There are few records mentioning girls or women working on the cattle trails of the Old West. However women did considerable ranch work, and in some cases (especially when the men went to war or on long cattle drives) they even ran them. There is little doubt that women, particularly the wives and daughters of men who owned small ranches and could not afford to hire large numbers of outside laborers, worked side by side with men and thus needed to ride horses and be able to perform related tasks. The largely undocumented contributions of women to the west were acknowledged in law; the Western States were the first in the US to grant women the right to vote, beginning with Wyoming in 1869. Early photographers such as Evelyn Cameron documented the life of working ranch women and cowgirls during the late 19th and early 20th century.
It wasn’t until the advent of Wild West Shows that “cowgirls” came into their own. These women were skilled performers, demonstrating riding, expert marksmanship, and trick roping which entertained audiences around the world. Women such as Annie Oakley became household names. By 1900, skirts split for riding astride became popular, and allowed women to compete with men without scandalizing Victorian Era audiences by wearing male clothing or, worse yet, bloomers. In the movies that followed from the early 20th century on, cowgirls expanded their roles in the popular culture and film designers developed attractive clothing suitable for riding Western saddles.
Independent of the entertainment industry, the growth of rodeo brought about the image of the rodeo cowgirl. In the early Wild West shows and rodeos, women competed in all events, sometimes against other women, sometimes with the men. Cowgirls such as Fannie Sperry Steele rode the same “rough stock” and took the same risks as the men (and all while wearing a heavy split skirt that was more encumbering than men’s trousers) and competed at major rodeos such as the Calgary Stampede and Cheyenne Frontier Days.
While impractical for everyday work, the sidesaddle was a tool that gave women the ability to ride horses in “respectable” public settings instead of being left on foot or confined to horse-drawn vehicles. Following the Civil War, Charles Goodnight modified the traditional English sidesaddle, creating a western-styled design. The traditional charras of Mexico preserve a similar tradition and ride sidesaddles today in charreada exhibitions on both sides of the border.
Rodeo competition for women changed in the 1920s due to several factors. After 1925, when Eastern promoters started staging indoor rodeos in places like Madison Square Garden, women were excluded from the men’s events, and many of the women’s events were dropped. Also, the public had difficulties with seeing women seriously injured or killed, and in particular, the death of Bonnie McCarroll at the 1929 Pendleton Round-Up led to the elimination of women’s bronc riding from rodeo competition.
In today’s rodeos, men and women compete equally together only in the event of team roping, though technically women now could enter other open events. There also are all-women rodeos where women compete in bronc riding, bull riding, and all other traditional rodeo events. However, in open rodeos, cowgirls primarily compete in the timed riding events such as barrel racing, and most professional rodeos do not offer as many women’s events as men’s events.
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