2012-07-02

City Symphonies Reg Hartt’s Cineforum

by Will Sloan February 28, 2012

Cities are alive. And a city’s constituent parts often say something about the whole. City Symphonies are short, personal essays about the neatest, weirdest, or otherwise definitive corners of Toronto.

The scariest part of visiting the Cineforum is just making it through the door. I have been to Reg Hartt’s living-room movie theatre at 463 Bathurst maybe two dozen times, but still feel trepidation walking up those front steps with “abandon all hope, ye who enter here” written in Greek scrawled on them.



(Actually the sign in Greek at the top below the arch says, “Be aware all you who enter here.” An unaware person is already damned. The steps clearly do not have “abandon all hope, ye who enter here” on them.–Reg)

 

I know I’m not alone. We’ve all see those ubiquitous posters for screenings of Triumph Of The Will and spoken-word events with titles like “The Night They Raided Rochdale College,” and heard tales of impatient audience members being thrown out in the middle of pre-screening “lectures”—but, even among cinephiles, I know hardly anyone who has been more than once, if at all. Now that Reg Hartt is back in the news after closing the Cineforum for the third time in four years, then quickly reopening it, it’s time to reconsider one of the most whispered-about but least-appreciated Toronto film venues.

Even more than his unusual venue, Hartt himself seems to unnerve people. He’s an eccentric. I remember my first visit, on my 14th birthday, to see a selection of early Charlie Chaplin shorts. Hartt’s introduction, about how the education system brainwashes us into conformists, ran almost as long as the combined films. (Chaplin’s genius, you see, came from the London streets, not from schools.) One of Hartt’s most unusual offerings is “What I Learned From LSD,” his two-hour video lecture about his life—a tangled and difficult-to-follow web involving God, sex, cinema, Rochdale College, and, yes, LSD (not necessarily in that, or any, order). It’s like every one of Hartt’s lectures rolled into one wild package.

So maybe Hartt’s lectures aren’t your cup of tea. Fair enough. But if you ignore the Cineforum, then you ignore some of the strangest and most interesting film programming this city has to offer. You miss rare public screenings of oddities like Cocksucker Blues, Behind The Green Door, El Topo, and King Kong Vs. Godzilla. You miss Hartt’s programs of uncensored cartoons from the ’30s and ’40s, featuring the violent, sexual, and racist exploits of your favourite rabbits, ducks, and sailors. (Perhaps you’ve already seen Bugs Bunny in blackface on YouTube, but how about Eveready Harton In “Buried Treasure,” a genuine obscenity about a horny little man with a giant, removable erection?) You miss the curious experience of a film screening in a man’s living room. It is one thing to see films by Fritz Lang, Pier Paolo Pasolini, Luis Bunuel, and Salvador Dali in the comfort of a museum; it’s another to see them in an environment that makes them feel subversive again.

What I like about Hartt, and what I believe makes him a valuable figure, is his belief in cinema as a living, breathing thing—something to be enjoyed and argued about, not genuflected-at, or framed on a wall and revered at a respectful distance. In his presentations, he attempts to refute the conventional wisdom that films like Birth Of A Nation, The Battleship Potemkin, and The Phantom Of The Opera are better appreciated as historical artifacts than entertainments. To see “Kid Dracula,” his show that pairs F.W. Murnau’s Nosferatu (1922) with Radiohead to surprisingly effective results, is to be reminded that the classics were made for the raw public before they were made for cinema studies syllabi.

For years, Hartt has been able to operate the Cineforum out of his home on the (thin) pretense that it was either a club (show up the first time and receive a lifetime membership) or a meeting of a friends (show up the first time and make a new friend in Hartt). In recent years, the Cineforum has teetered on the brink of extinction a few times, most recently when the city threatened closure for bylaw violations.

But someone intervened—reportedly Mayor Ford himself—and now the red-neon “Cineforum” sign is lit anew (and Hartt has become an unlikely but adamant Ford supporter). And, of course, there was last week’s flap, part of Hartt’s long-running feud with rival poster distributor Jamie Gillis, perhaps the first time that Reg has been successfully out-crazied. (All of the complaints against The Cineforum were authored by Gillis.–Reg).

For most, the closure of this Toronto institution would be little more than a footnote. I think we take the Cineforum for granted. In 2008, when I interviewed Hartt for a profile in The Varsity, he said, “When people come out and pay their money to see a film, they’ve come to be astonished, and when you’re in a classroom, you’re not sitting there to be astonished.  It’s a whole attitude of superiority to what you’re seeing… Usually, students especially miss the mark on them, largely the fault of their teachers, who bring a great weight to this work that was never there in the first place.” The relentlessness of Hartt’s attacks on the education system can be wearying, but I wonder if he might be on to something. On a visceral level, I have rarely felt a film’s greatness in a classroom, but I have often felt it at the Cineforum.

http://www.avclub.com/toronto/articles/reg-hartts-cineforum,69938/

I am far from the only person saying what I say. Andre Gide, a French writer, said, “Everything that needs to be said has been said but there is no harm in saying it again as no one listens.”

Actually, more than a few who have heard me have listened.

THE LIGHT

MADE FLESH

REBORN AS LIGHT

“It is good taste not bad taste which is the enemy.”-Salvador Dali.

“The function of the artist is to disturb. His duty is to arouse the sleeper, to shake the complacent pillars of the world. He reminds the world of its dark ancestry, and shows the world its present and points the way to its new birth. He is at once the product and preceptor of his times.”-Norman Bethune.

A person who sees them self as Bethune calls us to be would be like an Old Testament prophet.

“You have no need that any man should teach you.”-1 John 2:27.

“Film students should stay as far away from film schools and film teachers as possible. The only school for the cinema is the cinema.”-Bernardo Bertolucci.

