Directed by Sanjay Leela Bhansali, Bajirao Mastani will star Ranveer Singh, Deepika Padukone and Priyanka Chopra. After Devdas and Ram Leela, the filmmaker realized again a historical film and rumored budget could amount to Rs. 210 crores. Produced by Sanjay Leela Bhansali and Eros International, Bajirao Mastani could become one of the most expensive films of Bollywood.
We also learn that the film will trace a historical chapter on the Maratha, which suggests a lot of work on the sets, the director wanting to be the closest of authenticity. Added to this are the costumes and jewelry. Bajirao Mastani unless changed should be out on screens for Christmas 2015. Since it finally came to life, the huge project Bajirao Mastani continues to be talked about. Not content to be performed by one of the most acclaimed Indian filmmakers in the world, this project brings together a cast gold and boasts a huge budget all of which promise a major film. However, it will take our troubles patiently, as we have just learned that the film Sanjay Leela Bhansali finally did not come out for Christmas 2015.
Indeed, Bajirao Mastani was delayed for release in 2016 and the final date is still uncertain. The reason for this change program? Bhansali does not want to leave any detail to chance for this project he has been working for nearly fifteen years and filming takes longer than expected. While part of the filming is taking place in Rajasthan with Ranveer Singh and Priyanka Chopra, the majority of the scenes will be shot Deepika Padukone from September, given the hectic schedule of the actress. With this regrettable delay Bajirao Mastani , it would not be surprising that Rohit Shetty film with Shahrukh Khan jumps at the chance to benefit from a solo output to one of the most coveted dates of the year.
Those who have seen the movie Devdas from Sanjay Leela Bhansali will remember the song Dola Re Dola where Aishwarya Rai and Madhuri Dixit delighted us with his dance moves. But now two new divas of Bollywood share a dance sequence in a movie by the same director, this time the chosen will be Priyanka Chopra and Deepika Padukone.
It is known as the director Sanjay Leela Bhansali is working hard with Ranveer Singh , Deepika Padukone and Priyanka Chopra in his next film Bajirao Mastani period film set in the area of Rajasthan. In the story, Priyanka Chopra will play Kashibai, the first wife of Peshwa Baji Rao remarkable Indian general of eighteenth century played by Ranveer Singh, while Deepika will have the role of Mastani, his second wife.
The musical number is a classical Indian dance known as lavani and will be much more
ambitious than Dola Re nearest its referent. The song will be choreographed by famed choreographer Remo D'souza and shot in Mumbai for a period of 10 days. Both Priyanka and Deepika are training for the song. In addition, Deepika will have a number one dance classic, which will be choreographed by Kathak master Pandit Birju Maharaj. Just wait to see this dance we are sure will be a delight for the eyes.
Indeed, Sanjay Leela Bhansali had already announced its colossal project Bajirao Mastani for this date and this creates the possibility of a clash of titans for the month of December. Especially as the filmmaker does not seem decided to change its program. A misunderstanding that could be caused by media rumors that Bajirao Mastani ultimately not come out before 2016. The film is shot at a rate of war! Sanjay did not even know that Shah Rukh would change plan and announced that rumors that her film would be postponed. We are preparing for December 18 and the trailer will be released soon.
While King Khan and Bhansali share very friendly relationship, we hope that this monstrous clash will be avoided. One reason comes from the fact that the serious injury which Ranveer Singh suffers shoulder does not allow him to shoot action sequences for weeks. This factor alone would greatly upset the plans of Bhansali. And Bajirao Mastani is built on a much larger scale than Dilwale. The post will therefore take longer.
Similarly, after the announcement of Sultan for Eid 2016, we are left with a potential clash between Salman and Shah Rukh next year because Raees has already announced its output at that time. Again, good relations with Salman and SRK Yash Raj Films we could avoid one of the most bitter struggles in the history of Indian cinema at the exploitation of films. Hopefully these duels will be avoided, because in both cases, losses could be heavy for all films involved!
Sanjay Leela Bhansali is then released to roll Bajirao Mastani, a film based on a true story, the relationship between Peshwa Bajirao and Mastani, a legendary Indian dancer, but left the project aside and offered the actor Amitabh Bachchan a leading role in Black A film inspired by the life of Helen Keller , which also appears Rani Mukherjee . Black is totally atypical when compared with other Bollywood films and also got success of both critics and audiences. In late 2005 , he returned to interested Bajirao Mastani , but had to return to leave pending.
