without much noticing the play of the story. Without being a great movie, Hunterrr excels in its kind. No doubt, even on a risky terrain and few addressed the Phantom productions are always quality! A nice surprise that I highly recommend to those who are not afraid to discover Indian films coming out of Bollywood classic modesty.
Piku shot in Kolkata is an Indian comedy drama film starring Amitabh Bachchan, Irrfan Khan, Moushumi Chatterjee and Deepika Padukone directed by Shoojit Sircar.
Film bizarre but interesting if only because it focuses on the history, the relationship between a father and a daughter. The roles are reversed as so often in recent cinema. The plot is crazy, always deliberately over the top but not always easy to follow, despite the skill of the performers. The focus is the relationship between two people, and therein lies the value and the flaw of the film.
It's true, to paraphrase a popular nationalist success, that sometimes nostalgia is rogue. It is because it keeps us with her eyes looking back and feet stuck to the ground, still regretting a past that in some cases we have not even lived, when we look around and maybe a look at the future with more free and independent.
Amitabh Bachchan is both archetypal image of the father whose daughter falls in love sometimes for life and immaterial embodiment of the collective, who is forgiven almost everything in virtue of his charm, his sympathy and the little time that can grant to those who live next door. Like everyone else, it is only a human being with his frailties and weaknesses, made strong-looking female who ends up suffocating him. In this case the women in the life revolved around have devoted much of their existence to a man who never really possessed. Between memories, secrets and small revenges, manage to get rid of their burden only when it enters the field another character, the classic holed out at the party that turns out to be the bearer of a different and equally valid truths.
Its a good movie that will appeal especially to those of us who loved the matadors of our cinema, actors who were changing skin continuously and without problems for tellers to strolling players vaudeville, from pensive or cheerful muse of the great directors in emblems of popular genres. All this in the film we see him in a fake real assembly, who has the right face old for the role.
The actors and actresses are well chosen and so good that we can not list them all for reasons of space, but we are sure that others will forgive us if we emphasize the great test, which is nice to remember with a part in which is revealed with a contagious and release that says a lot about the woman as well as on the actress.
And is basically natural to offer this role has been a director who has known on the set from which the father has "inherited", working several times with her and carrying on his image in contemporary cinema.
If we had to sum up in a word would say that it is a movie, happy, full of real and important feminine lightness, like the leg of the child, incongruous and not seen, peeping out from behind a rock on the set.
In 2007, Deepika is selected as Egeria of cosmetics brand Maybelline (L'Oreal), but is replaced by Diana Penty in December 2008. The partnership with Deepika Padukone Tissot began in December 2007, shortly after the release of Om Shanti Om . This collaboration enables it to reap rich dividends, the variety of watches in the collection, inherited from its history, being perfectly suited to his lifestyle with many facets. His preference is for Tissot Classic Prince with diamonds. It highlights the similarities between his personality and brand: "Audacity, refinement and class, but with great humility.
It becomes, in March 2008, the new image of the brand Fiama Di Wills, specializing in beauty products. The General Manager, Sandeep Kaul, is delighted: "The brand Fiama Di Wills represents modern women today who trust them, that are intelligent and are informed about the world around them. Deepika perfectly represents the woman's personality.
In March 2009, it was the turn of the largest brand of chewing gum in the world Wrigley to announce its partnership with Deepika Padukone. For the first time in India, Wrigley associates with a film actress and that in order to promote the benefits of their chewing gum on oral health. Deepika Padukone says, "I am proud to be associated with Wrigley, they contribute in a practical way to maintain and improve oral health anytime, anywhere, at home, in the car and during the filming.
In December 2009, Neutrogena chooses Deepika Padukone to embody the brand in India and represent one of their product line to April 2012.
In April 2010, Sony refers Deepika Padukone as brand ambassador and announced the launch of a new advertising campaign "Super wide shot Supermodel Campaign 'for Cyber-Shot camera, the actress said:" It is a great pride for me to be associated with a cult brand like Sony. Cyber-shot is an ultra cool design with a stylish design and chic colors, which perfectly matches my personality. I'm totally fascinated with superior technology features.