“Admit, assume, because, believe, could, doubt, end, expect, faith,

forget, forgive, guilt, how, it, mercy, pest, promise, should, sorry,

storm, them, us, waste, we, weed-neither these words nor the

conceptions for which they stand appear in this book; they are the

whiteman’s import to the New World, the newcomer’s contribution to the

vocabulary of the man he called Indian. Truly, the parent Indian

families possessed neither these terms nor their equivalents.”

–Ruth Beebe Hill, HANTA YO.

Imagine growing up in a world where the words admit, assume, because, believe, could, doubt, end, expect, faith,

forget, forgive, guilt, how, it, mercy, pest, promise, should, sorry, storm, them, us, waste, we, weed because the concepts for which they stand were not a part of that world. Imagine how strong you would be inside. These concepts are rust on the self.

“He who without the Muse’s madness in his soul comes knocking at the

door of poesy and thinks that art will make him anything fit to be

called a poet, finds that the poetry which he indites in his sober

senses is beaten hollow by the poetry of madmen.”-Plato.

Salvador Dali was kicked out of art school. His teachers told him he

had no talent and that he was a bad influence on his classmates. Dali

was lucky. At that moment in his life the one thing he most wanted

hung between the legs of his friend Federico Garcia Lorca. When Lorca

left Spain for Paris Dali, a dog following a bitch in heat, trailed

after. Never underestimate the importance of sexual attraction. It is

that pillar of fire which leads us by night; the pillar of smoke which

leads us by day.

“It is, in fact, nothing short of a miracle that the modern methods of

instruction have not entirely strangled the holy curiosity of inquiry;

for this delicate little plant, aside from stimulation, stands mainly

in need of freedom; without this it goes to wrack and ruin without

fail. It is a very great mistake to think that the enjoyment of seeing

and searching can be promoted by means of coercion and a sense of

duty.”–Albert Einstein (whose teachers thought him retarded).

“My schooling not only failed to teach me what it professed to be

teaching, but prevented me from being educated to an extent which

infuriates me when I think of all I might have learned at home   by myself.”–George Bernard Shaw.

“Men are born ignorant, not stupid. They are made stupid by

education.”–Bertrand Russell.

“School is an institution built on the axiom that learning is the

result of teaching. And institutional wisdom continues to accept this

axiom, despite overwhelming evidence to the contrary.”–Ivan Illich.

“We get three educations. The first is from our parents; the second is

from our schoolmasters. The third is from life. The last makes liars

of the first two.”–Montesquieu.

“I had wonderful teachers in the first and second grades who taught me

everything I know. After that, I’m afraid, the teachers were nice, but

they were dopes…I have a lack of ideology, and not because I have an

animus against any particular ideology; it’s just that they don’t make

sense to me…they get in the way of thinking. I don’t see what use they

are…University and uniformity, as ideals, have subtly influenced how

people thought about education, politics, economics, government,

everything…We are misled by universities and other intellectual

institutions to believe that there are separate fields of knowledge.

But it’s clear there are no separate fields of knowledge. It is a

seamless web.”

-Jane Jacobs whose books, from her first, THE DEATH AND

LIFE OF THE GREAT AMERICAN CITIES to her last, DARK AGE AHEAD, are

must reading. DARK AGE AHEAD is a warning being ignored. Kurt Vonnegut expressed the same message before his death.

“To outrage public opinion was a basic principle of dada…The devising

and raising of public hell was an essential function of any dadaist

movement, whether its goal was pro-art, non-art, or anti-art. And when

the public, like insects or bacteria, had developed immunity to one

kind of poison, we had to think of another.”

-Hans Richter, THE DADAIST MANIFESTO.

Riots at the last great Dadaist evening led to the public banning of

the movement in Paris. From the ashes of Dada rose the phoenix of

Surrealism.

From AN OPEN LETTER TO SURREALISTS EVERYWHERE by Henry Miller:

“Below the belt all men are brothers. Man has never known solitude except in

the upper regions where one is either a poet or a madman-or a criminal…

The brotherhood of man is a permanent delusion common to idealists

everywhere in all epochs; it is the reduction of the principle of

individualation to the least common denominator of intelligibility. It

is what leads the masses to identify with movie stars and

megalomaniacs like Hitler and Mussolini…In every age, just as in every

life worthy of the name, there is the effort to reestablish that

equilibrium which is disturbed by the power and tyranny which a few

great individuals exercise over us. This struggle is fundamentally

personal and religious. It has nothing to do with liberty and justice,

which are idle words signifying nobody knows precisely what…It

consists not in denying these exemplars (of the past), but in

absorbing them, and eventually surpassing them. Each man has to do

this for himself….It is forgotten that the glorious Greeks, whom we

never cease admiring, treated their men of genius more shamefully,

more cruelly perhaps than any other people we know of. It is forgotten

that the mystery which attaches itself to Shakespeare’s life is a

mystery only because the English do not wish to admit that Shakespeare

was driven mad by the stupidity, non-understanding and intolerance of

his countrymen, that he finished his days in a mad-house.

“Life is either a feast or a famine…Right now it is pretty much of a

famine…The famine we are living through is a peculiar one in that it

occurs in the midst of plenty. It is more of a spiritual famine than a

physical one. People are not fighting for bread this time, but for a

right to their piece of bread which is a distinction of some

importance, Bread, figuratively speaking, is everywhere, but most of

us are hungry. Shall I say-especially the poets? I ask because it is

the tradition of poets to starve. It is a little strange therefore to

find them identifying their physical hunger with the spiritual hunger

of the masses. Or is it vice versa? Anyway, now we are all starving,

except the rich, to be sure, and the smug bourgeoisie who have never

known what it is to starve, either spiritually or physically.

“Originally men killed one another in the direct pursuit of booty-

food, weapons, implements, women, and so on. There was a sense to it.

Now we have become sympathetic and charitable and brotherly, but we go

on killing just the same, and we kill without the least hope of

attaining our ends. We kill one another for the benefit of those to

come, that they may enjoy a life more abundant (the hell we do).

