Visual Arts
“Introductions” is a group show of contemporary printmakers from around the world. Includes the work of Koichi Yamamoto, Boonmee Sangkhum, Mitsushige Nishiwaki, the team of Kyoko Imazu + Damon Kowarsky and Kumi Obata and others. On view through Oct. 1, 2016. Davidson Galleries at 313 Occidental Ave. S. in Pioneer Square. 206-624-7684.
The Henry Art Gallery located on the campus of the University of Washington joins MOTHRA and Chris E. Vargas in presenting the group show “TRANS HISTORY in 99 Objects” through June 4, 2017. This show gathers archival materials and works by contemporary artists that narrate an expansive and critical history of transgender communities. Related activities include the following – On Thurs., Sept. 15 at 7 p.m. in the Henry Auditorium, there will be a panel discussion on “Local Transgender Narratives and Collective Identities.” Free. Vargas moderates a panel with Aleksa Manila, Luzviminda Uzuri Carpenter, Calvin Gimpelvich and Marsha Botzer. A related activity is the screening of “Third Antenna: A Documentary About the Radical Nature of Drag” screening on Thurs., Oct. 20 at 9:30 p.m. at the Egyptian Theater as part of the Twist Film Fest. Go to www.twistfilmfest.org for details. At the gallery, there will be a Project 42 performance on Nov. 13 at 12:30 p.m. with Seattle dancer/choreographer Anna Lizette Connor that memorializes transgender lives cut short by murder.
Winston Wachter Fine Art Seattle presents a solo exhibition by painter Miya Ando entitled “Tasogare/Twilight” (The time of day when sunlight, moonlight and starlight work together to transform the sky). In homage to her Japanese heritage of sword making and Buddhism, the artist creates landscapes on metal using dye, urethane and resin. On view Sept. 8 – Oct. 29, 2016. Opening reception with the artist in attendance will be on Thurs., Sept. 8 from 6 – 8 p.m. 203 Dexter Ave. N. in Seattle. 206-652-5855 or go to www.winstonwachter.com.
La Connor Quilt & Textile Museum has two shows entitled “Beauty of Japan” and “Images of Japan” by Sachiko Yoshida and her students on view through Oct. 2, 2016. 703 South Second St. La Connor, WA. 360-466-4288. Hours are 11 a.m. – 5 p.m. Tues. – Sun.
New work by artists Junko Yamamoto and Akiko Masker at Arts West Gallery on view during the month of August until Sept. 4. Regular hours are 1:30 – 7:30 p.m. on weekends and Sundays from 11 – 3 p.m. 4711 California Ave. SW in West Seattle. 206-938-0339.
“Handmade in Camp – What We couldn’t Carry” is a group show that displays over 60 items including furniture, jewelry, tools, paintings, needlework, scrapbooks, games, toys and quilts – all handcrafted items made by Japanese Americans during their WWII incarceration. On view through Nov. 6, 2016.The museum says that most are family heirlooms borrowed from area households and have never been seen in public. Accompanied by quotes from local families. White River Valley Museum in Auburn. For details call 253-288-7433 or go to http://wrvmuseum.org.
What is your favorite lullaby? What do you sing to your little ones to put them to sleep? The Wing invites you to share your lullaby with them to be featured in the new upcoming KidPLACE exhibition, “Stars Above: Wrapped in Lullabies”, opening Sat., August 20, 2016. The Wing invites the community to participate in this exhibition by recordings their favorite lullabies. Go to http://www.wingluke.org/lullaby for details.
Seattle raised/ Germany-based installation artist Tamiko Thiel’s summer project at Olympic Sculpture Park through Sept. 30, 2016 is entitled “Gardens Of The Anthropocene.” She creates an augmented reality app that can be downloaded to your mobile device. This virtual tour imagines the future for the landscape as we enter a new geological age defined by human activity’s impact on climate and environment. You can download the free Layar app onto your iPhone or Android smartphones now and get ready for a surreal landscape.
“Monkey Way” is the title of a catchy multi-media installation by Seattle artist Saya Moriyasu. It’s in the walkway window just past Starbuck’s as you transition from Chinatown/ID to the street across that leads to the trains that take commuters to Everett and Tacoma. In a lot of ways, this transition between cultures/places parallel’s the artist’s work as well. Her statement reads, “The current political situation is awkward in that it seeps into the work via monkeys and lots of shelves that are not functional. This moment of instability in US politics leads to inspirations from moments in history in France and China. Putting all these elements all together is a visual mash-up that comes from my life in a family mixed both in class and culture.” History, culture and identity mixed with whimsy comes from this display and grabs the attention of passersby. The work is up until October, 2016. Moriyasu is also in a group show entitled “Peep Show” on the 2nd floor at The Alice at 6007 – 12th Ave. S. through August 13. For information on the artist, go to SayaMoriyasu.com. for information about the work, go to GGibsonGallery.com.
