To no surprise at all, the Metropolitan Opera has just announced Yannick Nézet-Séguin as its next music director.
As we foretold, the incoming music director will not take up his duties until 2020-21, leaving the company in an uncomfortable state of interregnum.
Even more complicated, Yannick let it be known today that he has renewed with the Philadelphia Orchestra until 2025-26, an exceptionally long contract and one which seems to declare that his first loyalty is with Philly.
And there is no suggestion of the Montreal maestro giving up his association with his hometown Orchestre Métropolitain.
All of which indicates that the Met has replaced a unique music director, James Levine, with a younger man who is not available for several years to come and whose affinities will often lie elsewhere.
Not a great deal.
UPDATE: The panic over Yannick.
Typically, the Met released the news first through its press office, the New York Times, which followed up with a choreographed hallelujah by Zachary Woolf.
A press release follows below:
New York, NY (June 2, 2016) – The Metropolitan Opera announced that the acclaimed conductor Yannick Nézet-Séguin will be the company’s new Music Director. The position has previously been held by only two artists in the company’s storied 133-year history—James Levine, who after 40 years in the position stepped down at the end of the recently concluded season to become the company’s first Music Director Emeritus, and Rafael Kubelik, who held the title briefly in the company’s 1973-74 season.
In the Met’s 2017-18 season, Nézet-Séguin will assume the interim title of Music Director Designate. He will become Music Director in the 2020-21 season, the first season in which he is available to take over the full responsibilities of the position. However, he will immediately become involved in the company’s artistic planning, which happens many years in advance. As Music Director, Nézet-Séguin will be responsible for the overall musical quality of the Met. He will have artistic authority over the company’s orchestra, chorus, and music staff, and will work in tandem with Met General Manager Peter Gelb to oversee the planning and casting of each Met season, including repertoire choices, new productions (including the selection of creative teams), revivals, and commissions.
Nézet-Séguin will initially conduct five different operas each season he is Music Director, as well as concerts with the Met Orchestra. In each of the seasons in which he is Music Director Designate, Nézet-Séguin will conduct two operas. Next season at the Met, he will conduct his first Wagner opera with the company, a revival of Der Fliegende Holländer. “Becoming the Music Director of the Metropolitan Opera is the fulfillment of a lifelong dream for me,” said Nézet-Séguin. “I am truly honored and humbled by the opportunity to succeed the legendary James Levine and to work with the extraordinary orchestra, chorus, and staff of what I believe is the greatest opera company in the world. I will make it my mission to passionately preserve the highest artistic standards while imagining a new, bright future for our art form.”
“Yannick was the clear choice of the Company,” said Gelb. “He is the right artist at the right time to lead us forward into a new and what I believe will be a glorious chapter in the history of the Met.”
“The Metropolitan Opera has been the great artistic love of my life, and it has been tremendously rewarding to see the company develop and improve over the past 45 years,” said Levine. “I offer my heartfelt congratulations to Yannick on taking the musical reins, and I look forward to seeing the good work continue under his watch.”
“The MET Orchestra enjoys a tremendously fruitful, positive relationship with Maestro Nézet-Séguin, and we are delighted in his appointment as Music Director,” said Jessica Phillips, clarinetist and chair of the Met’s Orchestra committee. “He embodies the artistic leadership, musical excellence, and respect for rich tradition that opera lovers around the world have come to cherish. We eagerly look forward to working together to shape this new era at the Met.”
“The singers and stage performers at the Met welcome Yannick Nézet-Séguin, joining the historic line of artists from James Levine’s great tenure back to Toscanini and Mahler,” said David Frye, tenor and chair of the Met’s chorus committee. “Yannick has led great performances with the company, and we’re eager to expand our collaboration.”
Nézet-Séguin made his Met debut in the 2009-10 season, conducting a new production of Bizet’s Carmen. He has returned in every subsequent season, leading acclaimed performances of Verdi’s Don Carlo, Gounod’s Faust, Verdi’s La Traviata, and Dvořák’s Rusalka. He led the opening night performance of the Met’s 2015-16 season, a new production of Verdi’s Otello.
Nézet-Séguin’s operatic career was launched when he was appointed Chorus Master and Assistant Conductor of the Montreal Opera at age 23. Since then, he has conducted a wide breadth of repertoire at a number of the leading companies, including the Vienna State Opera; the Royal Opera House, Covent Garden; La Scala; Dutch National Opera; and the Salzburg Festival, in addition to the Met. He is also a frequent guest conductor of the Berlin Philharmonic, the Vienna Philharmonic, the Bavarian Radio Symphony Orchestra, the London Philharmonic, and the Chamber Orchestra of Europe.
Since 2012, Nézet-Séguin has been Music Director of the Philadelphia Orchestra, which announced today that he has extended his contract with them through 2025-26. (A separate press release on that announcement is available.) Given the close proximity of New York and Philadelphia, Nézet-Séguin will be able to easily commute between his two posts, and the Met and the Philadelphia Orchestra will also be exploring the possibilities for artistic collaboration between the two institutions.
He is also the Music Director of Montreal’s Orchestre Métropolitain and of the Rotterdam Philharmonic, a position he will resign at the conclusion of the 2017-18 season.