“…When at last each man realizes that nothing is to be expected from

God, or society, or friends, or benevolent tyrants, or democratic

governments, or saints, or saviours, or even that holiest of holies,

education, when each man realizes that he must work with his own hands

to save himself, and that we need expect no mercy, perhaps then…

Perhaps! Even then, seeing what manner of men we are, I doubt. The

point is that we are doomed…No God is coming to save us. No system of

government, no belief will provide us with that liberty and justice

which men whistle for with the death-rattle….What distinguishes the

majority of men from the few is their inability to act according to

their beliefs. The hero is he who raises himself above the crowd…To

get men to rally round a cause, a belief, an idea, is always easier

that to persuade them to live their own lives.

“The role the artist plays in society is to revive the primitive,

anarchic instincts which have been sacrificed for the illusion of

living in comfort…

‘”I came not to bring peace, but a sword!’ said the great

humanitarian. That is not the utterance of a militarist, nor is it the

utterance of a pacifist; it is the utterance of one of the greatest

artists who ever lived. If his words mean anything they mean that the

struggle for life, for more life, must be carried on day by day. It

means that life itself is struggle, perpetual struggle. This sounds

almost banal, and in fact it has become banal, thanks to the frog-like

perspective of Darwin…

“For my part, I will say that whatever else I may want, I know I don’t

want work. To live as an artist I stopped work some ten or twelve

years ago…Naturally I was not paid to stop work and live as an artist…

if one chooses to live his life in his own way he must pay the penalty…

I need no leader and no god. I am my own leader and my own god. I make

my own bibles. I believe in myself-that is my whole credo.

“…My books are banned in the only countries where I can be read in my

own tongue. I have enough faith in myself however to know that I will

eventually make myself heard, if not understood. Everything I write is

loaded with dynamite which will one day destroy the barriers erected

against me.

“…I am against revolutions because they always involve a return to the

status quo both before and after the revolutions. I don’t want to wear

a black shirt or a red shirt. I want to wear the shirt to suit my

taste…Fuck your capitalistic society! Fuck your Communistic society

and your Fascist society and all other societies! Society is made up

of individuals. It is the individual who interest me-not the society.

“…Freud created a fiction which helped him pass the time away…

“So long as (man) cannot operate as a savage or less than a savage,

and think as a god, or better than god, he will suffer…A man who is

full of God is outside of faith…When a man is truly creative he works

single-handed and he wants no help. A man acting alone, on faith, can

accomplish what trained armies are incapable of doing. To believe in

one’s self, in one’s own powers, is apparently the most difficult

thing in the world…Whenever an English artist of any value has arisen

he has been marked as Public Enemy No. 1.”

This is just a brief excerpt. The complete text can be found in THE COSMOLOGICAL EYE by Henry Miller).

The history of the human race has always been, that the theorists

(priests) of one generation collect examples and make rules out of

them from the lives of the preceding generation, which did not know it

was making rules.

“So we shall let the reader answer the question for himself, ‘Who is the happier man? He who has braved the storm of life and lived, or he who has stayed securely on the shore and merely existed?”

– Hunter S. Thompson (FEAR AND LOATHING IN LAS VEGAS) in his high school year book at 17.

“The child sees more clearly than the adult (who has already decided what he will and will not see).”–William S. Burroughs.

This is why Jesus teaches that we must become as a child before we can see the Kingdom of God. To be born again does not mean that we become censors of others and of ourselves. What child ever censored its thoughts?

“We have the seed of God in us,” writes Meister Eckhart, “Pear seeds grow pear trees. Hazel seeds grow hazel trees. God seeds grow God.”

We live in a war based economy. For people to have jobs we need wars.

The invisible war on terror is the perfect war.

In his book FOUR ARGUMENTS FOR THE ELIMINATION OF TELEVISION Jerry Mander writes, “In

retrospect we can see what should have been obvious all along. The Great Depression of the 1930′s never ended. It went underground, covered over by a war which created jobs and expanded industrial capacity, and then, when the war was over, by an advertising fantasy, a pipe dream sold to us with a purpose.”

From ON LIBERTY by John Stuart Mill…

“The initiation of all wise or noble things comes and must come from individuals; generally at first from some one individual. The honor and glory of the average man is that he is capable of following that initiative; that he can respond

to wise and noble things: I am not countenancing the sort of ‘hero worship’ which applauds the strong man of genius for forcibly seizing on the government and making it do his bidding in spite of itself. All he can claim is freedom to point the way. The power of compelling others into it is not only inconsistent with the freedom and development of the rest, but corrupting to the strong man himself. It does seem, however, that when the opinions of masses of merely average men are everywhere become or becoming the dominant power, that the counterpoint and corrective to that tendency would be the more and more pronounced individuality of those who stand on the higher eminences of thought. It is in these circumstances most especially, that exceptional individuals, instead of being deterred, should be encouraged in acting differently from the mass. In other times there was no advantage in doing so, unless they acted not only differently but better. In this age, the mere example of non-conformity, the mere refusal to bend the knee to custom, is itself a service. Precisely because the tyranny of opinion is such as to make eccentricity a reproach, it is desirable, in order to break through that tyranny, that people should be eccentric.

“Eccentricity has always abounded when and where strength of character has abounded; and the amount of eccentricity in a society has generally been proportional to the amount of genius, mental vigor and moral courage it contained. That so few now dare to be eccentric marks the chief danger of the time.”

“Any fool can make a law. Every fool will keep it.”-Henry David

Thoreau.

“Property is theft.”-Pierre Joseph Proudhon.