“Unsettled/Resettled: Seattle’s Hunt Hotel” is a new exhibit that tells the story of the Hunt Hotel’s role in the resettling of the Japanese community in Seattle after WW II. This traveling exhibit is now on view at Oregon Nikkei Legacy Center through Sept. 25. 121 NW 2nd Ave. in Portland. 503-224-1458 or go to www.oregonnikkei.org.
Local paper-cut artist Lauren Iida has a busy schedule of shows throughout the area. Her work can always be seen at ArtXchange Gallery in Seattle’s Pioneer Square. In addition, more shows include the following. A new retail/gallery space in Ballard called Venue carries a variety of her new cut paper work. 5408 22nd Ave. NW. info@venueballard.com or call 206-789-3335. She has five works on view at The Gallery at Shoreline City Hall through Sept. 9. Her first public art project will be paper cutaways laser cut from metal and hung as banners along Aurora between 175th and 205th will be installed in August. Sponsored by the city of Shoreline. Her first “sculptural” paper cutaway will be on display starting Fri., August 4 at Sculpture Northwest in Bellingham. 11 feet long, it features images of diving Kamikaze planes along with framed work and found objects pertaining to her family’s incarceration during WWII in Japanese American internment camps. She has a new position as Gallery Director at Make Shift Art Space in Bellingham. She recently collaborated with Cambodian American designer Silong Chuun at Red Scarf Revolution in Tacoma to design t-shirts with her paper cutaway designs which are available online. Go to www.laureniida.com for full details. She is also always open to commissions. She has done custom cutaways for people from their special photos or a favorite poem etc. For details on commissions, go to http://www.laureniida.com/commissions.html.
Humaira Abid’s carved wood sculptures and paintings use a personal approach to reveal world issues whether it’s the bombing of children in Pakistan by US warplanes or issues of women. A solo show of her new work opens August 4 and runs through Sept. 24. ArtXchange Gallery at 512 First Ave. S. 206-839-0377 or go to artxchange.org. Open Tues. – Sat.
Seattle Municipal Tower presents “Cultural Perspectives”, a group show from the Seattle Public Utilities Portable Works collection with a focus on the voices and experiences of communities of color. On view through Sept. 30, 2016. Part 2 has work by Minh Carrico, Carina del Rosario, Midori Hirose, Hyunju Kim, Cheryll Leo-Gwin, Naomi Shigeto, Roger Shimomura, Tara Tamaribuchi, Thuy-Van Vu and others. 700 Fifth Ave. Open Mon. – Fri. Go to seattle.gov for details.
Z. Wei’s by now familiar landscapes from travels in the Northwest will be shown in September at Patricia Rovzar Gallery. “At One In The Landscape” features new works and a release party for a video documentary on the artist produced by John Forsen. On view through Oct. 3, 2016. 1111 1st Ave. in downtown Seattle. 206-223-0273 or go to www.rovzargallery.com.
Noted photographer Hiroshi Sugimoto will be the planned speaker for the annual Mitsubishi lecture sponsored by the UW Japan Studies Program. In addition to the lecture, the Japan studies program plans to collaborate with local galleries, theaters and museums to host related events. The event will occur early next year. Details will be posted at https://jsis.washington.edu/japan later this fall.
Midori Hirose has a show of work that explores material changes, both perceived and actual, using resources and media drawn from science, early childhood education and history. On view through Sept. 18, 2016 at Morin Print Building at 308 Washington St. in The Dalles, Oregon. Part of Disjecta’s “Portland2016: A Biennial of Contemporary Art” series. Call 503-286-9499 or go to www.disjecta.org. For more about the artist, go to www.midorihirose.us.
Charlene Liu has a show that explores pictorial space by turns illusionistic and graphic, combining head-drawn, digitally constructed, and mechanically reproduced tropes and motifs. On view through Sept. 18 at Crow’s Shadow Institute of the Arts at 48004 St. Andrews Rd. in Pendleton, Oregon. Part of Disjecta’s “Portland2016: A Biennial of Contemporary Art” series. 503-286-9449 or go to www.disjecta.org. For more on the artist, go to www.charlene-liu.com.