In 2007 was released Saawariya, a financial and critical failure. Guzaarish with Hrithik Roshan and Aishwarya Rai was released on November 19, 2010. Sanjay Leela Bhansali tried his hand at the film industry in 1989 . He was responsible for devising the musical parts of Parinda. In 1993, he was composer and writer 1942: A Love Story . And in 1996, he made his directorial debut Khamoshi: The Musical, which chronicles the life of a singer whose mothers are deaf and wants to make them share in passion. The story that unfolds in Khamoshi: The Musical moves away from Bollywood standard to reach a more diverse audience.
In 1997, Sanjay Leela Bhansali participated in kareeb and the following year he directed Hum Dil De Chuke Sanam , the story of a woman who leaves the man she is in love to marry another chosen by his family. Sanjay Leela Bhansali won five Filmfare Awards with Hum Dil De Chuke Sanam , adaptation of the novel by Saratchandra Chattopadhyay, Devdas with Shahrukh Khan, Aishwarya Rai and Madhuri Dixit . Since its premiere, the success of Devdas has exceeded the borders of India. The film was presented at the Cannes Film Festival and was nominated for the Oscars.
In his films, image and music are closely linked, creating a particular atmosphere, something that identifies. The same Sanjay Leela Bhansali recognizes that not start a movie without well defined his musical universe. Another feature of his creative process is seclusion during the making of his films, a feature it shares with Guru Dutt , which is great admirer.
Roop Tera Mastana is one of many interesting films in the production shipwrecked ocean of the Seventies, many elements tantalizing and bizarre twist of history make it a particular experiment from the results of recycling crafty fun. The plot is driven by the triangle standard hero heroine villain but the usual plot breaks down to give way to a continuous exchange of roles and dual roles, the architecture of the events is enjoyable as well as the soundtrack, the scenery, the excesses and touches of exoticism.
A poor girl (Mumtaz) is obliged to take the place of Princess Usha so that a relative corrupt (Pran) cash inheritance that will be delivered on the day of his eighteenth birthday, in the meantime, Kishore (Jeetendra), the boyfriend dell'ereditiera , he realizes the plan in place and wants to unmask the impostors.
The long and varied musical romantic baroque scenario takes its title from the famous song " Roop Tera Mastana "that accompanied a scene in the cult film Aradhana . The story is not lacking in romance and twists and even nostalgic songs and choreography winking, its high dose of sensuality, rather high when compared to the standards of the time, makes the long tug of war between Usha Kishore and a love story less glossy but the most intriguing and passionate.
RTM is one of those movies where anything can happen and groped to attack any genre label becomes a difficult task if not impossible, if Mumtaz is at the same time the village beautiful, aristocratic seductress and vamp, Jeetendra is to interpret a dual role even more bizarre: the spoiled young prince and his father the collegiate talker. The hero is confident and fashionable, wearing jeans and indulge in constant attitudes piacione, charming and confident as a true bollywood hero has to be likeable in comic scenes and ready to jump in any direction the story wants to take.
Usha is primarily a sex symbol from dizziness, following the changes in the character her wardrobe becomes bolder than ever, with the exaggerated hairstyles and dresses sewn on adding gowns with lace and transparencies, skirts and cropped top. The agreement between the two stars, Mumtaz and Jeetendra, is deliciously perfect. Despite Pran had to interpret for decades characters too similar to each other has given to each of them something unforgettable, Ajit, the unscrupulous and ruthless bad boy is the element that holds stitched the story and keeps the narrative to lose its intensity.
The frame becomes ever more opulent and extravagant, Khalid Akhtar was assistant director of Asif Karim during the filming of Mughal and Azam and this experience may also reveal the great abundance of luxuries and decorations that he chose for his film, we find environments bright, bizarre statues in drywall, curtains, veils and furnishings that betray the director's preference for the glittering fireworks set built with great patience, lost kingdoms of escapism and the visual contemplation.
Anubrata Bhalo Acho starring actors Ritwik Chakraborty, Swastika Mukherjee, Debleena directed by Partha Sen is a Bengali action and romance film.
Macho Mustanaa features actors Arun Banerjee, Hiran Chatterjee and Pooja Bose directed by Reshmi Mitra is a Bengali action and romance film produced under the banner of Remac Filmz Production.