“The reliance on Property, including the reliance on governments which

protect it, is the want of self-reliance,” Ralph Waldo Emerson writes

in ON SELF-RELIANCE, “Insist on yourself; never imitate. Your own gift

you can present every moment with the cumulative force of a whole

life’s cultivation; but of the adopted talent of another you only have

an extemporaneous half possession. That which each can do best, none

but his Maker can teach him. No man yet knows what it is, nor can,

till that person has exhibited it. Where is the master who could have

taught Shakespeare? Where is the master who could have instructed

Franklin, or Washington, or Bacon, or Newton? Every great man is

unique. The Scipionism of Scipio is precisely that part he could not

borrow. Shakespeare will never be made by the study of Shakespeare. Do

that which is assigned you, and you cannot hope too much or dare too

much…

“Whoso would be a man, must be a nonconformist. He who would gather

immortal palms must not be hindered by the name of goodness, but must

explore if it be goodness. Nothing is at last sacred but the integrity

of your own mind. Absolve you to yourself, and you shall have the

suffrage of the world. I remember an answer which when quite young I

was prompted to make to a valued advisor who was wont to importune me

with the dear old doctrines of the church. On my saying, ‘What do I

have with the sacredness of traditions, if I live wholly from within?’

my friend suggested, ‘–But these impulses may be from below, not from

above,’ I replied. ‘They do not seem to me to be such; but if I am the

Devil’s child, I will then live as one from the Devil.’ No law can be

sacred to me but that of my own nature. Good and bad are but names

transferable to that or this; the only right is what is after my

constitution; the only wrong what is against it…I am ashamed to think

how easily we capitulate to badges and names, to large societies and

dead institutions.”

PROVERBS FROM HELL, William Blake.

Improvement makes straight roads; but the crooked roads without

improvements are the paths of genius.

The tigers of wrath are wiser than the horses of instruction.

You never know what is enough unless you know what is more than

enough.

What is now proved was once only imagined.

Sooner murder an infant in its cradle than nurse unacted desires.

The road of excess leads to the palace of wisdom.

He who desires but acts not breeds pestilence.

No bird soars too high, if he soars with is own wings.

If the fool would persist in his folly he would become wise.

SELF PITY

I never saw a wild thing feel sorry for itself.

The small bird will drop frozen dead from the bough of the trees

without ever once having felt sorry for itself.

–D. H. Lawrence.

Until One Is Committed

Until one is committed there is hesitancy, the chance to draw back, always ineffectiveness. Concerning all acts of initiative (and creation), there is one elementary truth, the ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then Providence moves too. All sorts of things occur to help one that would never otherwise have occurred. A whole stream of events issues from the decision raising in one’s favor all manner of unforeseen incidents and meetings and material assistance, which no man could have dreamt would have come his way. I have learned a deep respect for one of Goethe’s couplets:

Whatever you can do, or dream you can, begin it.

Boldness has genius, power, and magic in it.

–W. H. Murray,  THE SCOTTISH HIMALYAN EXPEDITION.

For the young who want to

Talent is what they say

you have after the novel

is published and favorably

reviewed. Beforehand what

you have is a tedious

delusion, a hobby like knitting.

Work is what you have done

after the play is produced

and the audience claps.

Before that friends keep asking

when you are planning to go

out and get a job.

Genius is what they know you

had after the third volume

of remarkable poems. Earlier

they accuse you of withdrawing,

ask why you don’t have a baby,

call you a bum.

The reason people want M.F.A.’s,

take workshops with fancy names

when all you can really

learn is a few techniques,

typing instructions and some-

body else’s mannerisms

is that every artist lacks

a license to hang on the wall

like your optician, your vet

proving you may be a clumsy sadist

whose fillings fall into the stew

but you’re certified a dentist.

The real writer is one

who really writes. Talent

is an invention like phlogiston

after the fact of fire.

Work is its own cure. You have to

like it better than being loved.

–Marge Piercy (1936-)

Copyright 1982 Circles on the Water: Selected Poems of Marge Piercy

Alfred A. Knopf. Notes  M.F.A.’s: Master of Fine Arts degrees.

phlogiston: invisible hypothetical matter or `principle’ thought to

combine with all combustible bodies and be expelled during burning –

a concept popular in the 18th century but abandoned once oxygen was

discovered.

“Writing is a gift. It can not be taught. All I could do by teaching

it is destroy the gift in myself and damage it in those I would be

teaching.”-CATCHER IN THE RYE author J. D. Salinger after turning down

millions of dollars to teach writing at Yale or Harvard.

“It’s all a matter of getting out of the way of yourself, or you’re

dead. Standing out of the way and letting what you really know take

over.”-William S. Burroughs, author of NAKED LUNCH.

CRAZY JANE TALKS WITH THE BISHOP

I met the Bishop on the road And much said he and I.

“Those breasts are flat and fallen now,

Those veins must soon run dry;

Live in a heavenly mansion,

Not in some foul pigsty.”

“Fair and foul and near of kin,

And fair needs foul,” I cried,

“My friends are gone, but that’s the truth

Nor grave nor bed denied,

Learned in bodily lowliness

And in the heart’s pride.

“A woman can be proud and stiff

when on love intent;

But love has pitched his mansion in

The place of excrement;

For nothing can be sole or whole

That has not first been rent!”

-William Butler Yeats.

AGAINST SCHOOL

How public education cripples our kids, and why

By John Taylor Gatto

I taught for thirty years in some of the worst schools in Manhattan,

and in some of the best, and during that time I became an expert in

boredom. Boredom was everywhere in my world, and if you asked the

kids, as I often did, why they felt so bored, they always gave the

same answers: They said the work was stupid, that it made no sense,

that they already knew it. They said they wanted to be doing something

real, not just sitting around. They said teachers didn’t seem to know

much about their subjects and clearly weren’t interested in learning

more. And the kids were right: their teachers were every bit as bored

as they were.

Boredom is the common condition of schoolteachers, and anyone who has

spent time in a teachers’ lounge can vouch for the low energy, the

whining, the dispirited attitudes, to be found there. When asked why

they feel bored, the teachers tend to blame the kids, as you might

expect. Who wouldn’t get bored teaching students who are rude and

interested only in grades? If even that. Of course, teachers are

themselves products of the same twelve-year compulsory school programs

that so thoroughly bore their students, and as school personnel they

are trapped inside structures even more rigid than those imposed upon

the children. Who, then, is to blame?