The Portland Japanese Garden recently reopened after a six-month closure for construction on the Garden’s Cultural Crossing expansion project. More construction is coming to expand the facilities with new features such as classrooms, galleries, a café and seven garden spaces with public water features and a bonsai terrace. Design is supervised by internationally know architect Kengo Kuma. Improvements should be completed by Spring, 2017. Their present show entitled “Bending Nature: Four Bamboo Artists In The Garden” on view until Oct. 16, 2016 features the work of Jiro Yonezawa, Shigeo Kawashima, Charissa Brock and Anne Crumpacker. Brock will do a bamboo splitting demonstration entitled “Bending Nature” on Sept. 10 in the East Veranda from 1 – 3pm. Also Sept. 15 – 17 from 7 – 9pm will feature “O-Tsukimi, Moonviewing” in the East and West Veranda. Go to www.japanesegarden.com for full details.
The A6 Studio & Gallery’s major exhibit for 2016 is entitled “Opening Japan: Three Centuries of Japanese Prints” which features more than two dozen Japanese woodblock prints covers a wide range of topics and artists from the 17, 18th and 19th century. Activities connected to the show include the following. Marjorie Yap holds a traditional Japanese Tea Ceremony at the gallery on Friday, Sept. 30. Art historian Ann Wetherwell of Willamette University discusses the pop culture aspect of ukiyo-e prints at Central Oregon Community College on Oct. 11. Art historian Lorna Cahall traces the influence of Japanese prints on the Impressionists and Post-Impressionists on Nov. 1 at the Bend Downtown Library. Portland State University’s theater department provides an introduction to kabuki thatre and perfroms select scenes from “The 47 Loyal Samurai” at Tower Theatre on Nov. 13. Printmaker and OSU faculty member Yuji Hiratsuka visits the gallery with an art talk and a pop-up exhibit of his own prints on Sept. 11. Midwestern artist Mary Brodbeck visits the gallery on Oct. 14 to give a talk and teaches a weekend workshop in traditional Japanese woodblock printmaking Oct. 15 – 16. On view through Nov. 20, 2016. A6 is a non-profit studio and gallery in Bend, Oregon centered on printmaking and boo arts. Go to www.atelier6000.org/japanese-art for complete details.
Art Gallery of Greater Victoria has the following upcoming shows. “Millenia – Astonishing Asian Art Throughout the Ages” is a new group show that showcases one of the best collections of Asian art in Canada taken from the gallery collection. Opens Sept. 17, 2016. “Modernization in Meiji Japan (1868-1912) – Images of Changing Architecture, Transportation and War” through August 28, 2016. “China’s Favourite Pottery for Tea, Yixing Ware” through Oct. 18, 2016. 1040 Moss St. in Victoria, British Columbia, Canada. Call 1-250-384-4171.
“Splashes of Color: Chinese Woodblock Prints from the You Wei Du Zhai Collection” is on view through Oct. 9, 2016. A tattered folded painting of five Buddhas found in an old chest in a Korean antique shop by an American collector has become a rare re-found treasure. When Robert Mattielli bought the painting for ten dollars and brought it back with him to Portland. And when he bequeathed it to Portland Art Museum. He had no idea of its origins. Visiting scholars from the Korean National Research Institute for Cultural Heritage verified it had been stolen from the famous zen temple, Songgwangsa. Now, before it is returned, visitors to the museum can see this special painting accompanied by a special informative symposium which takes place on Dec. 3, 2016 from 1 – 4pm. Portland Art Museum. 1219 SW Park Ave. 503-226-2811 or go to portlandartmuseum.org.