Invited to the 2010 Cannes Film Festival , she says, I will represent India at Cannes, I was invited by Chivas Regal , which is a partner of the festival for the first French Film Tour, I will be present at the after party organized by Chivas Regal. This is the first time I go to a festival like this. At first I was a little hesitant, but now I'm looking forward to meeting all these people from around the world. I wear a sari, Rohit Bal, because it is a very sensual garment and whenever people from other cultures or Western sees one, they just have a word to say: Wow So dressed by fashion designer Rohit Bal as Deepika up the steps of the Cannes Film Festival for the first time.
Despite screen debut in 2006 alongside the actor Upendra Aishvarya, her acting career actually started with the film melodramatic Om Shanti Om released in 2007 to critical acclaim she won the Filmfare Award for Best Newcomer female. Turning both in great movies public (Chandni Chowk To China, Housefull, Race 2) as more demanding works (Karthik Calling Karthik, Khelein Hum Jee Jaan Sey, Aarakshan), it is gradually as a leading actress in Bollywood. It clarifies that pre-eminence in 2013 by being the poster of four of the biggest commercial successes of the year: Race 2, Yeh Jawaani Hai Deewani, Chennai Express and Ram-Leela, the latter two movies allowing it to receive respectively the IIFA Award for Best Actress and Filmfare Award for Best Actress.
As a teenager she follows in the footsteps of his father and was introduced to badminton , she traveled across India to participate in national tournaments but realizes the modeling of more interest. With the support of her parents she goes up on the podium and appeared in commercials for several top Indian brands, Liril , Dabur Lal powder , Close-up toothpaste and Limca , his fame as a model increases, it becomes the face of the brand Maybelline and appears featured in the Kingfisher Calendar 2006. His model of success allows him to make his debut in cinema Bollywood.
Deepika Padukone made her debut in the Indian film industry in 2006 with the film kannada Aishwarya with Upendra as a partner but this film is not worth it any consecration.
She sees her career switch in 2007, when it starred with Indian star Shah Rukh Khan in the blockbuster from director Farah Khan , Om Shanti Om . In this melodramatic movie, she plays a dual role following a reincarnation. The interpretation of Deepika Padukone was well received by critics and allows him to get the Filmfare Award for Best Actress and was nominated in Filmfare Award for Best Actress .
Taran Adarsh, a journalist and film critic says, "Deepika has all it takes to be among the top-stars: personality, appearance, and of course his talent. Shah Rukh Khan have as a partner and take his role with ease is not an easy task, it brings a breath of fresh air to Indian cinema " .
On the preparation of Om Shanti Om , she said: "Farah Khan took care of me at our first meeting, she introduced me to Shah Rukh Khan and made sure that I feel comfortable with him. Six months before the shooting, to better know ourselves we are regularly encountered during lunch and dinner. Deepika Padukone then plays the role of Gayatri in the romantic movie Bachna Ae Haseeno (2008) alongside Ranbir Kapoor , Bipasha Basu and Minissha Lamba. Gayatri is a young Indian student, taxi driver to finance his studies. The film, released in August 2008, reached a fairly good level at the box office but Deepika Padukone fails to score as many minds with his role Shantipriya in Om Shanti Om . However Khalid Mohamed note: "Deepika Padukone is a pleasure for the eyes. It tames the camera perfectly.
It plays a double role again in Chandni Chowk To China , released in January 2009. The film is directed by Nikhil Advani and Deepika Padukone is alongside of Akshay Kumar . The film was a commercial disaster, Nikhat Kazmi of Times of India says, "Deepika has lost, sad and desperate for much of the film" 10 . Taran Adarsh of the same notes: "The role of Deepika's just fair .