We all are. My grandfather taught me that. One afternoon when I was

seven I complained to him of boredom, and he batted me hard on the

head. He told me that I was never to use that term in his presence

again, that if I was bored it was my fault and no one else’s. The

obligation to amuse and instruct myself was entirely my own, and

people who didn’t know that were childish people, to be avoided if

possible. Certainly not to be trusted. That episode cured me of

boredom forever, and here and there over the years I was able to pass

on the lesson to some remarkable student. For the most part, however,

I found it futile to challenge the official notion that boredom and

childishness were the natural state of affairs in the classroom. Often

I had to defy custom, and even bend the law, to help kids break out of

this trap.

The empire struck back, of course; childish adults regularly conflate

opposition with disloyalty. I once returned from a medical leave to

discover that all evidence of my having been granted the leave had

been purposely destroyed, that my job had been terminated, and that I

no longer possessed even a teaching license. After nine months of

tormented effort I was able to retrieve the license when a school

secretary te/strongstified to witnessing the plot unfold. In the meantime my

family suffered more than I care to remember. By the time I finally

retired in 1991, 1 had more than enough reason to think of our schools-

with their long-term, cell-block-style, forced confinement of both

students and teachers-as virtual factories of childishness. Yet I

honestly could not see why they had to be that way. My own experience

had revealed to me what many other teachers must learn along the way,

too, yet keep to themselves for fear of reprisal: if we wanted to we

could easily and inexpensively jettison the old, stupid structures and

help kids take an education rather than merely receive a schooling. We

could encourage the best qualities of youthfulness-curiosity,

adventure, resilience, the capacity for surprising insight simply by

being more flexible about time, texts, and tests, by introducing kids

to truly competent adults, and by giving each student what autonomy he

or she needs in order to take a risk every now and then.

But we don’t do that. And the more I asked why not, and persisted in

thinking about the “problem” of schooling as an engineer might, the

more I missed the point: What if there is no “problem” with our

schools? What if they are the way they are, so expensively flying in

the face of common sense and long experience in how children learn

things, not because they are doing something wrong but because they

are doing something right? Is it possible that George W. Bush

accidentally spoke the truth when he said we would “leave no child

behind”? Could it be that our schools are designed to make sure not

one of them ever really grows up?

Do we really need school? I don’t mean education, just forced

schooling: six classes a day, five days a week, nine months a year,

for twelve years. Is this deadly routine really necessary? And if so,

for what? Don’t hide behind reading, writing, and arithmetic as a

rationale, because 2 million happy homeschoolers have surely put that

banal justification to rest. Even if they hadn’t, a considerable

number of well-known Americans never went through the twelve-year

wringer our kids currently go through, and they turned out all right.

George Washington, Benjamin Franklin, Thomas Jefferson, Abraham

Lincoln? Someone taught them, to be sure, but they were not products

of a school system, and not one of them was ever “graduated” from a

secondary school. Throughout most of American history, kids generally

didn’t go to high school, yet the unschooled rose to be admirals, like

Farragut; inventors, like Edison; captains of industry like Carnegie

and Rockefeller; writers, like Melville and Twain and Conrad; and even

scholars, like Margaret Mead. In fact, until pretty recently people

who reached the age of thirteen weren’t looked upon as children at

all. Ariel Durant, who co-wrote an enormous, and very good,

multivolume history of the world with her husband, Will, was happily

married at fifteen, and who could reasonably claim that Ariel Durant

was an uneducated person? Unschooled, perhaps, but not uneducated.

We have been taught (that is, schooled) in this country to think of

“success” as synonymous with, or at least dependent upon, “schooling,”

but historically that isn’t true in either an intellectual or a

financial sense. And plenty of people throughout the world today find

a way to educate themselves without resorting to a system of

compulsory secondary schools that all too often resemble prisons. Why,

then, do Americans confuse education with just such a system? What

exactly is the purpose of our public schools?

Mass schooling of a compulsory nature really got its teeth into the

United States between 1905 and 1915, though it was conceived of much

earlier and pushed for throughout most of the nineteenth century. The

reason given for this enormous upheaval of family life and cultural

traditions was, roughly speaking, threefold:

1) To make good people. 2) To make good citizens. 3) To make each

person his or her personal best. These goals are still trotted out

today on a regular basis, and most of us accept them in one form or

another as a decent definition of public education’s mission, however

short schools actually fall in achieving them. But we are dead wrong.

Compounding our error is the fact that the national literature holds

numerous and surprisingly consistent statements of compulsory

schooling’s true purpose. We have, for example, the great H. L.

Mencken, who wrote in The American Mercury for April 1924 that the aim

of public education is not

to fill the young of the species with knowledge and awaken their

intelligence. … Nothing could be further from the truth. The aim …

is simply to reduce as many individuals as possible to the same safe

level, to breed and train a standardized citizenry, to put down

dissent and originality. That is its aim in the United States… and

that is its aim everywhere else.

Because of Mencken’s reputation as a satirist, we might be tempted to

dismiss this passage as a bit of hyperbolic sarcasm. His article,

however, goes on to trace the template for our own educational system

back to the now vanished, though never to be forgotten, military state

of Prussia. And although he was certainly aware of the irony that we

had recently been at war with Germany, the heir to Prussian thought

and culture, Mencken was being perfectly serious here. Our educational

system really is Prussian in origin, and that really is cause for

concern.

The odd fact of a Prussian provenance for our schools pops up again

and again once you know to look for it. William James alluded to it

many times at the turn of the century. Orestes Brownson, the hero of

Christopher Lasch’s 1991 book, The True and Only Heaven, was publicly

denouncing the Prussianization of American schools back in the 1840s.

