Singh Is Bling previously known as Singh is Kinng 2 starring Akshay Kumar playing a Sardar in the film directed by Prabhu Deva is a comedy action Bollywood film produced by Ashwini. While Brothers is on display since Friday and did not keep a fairly steady pace during the week at the box office, Akshay Kumar already present his first film. And after a year marked by three serious films (Baby, Gabbar Is Back, Brothers), the actor presents a fourth film light years of the universe!
Akshay finds Prabhudheva to completion, and is remembered that the duo was allied to the blockbuster Rowdy Rathore, biggest hit of Akshay's career to date again. This time they play the card of the comic masala, although with a little action. The cast is also found Amy Jackson, Kay Kay Menon and Lara Dutta.
What about the trailer? It is signed by Prabhudheva! Yes, it's heavy, it goes in all directions, and it's great no matter what, however, the director-choreographer is always a joy to mix these elements. Singh Is Bling looks like a big fat masala comic totally assumed, the kind you love or hate it. There really is no middle ground with this kind of films. Although I am very sensitive to this, I admit that there are several elements that I welcome in this film: poster parody hilarious Captain America , the wholly improbable presence Kay Kay Menon villain (called Kay Kay Menon's well of Haider and Black Friday !) and then the sympathetic Amy Jackson that I enjoyed in I this year. For the rest, it must certainly be prepared to mislead his brain for watching! Expected release October 2, 2015.
Trailer
Singh Is Kinng is an Indian film in Bollywood conducted in 2008 by Anees Bazmee. It brings together Akshay Kumar and Katrina Kaif in the lead roles and is located in the Sikh community. The film was shot in 75% in Australia. The addition of n in the word king is due to the advice of a numerologist. The film was a success at the box office.
Happy Singh, generous but clumsy young man who lives in a village in Punjab, was entrusted with a mission to go on Australia in search Lucky Singh, a former village, which now rules the underworld local. Unexpected encounters with unexpected turns, the journey is full of surprises.
Akshay Kumar, finally crowned king of comedy after his debut in the roles of action and romantic movies it seems now the most trusted name in Hindi cinema, the only one capable of eroding the foundations of the holy triumvirate of Khan Shahrukh, Aamir and Salman. Outsider, tireless, skilled dancer, singer discrete, ties its name to the colossal success, and his irrepressible comic verve reap new victims every day. Film after film, rose to the top to the liking of the audience with a handful of plays, some really hilarious, abandoning to their fate the three contentious Khan, more and more bogged down dilemma which of us is the best.
The film is not memorable, but the contagious sympathy of Akshay gets a temporary suspension of judgment. The audience relaxes, glossing over obvious shortcomings of the film, leaving conquer general hilarity unleashed by the showman comedian number one in India, and has fun anyway. The puppeteer Anees Bazmee, creator of the little jewel No Entry and blockbuster in 2007 second only to Om Shanti Om with the comedy Welcome, he wrote and directed the film with his usual mastery.
The script, however, has a few stretch marks here and there that the assembly is not always compact, can not conceal. The story, inspired by Angels With Gun by Frank Capra, starring Glenn Ford and Bette Davis, proceeds in fits and starts sobbing, alternating peaks of pure fun too many pause too tired too colorless.
Akshay chasing chickens and destroying half the village is a must. The scatenatissima choreography of the song Bhootni Ke is enthralling. Kirron Kher is, as always up to par. Om Puri also. The gangster who recites misfortunes of every kind is irresistible. The second marriage ceremony staged in the film won the prize for originality, an objective not easy to achieve in a copious cinematography where every film is almost invariably accompanied by a wedding.
But the lethal blow is launched title-track, real smash hindi-pop of the year, accompanied by a kitsch video not to be missed. A billion Indians sings it in the shower and whistles at traffic lights. Impossible not to join in this chorus planetarium. More rarefied and sophisticated the interpreted version also by Snoop Dogg.
Singh Is Kinng, which is allowed in a cameo during the end credits. But the original only in Hindi Bas Ek Kinng is much higher. Clings to the nerve ganglia and puts its syncopated rhythm to the heartbeat. Standing ovation to composers: Pritam, already responsible for another resounding success hindi-pop, 'Dhoom MacHale', and the British bhangra band RDB (Rhythm Doll Bass). Maybe we'll forget the movie. Certainly not this piece.