His fourth film, Love Aaj Kal (Love today, yesterday and tomorrow), released in July 2009, is proving to be one of the biggest hits of the year. Directed by Imtiaz Ali and produced by Saif Ali Khan, the film tries to show that love is universal and timeless, each creates its own rules, and that the new generation has changed the values of love. Thanks to its performance Deepika Padukone is again nominated for the Filmfare Award for Best Actress. Taran Adarsh says, Deepika has really, really well played its role. Working with Saif Ali Khan is not easy but it did. This film will definitely be a turning point in his career.
The same year, it cooperates for the second time with Farah Khan and Shah Rukh Khan and appears in an item number in Billu. Then she made an appearance in the movie musical telugu Love 4 Ever and in Main Aur Mrs Khanna of Sohail Khan.
Her first film in 2010 produced by Excel Entertainment , Karthik Calling Karthik, is a thriller with a partner Farhan Akhtar plays a schizophrenic: Karthik a multifaceted, sometimes desperate and lost, but who also knows how to be charming and intelligent, tenderly lovers character played by Deepika Sonali Mukherjee a trendy and modern girl who, disappointed by other men, will remain with Karthik to support it. Deepika Padukone gets good reviews but the film is not asserted at the box office.
She continues in the role of Soundarya in the romantic comedy Sajid Khan , Housefull alongside Riteish Deshmukh , Lara Dutta , Akshay Kumar , Boman Irani, Arjun Rampal and Jiah Khan. The movie is a blockbuster in India in the first week and Deepika Padukone gets good reviews.
It then part of the film of Yash Raj Films, Lafangey Parindey directed by Pradeep Sarkar. She plays the role of Pinky Palkar, a young blind woman who keeps repeating his skating dance number, convinced that the television show India's Got Talent will allow it to fly away from all his troubles. Subhash K Jha journalist, welcomes its performance and wrote in The Times of India: Deepika Padukone brings grace and delicacy to this history.
Her film Break Ke Baad alongside of Imran Khan where she plays the role of Aaliya Khan, a young capricious girl who dreams of being a movie star, not a commercial success, but it still gets good criticisms that of Taran Adarsh: "I love the spontaneity she brought to her character. After Love Aaj Kal , Break ke Baad is another film where one can appreciate the talent of Deepika.
In late 2010, she played a different role, more traditional warrior while keeping love and romance dreams in Khelein Hum Jee Jaan Sey director Ashutosh Gowariker as a partner with Abhishek Bachchan . It's a film that plays on a sensitive point: the real story of twenty teens guided by independence activists including two women (Deepika Padukone, Vishakha Singh), carried by the struggle for the independence of India in 1930. Together, they attack a military post, steal weapons, vandalizing telegraph facilities and disrupt rail traffic. The film is inspired by a Bengali novel known in India, Do and Die: The Chittagong Uprising 1930-34 , Manini Chatterjee. The film is a big flop and disappointed critics who expected a film strongest emotions.
She began 2011 by an item number titled Mit Jaaye Gham , in the film Rohan Sippy Maaro Dum Dum , a popular song by Asha Bhosle in the 1970s It talks about sex, drugs and politics. In its 2011 edition, remixed by Pritam Chakraborty and choreographed by Bosco Martis and Caesar Gonsalves, Dum Dum Maaro renamed Mit Jaaye Gham , again a great success. However, opinions are mixed on this performance: Deccan Chronicle found that the no Deepika too mechanical Taran Adarsh while thought to ignite the screen .
Later, she played the daughter of Amitabh Bachchan in the film Prakash Jha, Aarakshan, the journalist Pratim D. Gupta says in The Telegraph India "Deepika Padukone brings freshness to this film, his two scenes Amitabh Bachchan - the one where she rebels and the other where it buys - shows the maturity and evolution of her acting game and talent .
It begins in 2012 with the film Rohit Dhawan, Desi Boys , alongside Akshay Kumar, John Abraham and Chitrangada Singh, where she played the role of Radhika Awasthi who dreams of a beautiful wedding, a honeymoon and sublime a beautiful home. Taran Adarsh love his performance and said, Deepika continues to evolve as an actress and once again proves his courage and talent.