Horace Mann’s “Seventh Annual Report” to the Massachusetts State Board

of Education in 1843 is essentially a paean to the land of Frederick

the Great and a call for its schooling to be brought here. That

Prussian culture loomed large in America is hardly surprising, given

our early association with that utopian state. A Prussian served as

Washington’s aide during the Revolutionary War, and so many German-

speaking people had settled here by 1795 that Congress considered

publishing a German-language edition of the federal laws. But what

shocks is that we should so eagerly have adopted one of the very worst

aspects of Prussian culture: an educational system deliberately

designed to produce mediocre intellects, to hamstring the inner life,

to deny students appreciable leadership skills, and to ensure docile

and incomplete citizens 11 in order to render the populace

“manageable.”

It was from James Bryant Conant-president of Harvard for twenty years,

WWI poison-gas specialist, WWII executive on the atomic-bomb project,

high commissioner of the American zone in Germany after WWII, and

truly one of the most influential figures of the twentieth century-

that I first got wind of the real purposes of American schooling.

Without Conant, we would probably not have the same style and degree

of standardized testing that we enjoy today, nor would we be blessed

with gargantuan high schools that warehouse 2,000 to 4,000 students at

a time, like the famous Columbine High in Littleton, Colorado. Shortly

after I retired from teaching I picked up Conant’s 1959 book-length

essay, The Child the Parent and the State, and was more than a little

intrigued to see him mention in passing that the modem schools we

attend were the result of a “revolution” engineered between 1905 and

1930. A revolution? He declines to elaborate, but he does direct the

curious and the uninformed to Alexander Inglis’s 1918 book, Principles

of Secondary Education, in which “one saw this revolution through the

eyes of a revolutionary.”

Inglis, for whom a lecture in education at Harvard is named, makes it

perfectly clear that compulsory schooling on this continent was

intended to be just what it had been for Prussia in the 1820s: a fifth

column into the burgeoning democratic movement that threatened to give

the peasants and the proletarians a voice at the bargaining table.

Modern, industrialized, compulsory schooling was to make a sort of

surgical incision into the prospective unity of these underclasses.

Divide children by subject, by age-grading, by constant rankings on

tests, and by many other more subtle means, and it was unlikely that

the ignorant mass of mankind, separated in childhood, would ever re-

integrate into a dangerous whole.

Inglis breaks down the purpose – the actual purpose – of modem

schooling into six basic functions, any one of which is enough to curl

the hair of those innocent enough to believe the three traditional

goals listed earlier:

1) The adjustive or adaptive function. Schools are to establish fixed

habits of reaction to authority. This, of course, precludes critical

judgment completely. It also pretty much destroys the idea that useful

or interesting material should be taught, because you can’t test for

reflexive obedience until you know whether you can make kids learn,

and do, foolish and boring things.

2) The integrating function. This might well be called “the conformity

function,” because its intention is to make children as alike as

possible. People who conform are predictable, and this is of great use

to those who wish to harness and manipulate a large labor force.

3) The diagnostic and directive function. School is meant to determine

each student’s proper social role. This is done by logging evidence

mathematically and anecdotally on cumulative records. As in “your

permanent record.” Yes, you do have one.

4) The differentiating function. Once their social role has been

“diagnosed,” children are to be sorted by role and trained only so far

as their destination in the social machine merits – and not one step

further. So much for making kids their personal best.

5) The selective function. This refers not to human choice at all but

to Darwin’s theory of natural selection as applied to what he called

“the favored races.” In short, the idea is to help things along by

consciously attempting to improve the breeding stock. Schools are

meant to tag the unfit – with poor grades, remedial placement, and

other punishments – clearly enough that their peers will accept them

as inferior and effectively bar them from the reproductive

sweepstakes. That’s what all those little humiliations from first

grade onward were intended to do: wash the dirt down the drain.

6) The propaedeutic function. The societal system implied by these

rules will require an elite group of caretakers. To that end, a small

fraction of the kids will quietly be taught how to manage this

continuing project, how to watch over and control a population

deliberately dumbed down and declawed in order that government might

proceed unchallenged and corporations might never want for obedient

labor.

That, unfortunately, is the purpose of mandatory public education in

this country. And lest you take Inglis for an isolated crank with a

rather too cynical take on the educational enterprise, you should know

that he was hardly alone in championing these ideas. Conant himself,

building on the ideas of Horace Mann and others, campaigned tirelessly

for an American school system designed along the same lines. Men like

George Peabody, who funded the cause of mandatory schooling throughout

the South, surely understood that the Prussian system was useful in

creating not only a harmless electorate and a servile labor force but

also a virtual herd of mindless consumers. In time a great number of

industrial titans came to recognize the enormous profits to be had by

cultivating and tending just such a herd via public education, among

them Andrew Carnegie and John D. Rockefeller.

There you have it. Now you know. We don’t need Karl Marx’s conception

of a grand warfare between the classes to see that it is in the

interest of complex management, economic or political, to dumb people

down, to demoralize them, to divide them from one another, and to

discard them if they don’t conform. Class may frame the proposition,

as when Woodrow Wilson, then president of Princeton University, said

the following to the New York City School Teachers Association in

1909: “We want one class of persons to have a liberal education, and

we want another class of persons, a very much larger class, of

necessity, in every society, to forgo the privileges of a liberal

education and fit themselves to perform specific difficult manual

tasks.” But the motives behind the disgusting decisions that bring

about these ends need not be class-based at all. They can stem purely

from fear, or from the by now familiar belief that “efficiency” is the

paramount virtue, rather than love, liberty, laughter, or hope. Above

all, they can stem from simple greed.

There were vast fortunes to be made, after all, in an economy based on

mass production and organized to favor the large corporation rather

than the small business or the family farm. But mass production

required mass consumption, and at the turn of the twentieth century

most Americans considered it both unnatural and unwise to buy things

they didn’t actually need. Mandatory schooling was a godsend on that

count. School didn’t have to train kids in any direct sense to think

they should consume nonstop, because it did something even better: it

encouraged them not to think at all. And that left them sitting ducks

for another great invention of the modem era – marketing.