Distributed in India on 8 August 2008, the film has secured promptly stellar earnings to the lucky holders of the rights, and gay towers on top of collections for the year, not at all intimidated by the explosive exploits of Rab Ne Bana Di Jodi and Ghajini. Waiting to see who has the last laugh, the film also enjoys the top spot in the special list of soundtracks.
Before starting his career as an actor full time, made several musical sequences in films. The first time he appeared as hero in a film was in Indhu with Red actress. Prabhu Deva has won the Filmfare Best Actor Award South . He is the son of legendary dance master Sundaram , and dancing is her passion. Beginning as a choreographer has been established as an actor. Currently he is a star in Kollywood thanks to its particular dance steps. Prabhu Deva's success can be attributed to its particular style dancing more than anything else.
He was inspired by his father Mugur Sundar, who was a popular dance teacher in South Indian films. Diva adopted dance as a career and passion, learning Bharatanatyam Indian dances as much as Western dance styles. His first film as a hero was Kadhalan (1994) and was the lead actress Nagma, which thanks to its dance Deva is saved. In 1999, Deva, Shobhana and AR Rahman acted with a troop of dancers in tamil "Michael Jackson and Friends" concert in Munich, Germany. It has a large following in the Tamil film industry, Telugu and Kannada.
Prabhu Deva is married Latha and have three children: Vishal Deva (born Basavaraju), Rishi and Aditya Raghavendra Deva Deva.
The eldest son, Vishal Deva died on December 4, 2008 with twelve years after suffering a cancer. The funeral took place the same day. Prabhu Deva first appeared in a song from the film Gentleman . Dancing skill he showed in the song Chiku buku Raile was enough to go crazy youth. He can be seen dancing in the bottom group with his brother Rajusundaram in the song "Raja Raja Rajathi" which his father was the director of choreography. After Gentleman was followed Kadhalan director S. Shankar with him as the protagonist. He convirtó in the sense of time of overnight, becoming known as an extraordinary dancer for their flexible movements.
Although he worked for a time as an actor, his talent was not recognized until Ezhayin Siripiley even in Pennin Manathai Thottu , his skill was praised. Prabhu Deva decided to direct a film in Telugu , Nuvvostanante Nenoddantana (2005) starring Siddharth and Trisha Krishnan , which was so successful that the same producer offered him another job. This film won the Award for best film awarded by the Government of Andhra Pradesh in the year 2005 . Trisha Krishnan won the award for best actress and Sri Hari best supporting actor.
1466 breaks Afanasij Nikitin (Oleg Strizhenov) from Lithuania on to Tver, where he sums up with some merchants the decision to travel to India. On the Volga they are attacked by Tartars. Only Athanasius and his friend Mihajlo Zamkov (Vitaly Belyakov) escape. You have to penetrate through the desert. While Mihajlo loses his life, to Afanasij joins a caravan and enters the coastal town Ormus. From there he set about with a sailing ship to India and achieved his goal in 1468 penniless. But in the Muslim principality he makes his way well.
He rescues the beautiful Champa (Nargis) after a snakebite life, he befriends Chasan Bek (Jairaj), the Messenger of Shirvan, and meets the Grand Vizier Mahmud Gavan (Prithviraj Kapoor). At the latest with the great success of Awaara in the Soviet Union and the whole Soviet bloc, India was a sought-after country. To support also due to socialist awakening in South Asia, Mosfilm initiated a Soviet-Indian co-production under the Russian title Khozhdenie za tri morya (translated: drive on three oceans), which translates into India under the name Pardesi (Stranger) ran.
The epic appeared after its completion in all sorts of languages and as many sockets interface. The now present double DVD presents the film in two parts and 143 minutes running length. Doing so should be an integral version. And a little long. Journey Beyond Three Seas, as the international titles, namely based on the travel experiences of the 1472 deceased Afanasij Nikitin, one of the first Russians who visited India, and reports - and accordingly also the movie: As a travelogue, mainly on Aiming to capture the exotic India. But his kindness, his culture and his socialist tradition.
This of course in line with the Mosfilm producers. Once Afanasij declared the Grand Vizier Mahmud Gavan (played by Prithviraj Kapoor, Mughal-e-Azam ), that he had seen much beauty in his country, but the wealth is unevenly distributed. Thus, it has then also almost to the political content of the film.
