Movie: Badam Rani Gulam Chor (2012)
Genre: Comedy
Director: Satish Rajwade
Producer: Shekhar Kulkarni
Music: Sandeep Khare - Salil Kulkarni
Cast: Mukta Barve, Pushkar Shrotri, Upendra Limaye
Release Date: 20 July 2012
After successful 'Mumbai Pune Mumbai', Satish Rajwade announces new marathi movie 'Badam Rani Gulam Chor'. Badam Rani Gulam Chor is produced by Shrekhar Kulkarni and directed by Satish Rajwade. Cast of Badam Rani Gulam Chor includes Mukta Barve, Pushkar Shrotri & Upendra Limaye. Music by Salil Kulkarni.
This movie is based on popular marathi play 'Makadachya Hati Champagne.
Badam Rani Gulam Chor is a humorous comedy made on the manipulative political mind. The characters in the movie are three friends living together.
The friends address each other by names they have invented on the basis of their individual personalities. So, here we have the uncouth and aggressive ‘Chaku (Knife)’, who brings home the woman he would like to marry to meet his friends ‘Pustak (Book)’ who like his name goes by the book and ‘Makad’ a T.V channel journalist who could move heaven and earth to find news.
The lady herself is unabashed about changing her mind when it suits her, and moving on with life. With no answerability to an erasable past she aptly renames herself ‘Pencil’.
The story becomes a chain of witty battles between the four characters as Pustak and Chaku both woo Pencil while Makad eggs on both individually. The duel goes on parallel to the political dealings that are happening during the elections.
The two men vie for the lady’s favors just as the opposing candidates vie for public support. The Makad (media) meanwhile enjoy the show and tries to make it more and more complicated to get excitement for him and news for the media.
Then Pencil marries one of them and things seem to come to a dead end. But Makad would not let that happen. He now convinces another friend that he is not out of the race and that he can still have his love back.
Strategies are built, manipulations galore and wit abounds. Every time there is a possibility of stability, Makad, the media man becomes restless and succeeds in unsettling the family and political scene once again.
Who gets the lady, who gets the chair? Whom does the lady favor, whom does the public uphold?