New and recent shows /activities at the Wing include the following – “Everything Has Been Material For Scissors To Shape” is a new group exhibition on textiles and how they move through history and myth, commodity culture and art, linking women’s hands and machines to Asian American identities.” It features the work of Surabhi Ghosh, Stephanie Syjuco and Aram Han Sifuentes. This show is on display through April 16, 2017. Opening Sat., August 20 is “Stars Above: Wrapped in Lullabies”. Family Fun Day celebrates this show with a Pajama Party. The museum asks participants to wear their favorite pajamas to celebrate this opening day. Free with family fun activities like art workshops, lullabies, recording booth and kid -focused concerts throughout the building. Opening March 3 from 6 – 8pm is “Seeds of Change, Roots of Power: The Danny Woo Community Garden”, an exhibit that celebrates this neighborhood resource which preserves culture, tradition and identity. Tatau/Tattoo: Embodying Resistance. Explores the practices and cultural significance of tattoos, highlighting the unique perspectives of the South Pacific communities in the Pacific Northwest. “Khmer American: Naga Sheds Its Skin”. War has had a huge impact on Khmer culture and identity. Despite these challenges, the community continues to shape the US and Cambodia. “Tales of Tails: Animals in Children’s Books is a recent show to open at the museum. “Do You Know Bruce?” is a major new show on the personal, intimate story of martial arts artist and film star Bruce Lee and the significance of Seattle in his life. Opens Oct. 4th with the full support of the Lee Family. The Wing is the only museum in the world, outside of Hong Kong, to present an exhibition about Bruce Lee’s life. The Lee family has plans to eventually open a permanent museum on Bruce Lee’s life and legacy in the Chinatown-ID neighborhood. Year 2 of the exhibition opens Oct. 3rd, 2015 and digs deeper into the significance of Bruce Lee and his impact in media during a time of racial stereotypes and barriers. Includes text panels by national blogger Phil Yu (aka Angry Asian Man) plus Green Hornet toys, personal letters, behind-the-scenes photos from the sets of “Way of the Dragon” and “Enter the Dragon”, hand-written film notes, rare photos inside his early Chinatown studio and much more. Celebrate the closing of this Bruce Lee show on Sept. 3 & 4. Special activities include an outdoor film screening on Sat. and giveaways. A new installment of the Bruce Lee exhibit opens on Sat., Oct. 1, 2016 but if you become a museum member, you can attend the special member-only party preview before it officially opens to the public. On Friday, Sept. 30 from 5 – 8pm. To become a member contact membership@wingluke.org or call 206-623-5124×126. The new installment is entitled “Day in the Life of Bruce Lee: Do You Know Bruce? Part 3” explores what it took to become “Bruce Lee”. It delves into his daily work habits, routines and strategies to his written & visual art, reading, and personal time spent with family and friends. The Museum is located at 719 South King St. (206) 623-5124 or visit www.wingluke.org. Closed Mondays. Tuesday – Sunday from 10am – 5pm. First Thursday of each month is free from 10am – 8pm. Third Saturday of each month is free from 10am – 8pm.
“Voices of Nisei Veterans – Permanent Exhibition and Collections” is composed of rare collections preserved by the Nisei Veterans Committee and tells the story of Japanese American veterans before, during and after WW II. Access is by pre-arranged tour only. For reservations or information, email info@nvcfoundation.org or tours@wingluke.org. Jointly sponsored by the NVC Memorial Hall and The Wing. 1212 South King St.
“Pacific Voices” is an ongoing exhibit that celebrates the language, teachings, art, and cultural ceremonies of seventeen cultures from the Pacific Rim. Burke Museum at the University of Washington. 17th Ave. NE & E 45th Streets. (206) 543-5590 or try Washington.edu/burkemuseum.
New Zealand’s largest art show “World of Wearable Art” (tm ) makes its North American debut at EMP Museum in Seattle. A spectacular fusion of fasion and art, the exhibition showcases 32 award-winning garments from the annual competition in Wellington. One of the highlights is ‘Born to Die”, a dress made completely of cable ties woven into a sculptural “vertebrae” to look like a fish skeleton, by design student, Guo Xia Tong from China. On view through Jan. 2, 2017. 325 – 5th Ave. N. 206-770-270
Next year will see a show by Japanese artist Yayoi Kusama spanning over five decades. “Yayoi Kusama: Infinity Mirrors” will focus on her original series done in 1965 in which she displayed a vast expanse of red-spotted, white tubers in a room lined with mirrors, creating a jarring illusion of infinite space and move on throughout her whole career developing this concept. Opens Sept. 29, 2017 and remains on view through Sept. 10, 2017. Seattle Art Museum downtown.