The rest is surprisingly banal for a Soviet-production - but why not free from irritation. On The Contrary. The first half hour, mainly directed by Vasili Pronin (1905-1966), is kept in the style of the former Russian film theory, want to be called, very theatrically and with ghastly make-slips. But when it comes to the Volga south to adventurous encounters sneak into the action. In India, the film then unfolds its full beauty. Large parts of this section staged KA Abbas, the director of Anhonee and Saat Hindustani , with the assistance of cinematographer Ramachandra ( Parwana ) and composer Anil Biswas. The scenes also because a truly Indian feel, although they are synchronized in Russian. The songs are in Hindi and stars like Nargis, Prithviraj Kapoor, David, Jairaj and Padmini pay their respects. In addition, of course, makes the landscape for Indian flair.
All the while, you can not shake the feeling that you would see a style of Fritz Lang movies "The Tiger of Eschnapur" and "The Indian grave". And although such takes place quite so Journey Beyond Three Seas has yet to serious advantage that it was actually shot in India with an Indian crew. Therefore Oleg Strizhenov remains mostly the astonished observer, the eye of the audience, so to speak. Especially profound his observations are admittedly never, but that he alone, as a Russian, they collect and process, they already make multilevel interesting cinematically (Russian film theory meets Bollywood style), historically and culturally, of course. In this meta-level, the film is ultimately probably even more exciting than if you take the content at face value.
He's just stop just a travel adventure. A beautifully filmed, never boring, but always superficial trip to an exotic world, which turns more to the Russians than to the Indians. The latter are the object of study and although they are active, they remain marginal figures. Central is always Afanasij Nikitin, although he only observed about his return home marks the climax of the film and underscores its patriotic intention: A journey into the unknown is all well and good, but in the end one might still back into the fold of return Mother Russia back.
Dreamworks has released the first trailer, poster and some posters for The Hundred-Foot Journey, drama starring Oscar winner Helen Mirren arriving in theaters on August 8. The film is produced by Steven Spielberg and Oprah Winfrey and the cast will also include Manish Dayal, Juhi Chawla, Om Puri, Charlotte Le Bon. Based on a book by Richard C Morais the story that finds its harmony between different cultures and habits especially cooking.
The Hundred-Foot Journey tells the story of the family Kadan, who decides to open an Indian restaurant in a small town in the south of France and in competition with the French restaurant of Madame Mallory (Mirren). But the competition will soon turn into friendship and each will be able to appreciate the cuisine of the other.
After the tragic death of his mother, the young Hassan moved with his family first to London and then in France, in the small village of Lumière. Here, accustomed since childhood to see her grandmother prepare Indian delicacies, takes its place in the kitchen of the Maison Mumbai, the restaurant opened at Villa Dufour from the great Abbas. For the family, it is a magnificent room, with a huge sign in gold letters and the traditional Hindustani music echoing from the speakers mounted in the garden of luck uncle Mayur.
Hassan Haji, the second of six children, was born above the restaurant of his grandfather, in Napean Sea Road in Mumbai and grew up watching the slender figure of his grandmother darting barefoot on the dirt floor of the kitchen, passed quickly slices eggplant in chickpea flour, gave a slap to the cook, handed him a crunchy almonds and loudly scolded her aunt.
All in a matter of seconds. After the tragic death of Hassan's mother, the family moved first to London and then to Lumière, in the heart of France, and the small Hassan takes the place of Ammi grandmother in the kitchen of the Maison Mumbai, the restaurant is open to the great Villa Dufour Abbas. A magnificent room for the Haji, with an impressive teaches in big golden letters on a green background Islam, and traditional Hindustani music echoing from the speakers of luck that uncle Mayur mounted in the garden.
Too bad that the restaurant is facing the Restaurant Le Saule Pleureur, whose owner, a certain Madame Mallory, decides to protest the mayor for the presence of an Indian bistro. So it would be really, were it not for the presence of a few meters of Le Saule Pleureur, restaurant of a certain Madame Mallory, who decides to go to protest the mayor for the presence in its vicinity of an Indian bistro.
Co-produced by the great Spielberg, Recipes Happiness , adapted from the book by Richard C. Morais "The hundred no travel", was released in theaters on September 10. The film is directed by Lasse Hallström, author of several more or less good comedies such as Chocolat or The Salmon in the desert . Its main frame a charming village in southwestern dear to the heart of the author of these lines, Saint-Antonin-Noble-Val, nestled deep in a valley gorges of the Aveyron, which quickly became one of protagonists of the story, with its narrow medieval streets, his stone hall, the town hall square and its market. Yes, it is exactly in the film like in real life! Picturesque, complex and full of contradictions.