Now, you needn’t have studied marketing to know that there are two

groups of people who can always be convinced to consume more than they

need to: addicts and children. School has done a pretty good job of

turning our children into addicts, but it has done a spectacular job

of turning our children into children. Again, this is no accident.

Theorists from Plato to Rousseau to our own Dr. Inglis knew that if

children could be cloistered with other children, stripped of

responsibility and independence, encouraged to develop only the

trivializing emotions of greed, envy, jealousy, and fear, they would

grow older but never truly grow up. In the 1934 edition of his once

well-known book Public Education in the United States, Ellwood P.

Cubberley detailed and praised the way the strategy of successive

school enlargements had extended childhood by two to six years, and

forced schooling was at that point still quite new. This same

Cubberley – who was dean of Stanford’s School of Education, a textbook

editor at Houghton Mifflin, and Conant’s friend and correspondent at

Harvard – had written the following in the 1922 edition of his book

Public School Administration: “Our schools are … factories in which

the raw products (children) are to be shaped and fashioned …. And it

is the business of the school to build its pupils according to the

specifications laid down.”

It’s perfectly obvious from our society today what those

specifications were. Maturity has by now been banished from nearly

every aspect of our lives. Easy divorce laws have removed the need to

work at relationships; easy credit has removed the need for fiscal

self-control; easy entertainment has removed the need to learn to

entertain oneself; easy answers have removed the need to ask

questions. We have become a nation of children, happy to surrender our

judgments and our wills to political exhortations and commercial

blandishments that would insult actual adults. We buy televisions, and

then we buy the things we see on the television. We buy computers, and

then we buy the things we see on the computer. We buy $150 sneakers

whether we need them or not, and when they fall apart too soon we buy

another pair. We drive SUVs and believe the lie that they constitute a

kind of life insurance, even when we’re upside-down in them. And,

worst of all, we don’t bat an eye when Ari Fleischer tells us to “be

careful what you say,” even if we remember having been told somewhere

back in school that America is the land of the free. We simply buy

that one too. Our schooling, as intended, has seen to it.

Now for the good news. Once you understand the logic behind modern

schooling, its tricks and traps are fairly easy to avoid. School

trains children to be employees and consumers; teach your own to be

leaders and adventurers. School trains children to obey reflexively;

teach your own to think critically and independently. Well-schooled

kids have a low threshold for boredom; help your own to develop an

inner life so that they’ll never be bored. Urge them to take on the

serious material, the grown-up material, in history, literature,

philosophy, music, art, economics, theology – all the stuff

schoolteachers know well enough to avoid. Challenge your kids with

plenty of solitude so that they can learn to enjoy their own company,

to conduct inner dialogues. Well-schooled people are conditioned to

dread being alone, and they seek constant companionship through the

TV, the computer, the cell phone, and through shallow friendships

quickly acquired and quickly abandoned. Your children should have a

more meaningful life, and they can.

First, though, we must wake up to what our schools really are:

laboratories of experimentation on young minds, drill centers for the

habits and attitudes that corporate society demands. Mandatory

education serves children only incidentally; its real purpose is to

turn them into servants. Don’t let your own have their childhoods

extended, not even for a day. If David Farragut could take command of

a captured British warship as a pre-teen, if Thomas Edison could

publish a broadsheet at the age of twelve, if Ben Franklin could

apprentice himself to a printer at the same age (then put himself

through a course of study that would choke a Yale senior today),

there’s no telling what your own kids could do. After a long life, and

thirty years in the public school trenches, I’ve concluded that genius

is as common as dirt. We suppress our genius only because we haven’t

yet figured out how to manage a population of educated men and women.

The solution, I think, is simple and glorious. Let them manage

themselves.

John Taylor Gatto is a former New York State and New York City Teacher

of the Year and the author, most recently, of The Underground History

of American Education. He was a participant in the Harper’s Magazine

forum “School on a Hill, “which appeared in the September 2003 issue.

Twenty-First. Night. Monday.

Twenty-first. Night. Monday.

Silhouette of the capitol in darkness.

Some-good-for-nothing-who knows why-

made up the tale that love exists on earth.

People believe it, maybe from laziness

or boredom, and live accordingly:

they wait eagerly for meetings, fear parting,

and when they sing, they sing about love.

But the secret reveals itself to some,

and on them silence settles down…

I found this out by accident

and now it seems I am sick all the time.

–Anna Akhmatova (translated by Jane Kenyon).

THE CORE OF MASCULINITY

The core of masculinity does not derive from

being male, nor friendliness from those who

console. Your old grandmother says, “Maybe

you shouldn’t go to school. You look a little

pale.” Run when you hear that. A father’s

stern slaps are better. Your bodily soul wants

comforting. The severe father wants spiritual

clarity. He scolds, but eventually leads you into

the open. Pray for a tough instructor to hear and

act and stay within you. We have been busy

accumulating solace. Make us afraid of how we were.

-Rumi (translated by Coleman Barks).

WHICH ONE IS GENUINE

I once knew a woman named Benedicta, who

infused everything with the ideal. When one

looked into her eyes one wanted nobility, glory,

beauty, all those qualities that make us love immortality.

But this exquisite woman was too beautiful to

live long; she died in fact shortly after I met her,

and it was I who buried her one day when spring

was waving his encensoir even through the

cemetery gates. It was I who buried her, well

enclosed in a coffin made of a wood scented and

eternal as the treasure boxes of India.

And while my eyes remained fixed on that spot

where my jewel lay entombed, I saw all at once a

tiny human being much like the dead woman,

doing a bizarre dance, violent and hysterical, on

the loose earth. She howled with laughter as she

spoke: “This is me! Benedicta, as she is! I’m

trash, everyone knows it! And the punishment

for your stupidity and your blind head is this:

You’ll have to love what I am!”

