2015-06-24

We like Best Of lists. We like Best Of lists so much that it's too much to ask of us to hold off on Best of 2015 selections until the end of 2015, so this morning we're happy to announce our choices for the Best Books of the Year So Far. As usual we each take stock of our favorites published from January through June, convene in windowless, dimly lit basements, and kick and bite each other until we agree to a list of 20 books that we love. (The strife escalates for our year-end list.)

As usual, there were many great books to consider. Our number one pick, Helen Macdonald's H Is for Hawk, is described by Amazon Editorial Director Sara Nelson as "a very unusual rumination on grief;  it’s poetic, it’s accessible and it will resonate even with those who know nothing about birds, hawk or otherwise.” We're no less excited about the rest of the list, which features the latest from popular historians Erik Larson and David McCullough, several outstanding debuts, and a remarkable feat of journalism that examines violence in South Central L.A.

In all, we chose our favorite books across 17 categories, including kids and teens. Browse our top 10 selections below, and see them all in our Best Books of the Year So Far store.

H Is for Hawk by Helen Macdonald



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When naturalist and falconer Helen Macdonald lost her beloved father, she “thought [her] world was ending.” Seems apropos, then, that her journey from crippling grief to something resembling grace is on the wings of another deadly bird of prey--the notoriously prickly, and murderous, goshawk. In H Is for Hawk, you will meet Mabel, not your typical bloodthirsty specimen, as she is trained to hunt like the goshawks of yore. It is this brash, slightly mad undertaking that wrenches Macdonald free from despair, and brings her to a place where she can begin again. Doesn’t sound like your kind of thing? You’d be surprised. Macdonald’s gorgeously wrought prose holds you in thrall from the first page, and provides something akin to the escape, and salvation, that nature provides her. In Hawk you will also learn about the famed Arthurian novelist T.H. White, a kindred soul to Macdonald in certain ways. One of the things that endeared him to her was his “childish delight” with all things wild, something you’ll be hard-pressed not to experience as soon as you tap into this tome.

An Ember in the Ashes by Sabaa Tahir

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If the test of a good novel is how badly you want to drop everything to finish it, then Sabaa Tahir’s debut An Ember in the Ashes gets an A+. The world she creates is rich in fantasy, coupled with echoes of a historical saga, all vividly rendered on the page. Tyrannical leaders and a building rebellion set the stage for dual narrators, Elias, one of the elite, trained from a young age to become a skilled assassin for the Commandant at Blackcliff Military Academy, and Laia, one of the oppressed, forced into the role of spy and saboteur in order to save her only remaining family member. Though diametrically opposed within their society, both Laia and Elias are wracked by internal conflict and driven to great lengths by shame and a desire to escape the bonds of their present lives. A complex relationship between them ensues, and while there is a romantic thread to the story, it is ancillary to the larger forces of political power, crippling deceit, and an undistinguished hope that endures in even the darkest corners of their brutal world.

Dead Wake: The Last Crossing of the Lusitania by Erik Larson

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On May 1st, 1915 the Lusitania set sail on its final voyage. That it was sunk by a German U-boat will be news to few—and Larson’s challenge is to craft a historical narrative leading up to the thrilling, if known, conclusion, building anticipation in his readers along the way. To his credit, he makes the task look easy. Focusing on the politics of WWI, on nautical craftsmanship and strategy, and on key players in the eventual attack and sinking of the “fast, comfortable, and beloved” Lusitania, Larson once again illustrates his gift for seducing us with history and giving it a human face. Dead Wake puts readers right aboard the famous Cunard liner and keeps them turning the pages until the book’s final, breathless encounter.

Ghettoside: The True Story of Murder in America by Jill Leovy

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There’s a statistic that surfaces early in Jill Leovy’s fundamentally important book Ghettoside that should catch your attention: black men compose about 6% of the country’s population, yet they are the victim in nearly 40% of homicides. And who’s killing those black men? The answer is most often other black men. Leovy, a writer for the Los Angeles Times, explores the culture of black violence, specifically in South Central LA, describing a world that seems to exist hermetically sealed off from the rest of the city. With nearly zero mobility and little policing, the people of South Central are left to fend for themselves—further amplifying the devastating drumbeat of gangs and violence. Leovy builds her book around one family’s story: Wally Tennelle, an LA cop, has refused to move his wife and kids out of his Watts neighborhood. Then his youngest son is murdered (unlike most murders in the area, this one was covered by the local media). Through the gathering of evidence, the roundup of suspects, and the trial that ultimately comes to be—all spearheaded by John Skaggs, a very dedicated and capable LA homicide detective—Leovy makes the argument that what places like South Central need is more policing, not less. They need more attention—not debate, finger pointing, and inaction.

The Sympathizer by Viet Thanh Nguyen

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Viet Thanh Nguyen’s The Sympathizer brilliantly draws you in with the opening line: “I am a spy, a sleeper, a spook, a man of two faces.” It’s thrilling, rhythmic, and astonishing, as is the rest of Nguyen’s enthralling portrayal of the Vietnam War. The narrator is an undercover communist agent posing as a captain in the Southern Vietnamese Army. Set during the fall of Saigon and the years after in America, the captain spies on the general and the men he escaped with, sharing his information with his communist blood brothers in coded letters. But when his allegiance is called into question, he must act in a way that will haunt him forever. Political, historical, romantic and comic, The Sympathizer is a rich and hugely gratifying story that captures the complexity of the war and what it means to be of two minds.

