Jean Harlow propped up on a leaning board between scenes for “Dinner at Eight” (’33). The Adrian designed gown was so tight that Harlow could not sit. In fact, Harlow was sewn into the gown — sans underwear.
Leaning boards ( also called Slant boards) were invented for Hollywood players to relax between takes. Frequently, the costumes were cut on the bias, and tailored so snugly that the actor could not sit without bursting a ladder of seams. In fact, most of the time, there were no zippers or buttons on the costumes. Actors were stitched into their garments.
When you see Jean Harlow in Dinner at Eight, and marvel at the impeccable fit of the famous white silk gown, be aware that Harlow’s mobility was severely limited. In fact, just breathing was something of a chore.
Remember, classic Hollywood movies were designed to project images of glamour. For the screen, costumes had to be photogenic. Comfort and practicality were of little concern.
These days, leaning boards are still in use, but they are the exception rather than the rule.
Leaning boards were frequently used not just because of the impossibly tight fit, but for the enormous weight of the costume. In this photo, Jane Halsey is wearing a 102-pound beaded costume for “The Great Ziegfeld” (’36).
Director Roy Del Ruth and leading lady Alice Faye between takes of “On the Avenue” (’37).
Lena Horne leans between takes on “I Dood It” (’43).
Katherine Hepburn and the great costume designer Walter Plunkett on the set of “Sea of Grass” (’47).
Susan Hayward leans and knits between takes of “The Lost Moment” (’47).
Kim Novak leans and looks less than amorous on the set of “The Amorous Adventures of Moll Flanders” (’65).
My Lulav and Etrog lean in the Casa Avrech Succah. Tonight begins the holiday of Succot. Seraphic Secret will be off-line until Monday. Karen and I wish all our friends and relatives a lovely and meaningful Succot.