The year 2013 is auspicious for Deepika Padukone as the four films in which she is showing top the box office India 19 . The first Race 2 (Abbas-Mustan) is an action movie rather disappointing despite quality distribution: Saif Ali Khan, John Abraham and Anil Kapoor . In the second, Yeh Jawaani Hai Deewani , she finds Ranbir Kapoor in a course conventional romantic comedy, but the merits of conducting Ayan Mukerji and interpretation are noticed by critics. The summer saw the release of Chennai Express directed by Rohit Shetty with Shahrukh Khan.
If the critics are reserved this action comedy that deals with light cultural differences and communication problems between the Indians of the North and South, spectators rush into the rooms allowing Chennai Express to set new records (provisional) at the box office of India. Ram-Leela , despite some difficulties with traditionalists Hindus who vainly trying to ban its release, also knows a great public success. Critics generally appreciate this film Sanjay Leela Bhansali as they welcome the sumptuousness and in which they noted the complicity of the couple Deepika Padukone shape with Ranveer Singh. This omnipresence on the screen allows him to receive several acting awards, including the prestigious Filmfare Award for Best Actress (Ram-Leela) and Screen Awards Best Actress awarded by the jury and the public (Ram-Leela , Chennai Express).
Deepika Padukone is an Indian actress and model. Deepika Padukone was born in Copenhagen, and is the daughter of Prakash Padukone, the international champion of badminton. It seems that Deepika is a very good player and the actress has encountered some difficulties to simulate a technique that was just an amateur. The sister of Deepika, Anisha, is dedicated to golf, and plays at the professional level.
After starting out in fashion, she has dedicated to acting. She started acting in music videos and her arrival on the big screen is dated 2006, with the film in Kannada Aishwarya. The following year she made his debut in Bollywood, with the famous film Om Shanti Om, in the part of the protagonist. With this interpretation earns nomination for Best Actress at the Filmfare Awards and won the Filmfare Best Female Debut Award.
Her main role in the world of cinema is that of interpreter and one of the most interesting works we can mention the participation in the film Chandni Chowk to China (2009) by Nikhil Advani, where she played the part of Sakhi / Meow Meow. In 2010 she also worked with Danish Aslam for the making of the film Break ke baad where she played the part of Aaliya.
My Choice video a decent attempt at defining the choices of a modern woman directed by Deepika Padukone and Homi Adajania has gone viral on YouTube. A video of the sexy superstar of Bollywood Deepika Padukone, which proclaim the rights of women, including that of having sexual relations outside marriage, has raised a heated debate on social Indians.
Before long, the movie, which is titled My Choice was seen by three million people and sparked many reactions, including a counter male video in favor of marital fidelity. The initiative was promoted by the Vogue India magazine to create a feminist consciousness in the country, often in the limelight for the violence against women and girls. The black and white video of Homi Adajania depicts 99 women interspersed with images of the actress.
There is a storm in India after the sexy superstar of Bollywood Deepika Padukone, released a video titled My Choice, in which she proclaim the rights of women, including that of having sexual relations outside of marriage. On social came on a violent debate for what appears to many a challenge in a country in many ways traditionalist.
The movie has collected in a short time three million people and sparked a flood of reactions, including a male counter-video in favor of marital fidelity. The initiative was promoted Indian edition of the monthly magazine Vogue and is dedicated as intended to create a feminist conscience in the country which in recent years is in the news for the violence against women and girls. The video director Homi Adajania, black and white and about two and a half minutes, depicts 99 women young and old in different attitudes and behaviors.
The images are interspersed with those of the actress who proclaims with great determination, their freedom of choice and independence. The 29 year old Padukone, who recently admitted publicly that she was being treated for depression, criticizes what she calls the obtuse mindset of men on the appearance and life choices of women. It's my choice to marry or not to marry me says in a sort of manifesto to have sexual relations before marriage or outside of marriage. Or not to have.
And then it is my choice to live my life as I want, to wear the clothes I like, to decide of my body as I want, when I have to get married, and if I want to be heterosexual or lesbian.
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