All the Old Knives by Olen Steinhauer

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All the Old Knives has a disarmingly quiet start, but good spy novels are like good spies: they draw you in, earn your trust, and then grab hold with both hands. In Vienna during the mid-2000s Henry and Celia were intelligence agents and lovers who witnessed a terrorist hijacking as it took a shocking turn. Five years later, the two meet over dinner at a restaurant in Carmel-by-the-Sea where Celia now lives as a civilian, to recall the events of the past. As the remembrances overlap with the present moment, tension mounts and questions of who did what to whom, and why, become increasingly urgent. By the last 100 pages Steinhauer’s hook is firmly embedded and it’s hard not to race to the finish. And the ending? I can sum it up in one word: brilliant.

Saint Mazie by Jami Attenberg

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Jami Attenberg’s Saint Mazie couldn’t be more different from her popular The Middlesteins, in that it is a) historical not contemporary, b) loosely based on a real woman who lived in early 20th century New York City instead of on an all-too-real fictional character in suburban Chicago and c) told as an oral history instead of as a traditional narrative. Still, this novel exhibits the same kind of wit and depth and heart of the earlier one. Mazie Phillips was a depression-era movie-theater-owner in New York during the Depression; she was big-hearted and bawdy, enough of a neighborhood figure that she became the subject of a 1940 New Yorker profile by the journalist Joseph Mitchell. Starting with his observations—"Mazie has a genuine fondness for bums and undoubtedly knows more bums than any other person in the city"—Attenberg weaves an astonishingly heartfelt story of poverty and loss (one of Mazie’s beloved, orphaned sisters moves to California to become a dancer and is essentially lost to her forever), unconventionality (there’s a lot of socially “inappropriate” sex and love in this book) and, to use a word from that era, “moxie.” With all her tough talk and bootstrap-pulling, Mazie could grow into a cliché – the loose woman with a heart of gold – but Attenberg never lets her, preferring instead to take Mitchell’s sketch and draw all over it with fictional interviews and diaries until Mazie becomes a complex and irresistible real-life woman. She may have lived in a very specific era, but thanks to Attenberg, she has become a character for the ages.

The Wright Brothers by David McCullough

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Most people recognize the famous black-and-white photo of the Wright brothers on a winter day in 1903, in a remote spot called Kitty Hawk, when they secured their place in history as the first to fly a motor-powered airplane. That brilliant moment is the cornerstone of the new masterful book by Pulitzer Prize-winning historian David McCullough, who brings his deft touch with language and his eye for humanizing details to the unusually close relationship between a pair of brothers from Dayton, Ohio, who changed aviation history. Bicycle shop owners by day, Wilbur and Orville taught themselves flight theory through correspondence with the Smithsonian and other experts. But the brothers soon realized that theory was no match for practical testing, and they repeatedly risked life and limb in pursuit of their goal—including when Orville fractured a leg and four ribs in a 75-foot plunge to the ground. McCullough’s narration of ventures such as this—their famous first flight at Kitty Hawk; the flight in Le Mans, France that propelled the brothers to international fame; the protracted patent battles back at home; and the early death of elder brother Wilbur—will immerse readers in the lives of the Wright family. Like other great biographies before it, The Wright Brothers tells the story about the individuals behind the great moments in history, while never sacrificing beauty in language and reverence in tone.

The Book of Speculation by Erika Swyler

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Water shrouds the fascinating, often doomed characters of The Book of Speculation. Featuring mermaids, swarms of horseshoe crabs, deadly floods, and the silent secrets of an ancient tarot deck, the book is split like a savory peach between the odd ventures of a traveling carnival in the late 1700s and the modern-day discovery by librarian Simon Watson of an old, handwritten volume containing his grandmother’s name. The water-damaged book may reveal the root of certain mysteries in his family, such as why the women can hold their breath far, far longer than normal, and the inexplicable reason they have all drowned while young women on the exact same date—a date that is only a few days away as the book begins. When Simon’s sister, Enola, unexpectedly returns home, vibrating with an angry sadness Simon has never seen before, Simon dives deeper into the book and the dark waters of their family history, hoping to change what he fears is her destiny. Erika Swyler has written an engrossing literary tale-spinner with an assurance rarely mastered in debut novels, allowing a well-placed detail or a lyrical phrase to paint a character or sketch even as she builds tension like a pro. As Simon grows obsessed with unraveling the secrets in his book, so will you become bewitched by The Book of Speculation.

Green on Blue by Elliot Ackerman

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Green on Blue unravels the complexities of the Afghan war, then dissolves it all into the brutal heartache of reality – where home is a battlefield, fighting is a job, vengeance is a moral right, and war is “a racket…it had no sides. Each was the same as the other.” Aziz, an Afghan boy at the beginning of the novel, has lost nearly everything: Taliban forces killed his parents, and his older brother is left crippled when U.S. forces clash with militant ones. Alone, in need of money and seeking revenge, he enlists in the Special Lashkar, a militia funded by Americans to fight local insurgents. Aziz rises through the ranks, learns to kill, and discovers the nefarious profiteering, oppression and cultural beliefs that contrive this never ending war. A decorated Afghan and Iraq war veteran, Elliot Ackerman’s empathetic portrayal of individuals, factions, and the reasons they fight is fierce and haunting.

See all of the Best Books of the Year So Far.

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