I went into a rage and said, “No! No! No! No!”

And in order to give strength to my no, I

stomped the earth so fiercely with my foot that

my leg sank into the freshly turned earth up to

my knee, and like a wolf caught in a trap, I am

now tied, perhaps for the rest of my life, to the

grave of the ideal.

–Charles Baudelaire (translated by Robert Bly).

The more people cultivate art and cleverness, the more ominous signs

arise. The more law and order are propagated, the more thieves and

robbers there will be.-Lao Tse, THE WAY OF THE TAO.

“There is more faith in honest doubt than in all the creeds and

world’s religions combined as one and more doubt in honest faith than

in all  the world’s Marxist, atheistic hand books.”-Aldous Huxley, THE

DEVILS OF LOUDON.

“It ever was, and is, and shall be; Everlasting fire, in measures

being kindled and in measures going out.”–Heraclitus.

“Never doubt that a small group of committed people can change the

world for the better. Indeed, it is often the only thing that does.”-

Margaret Meade.

THE RITES OF MANHOOD

It’s snowing hard enough that the taxis aren’t running.

I’m walking home, my night’s work finished,

long after midnight, with the whole city to myself

when across the street I see a very young American sailor

standing over a girl who’s kneeling on the sidewalk

and refuses to get up although he’s yelling at her

to tell him where she lives so he can take her there

before they both freeze. The pair of them are drunk

and my guess is he picked her up in a bar

and later got separated from his buddies

and at first it was great fun to play at being

an old salt at liberty in a port full of women with

hinges on their heels, but now he wants only

to find a solution to the infinitely more complex

problem of what to do with her before he falls into

the hands of the police or the shore patrol

-and what keeps this from being squalid is

what’s happening to him inside:

if there were other sailors here

it would be possible for him

to abandon her where she is and joke about it

later, but he’s alone and the guilt can’t be

divided into small forgettable pieces;

he’s finding out what it means

to be a man and how different it is

from the way that only hours ago he imagined it.

-Alden Nowlan.

BALLS

Actually: it’s the balls I look for, always.

Men in streets, offices, cars, restaurants.

It’s the nuts I imagine-

firm, soft, in hairy sacks

the way they are

down there rigged between the thighs,

the funny way they are.

One in front, a little in front of the other,

slightly higher. The way they slip

between your fingers, the way they

slip around in their soft sack.

The way they swing when he walks,

hang down when he bends

over. You see them sometimes bright pink

out of a pair of shorts

when he sits wide and unaware,

the hair sparse and wiry

like that on a Poland china pig.

You can see the skin right through-speckled,

with wrinkles like a prune, but loose,

slipping over the those kernels

rocking the smooth, small huevos.

So delicate, the cock becomes a diversion,

a masthead overlarge, its flag distracting

from beautiful pebbles beneath.

-Anne McNaughton.

THE MONSTER

He was an undersized little man, with a head too big for his body-a

sickly little man. His nerves were bad. He had skin trouble. It was

agony for him to wear anything next to his skin coarser than silk. And

he had delusions of grandeur.

He was a monster of conceit. Never for one minute did he look at the

world or at people except in relation to himself. He was not only the

most important person in the world, to himself, in his own eyes he was

the only person who existed. He believed himself to be one of the

greatest dramatists in the world, one of the greatest thinkers, and

one of the greatest composers. To hear him talk, he was Shakespeare,

and Beethoven, and Plato, rolled into one. And you would have had no

difficulty in hearing him talk. He was one of the most exhausting

conversationalists that ever lived. An evening with him was an evening

spent in listening to a monologue. Sometimes he was brilliant;

sometimes he was maddeningly tiresome. But whether he was being

brilliant or dull, he had one sole topic of conversation: himself.

What he thought and what he did.

He had a mania for being in the right. The slightest hint of

disagreement, from anyone, on the most trivial point, was enough to

set him off on an harangue that might last for hours, in which he

proved himself right in so many ways, and with such exhausting

volubility, that in the end his hearer, stunned and deafened, agree

with him, for the sake of peace.

It never occurred to him that he and his doing were not of the most

intense and fascinating interest to anyone with whom he came in

contact. He had theories about almost any subject under the sun,

including vegetarianism, the drama, politics and music; and in support

of these theories he wrote pamphlets, letters, books…thousands upon

thousands of words, hundreds and hundreds of pages. He not only wrote

these things, and published them-usually at somebody else’s expenses-

but he would sit and read them aloud, for hours, to his friends and

his family.

He wrote operas; and no sooner did he have the synopsis of a story,

but he would invite-or rather summon-a crowd of his friends to his

house and read it aloud to them. Not for criticism. For applause. When

the complete poem was written, the friends had to come again, and hear

that read aloud. Then he would publish the poem, sometimes years

before the music that went with it was written. He played the piano

like a composer, in the worst sense of what that implies, and he would

sit down at the piano before parties that included some of the finest

pianists of his time, and play for them, by the hour, his own music,

needless to say. He had a composer’s voice. And he would invite

eminent vocalists to his house, and sing them his operas, taking all

the parts.

He had the emotional stability of a six year old child. When he felt

out of sorts, he would rave and stamp, or sink into suicidal gloom and

talk darkly of going to the east to end his days as a Buddhist monk.

Ten minutes later, when something pleased him, he would rush out of

doors and run around the garden, or jump up and down on the sofa, or

stand on his head. He could be grief stricken about the death of a pet

dog, and he could be callous and heartless to a degree that would have

made a Roman emperor shudder.

He was almost innocent of any sense of responsibility. Not only did he

seem incapable of supporting himself, but it never occurred to him

that he was under any obligation to do so. He was convinced the world

owed him a living. In support of this belief, he borrowed money from

everybody who was good for a loan-men, women, friends or strangers. He

wrote begging letters by the score, som

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