Enough about Saint-Antonin. A beautiful sunny day, the Kadam family, who fled India after race riots, storm in a tired break on the hills overlooking the town. A big house for sale at the village entrance gives the father ( Om Puri ) the idea of opening an Indian restaurant and reconnect with the family tradition, and especially as the second son, Hassan (Manish Dayal ), not only the taste of cooking but also a real talent for it. Everything would be better if there was a little problem specific to seize this great project. On the other side of the road, just a hundred yards, the inn is located Mrs. Mallory (Helen Mirren), the weeping willow , 1 Michelin star, the president himself and various ministers regularly honor of their presence.
This family comedy, culinary and romantic, a little walk in the footsteps of The Lunchbox . Surely the good cheer allows lonely people to reconnect with life and its pleasures. Without the subtlety of the film Ritesh Batra, cooking Swedish filmmaker is digestible and light. It has been criticized for being too sweet. For the sauce takes this kind of composition, it is better we seem to put sugar or honey instead of gall. However, at the turn of some farcical situations are discussed, of course without dwelling there, more serious themes, the rejection of the other, racism, fierce competition among rivals. The story of ambition and a social and financial success, those of a "from elsewhere" leader among the top chefs hexagonal, which was central in the book, here is sidelined or even downright evacuated . And that's fine.
The relationships between the characters, their progressive development towards a renaissance of sorts that goes through the taming of the flavors are at the heart of the film Hallström. By tightening the plot in a fairly short time, screenwriter Steven Knight, he deftly introduces a romance instead as both the engine Hassan desire for success, instead of ambition - no film in this type of comedy - and as a safeguard to the latter. The competition between Hassan and the young deputy chief Margaret (Charlotte Le Bon) is a love that professional jousting competition. They speak the same language, that's what he wants to show him and she does not understand at first.
It should also say that the film is carried by the actors. We enjoy meeting Om Puri excellent and at this point in an endearing and contrasting role. The paterfamilias Indian endearing but somewhat limited, the awkward charmer, he developed very elegantly a very nuanced set of palette, facing the formidable imperial and Helen Mirren. Perfect as usual. And we do not care that an English actress was chosen to embody a typical restorative frenchie when she her talent. Charlotte Le Bon, former Miss Weather Canal Plus, a camping Margaret, as fresh as the name it bears in the film. The prize goes to Manish Dayal. The young American actor, who instead turned in television series so far, is not only beautiful, but it also brings to the role all the candor (perfectly crisp for the female audience), which is essential to it. You want to see him often in film. One more word about Juhi Chawla , we unfortunately see very little cameo in an undeveloped part of the Indian scenario. In mother blackberry family, she is amazing and we begin to regret that his character does not survive longer.
The only one who seems less comfortable is Michel Blanc. In the skin of the mayor, it ensures minimum service. Admittedly, his character is sacrificed; seen permanently seated under the disapproving eye of his wife. But maybe is this image, photograph, what inspired Saint-Antonin and surrounding scriptwriter and director? Such a region spoiled by nature could only have good living councilors whose main occupation is eating and resolve local problems waves between pear and cheese. Curious caricature anyway, even in a feature film revolving around fine dining!
Humour aside, the registry rather than the delicacy and tenderness. The scandalized air children when they learn that their father bargained their first hotel stay, on arrival in the village, or imaginary dialogues Om Puri with his late wife are good examples. But the rivalry between the weeping willow and House Mumbai leads to comical scenes, like when Dad Kadam solicits customer literally at the door of his restaurant wearing a large turban, having hoisted an unlikely scene in front of his door kitchissime the frightened eyes of the distinguished Mrs. Mallory: the perfect illustration of the clash of cultures.
The music itself becomes quickly one of the characters of the film, sometimes used as a weapon of war, sometimes as a tool for reconciliation. We owe to the AR Rahman . You could hardly find better to agree to the feelings of the characters. He subtly mixes accents and western songs to extracts of Bollywood songs (meaning the passage Lata Mangeshkar and Kishore Kumar) depending on the mood. Dance Helen Mirren and Om Puri in a nostalgic melody Aznavour ( Yesterday ) is a very emotional moment.
So in conclusion, The Hundred-Foot Journey is a real "feel good movie", a film which is spring time happy ... at least for a few hours after the projection. For it must be recognized that if the movie satisfies, it does not leave you with unforgettable memories as some great American comedies of yesteryear. But who knows! Let it age, it takes a lot of the story and like all stories, it shall allow no doubt taking the bottle.
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