Currently on view at Seattle Asian Art Museum in Volunteer Park – Opening April 9 and staying on view through Oct. 9, 2016 in the Tateuchi Galleries is “Mood Indigo: Textiles from Around the World.” The show looks at how the color blue creates so many moods in cloth around the world. Drawn primarily from SAM’s global textile collection, the show illuminates the historic scope of this vibrant pigment. On view will be tapestries from Belgium, a Chinese silk court robe, kimonos from Japan, batiks and ikats from Indonesia and Africa, and ancient fragments from Peru and Egypt. An immersive contemporary installation devoted to indigo by Rowland Ricketts with a soundtrack by sound artist Nobert Herber will also be featured. Also on view now – “Awakened Ones: Buddhas of Asia” comes from the museum’s own collection and features 20 sculptures and paintings of Buddhas from across Asia that span nearly 13 centuries. Opening on July 2 and remaining on view through Feb. 26, 2017 is “Terratopia: The Chinese Landscape in Painting and Film.” The importance of landscape is a key feature of Chinese art and this show gives it a new wrinkle by comparing Chinese landscape paintings from the collection with the sounds and images of artist and cinematographer Yang Fudong taken from his five-part film entitled “Seven Intellectuals in a Bamboo Forest (2003-7). The film experiments with ideas about what nature holds for people in the modern world by reimagining ancient history’s seven philosophers as seven successful youths who are disenchanted with the banality of daily urban life. Filmed in the famed Yellow mountains of eastern China, a place that inspired poetry and literature for centuries as well as a major school of and landscape art. Chinese art curator Foong Ping says, “It’s a thinking person’s show…You have to look at something and ask ‘Why is it there? Why did you choose this one?’ and there will be an answer. It’s a puzzle.”. Immersed in both the audio and visual elements of the film, viewers may very well begin to see the Chinese landscapes on the wall in a new light. Now on view through Oct. 9, 2016 is a show entitled “GOLD: Japanese Art from the Collection.” Japanese art curator Xiaojin Wu created this show with diverse elements from the museum’s collection, which showcases all things gold including textiles-such as kimonos-as well as paintings, metalwork, and lacquerware. Gardner Center presents an Asia Arts Workshop entitled “Hand Papermaking of the Islamic World” on Sept. 10, 2016 from 10 am – 4pm with book artist and papermaker Radha Pandy. Pandey will share her rare expertise about paper history with samples of work made in the Islamic world. Paticipants will learn sheet forming, dyeing, sizing and burnishing. On Sept. 15 at 7pm, the Gardner Center presents their Asia Talks series with textile artist Azumi Hosoda who will show you how to use resist dyeing to create kimonos and more. She will discuss techniques that allow layering and depths of color and talk about her contemporary designs that explore themes of food, sea life, games and more. Tabaimo is a Japanese artist who currently has her first solo show of video installations at San Jose Museum of Modern Art. She will curate a show of her existing and new works as well as works from SAM’s collection that she has selected for their close connections with her own work. Opens Nov. 11, 2016 and remains on view through Feb. 26, 2017. Seattle Asian Art Museum is at 1400 Prospect St. in Volunteer Park. 206-442-8480 or go to seattleartmuseum.org/gardnercenter or gardnercenter@seattleartmuseum.org.
The Seattle Asian Art Museum known for its classic Art Deco design built in 1933 will receive a major overhaul and renovation. The museum will close in the spring of 2017. The museum seeks input from the community in a series of meetings about what people envision for the Asian Art Museum of tomorrow. Go to visitsam.org/inspire or email SAM at feedback@seattleartmuseum.org for more information about upcoming community forums about the future of SAAM. Some goals include expanding educational and programming spaces, protecting the collection, restoring a historic icon, enhancing the museum’s connection with Volunteer Park and adding new exhibition space. Coming up are meetings on Sat., Sept. 10, 2016 at Nagomi Tea House at 519 6th Ave. S., Ste. 200 and Oct. 15, 2016 at Seattle Asian Art Museum at 1400 E. Prospect St. in Volunteer Park.
Seattle artist/performer/filmmaker Etsuko Ichikawa has won the grand prize Dave Bowen Award for her video entitled “Echo at Satsop”. Submissions were received from artists from over 40 countries. Juror and Assistant Curator of Contemporary Art at the Museum of Fine Arts, Boston has this to say about the work. “Equal parts performance documentation and otherworldly cinematic experience the mesmerizing video reveals the dramatic potential of a simple gesture made in an extraordinary setting. I was not only struck by the professional and creative cinematography, but also by the powerful soundtrack. Nearly every shot would make a compelling still image; the meditative sound could also stand alone. Both contribute to a sense that this clearly real place could be on earth or elsewhere – in the past, present, or far-off future.” Congratulations, Etsuko! The artist is represented locally by Winston Wachter Fine Art Gallery/ gallery@winstonwachter.com. Currently she is working on a public art project for Pullman High School sponsored by the Washington State Arts Commission. She will do a residency at Museum of Glass in Tacoma. She is also working on “Jomon Vitrified”, an examination of the radioactive decay of uranium glass inspired by Jomon pottery and concerns over the disasters at the Fukushima Nuclear Plant and Hanford Nuclear Waste Management. She has a new facebook page and is working on a podcast as well. For details on any of the above, email info@etsukoichikawa.com.
Comparing his own journey from China to Canada, the Yangtze River to the Frazier River, with that of the salmon migration, Canadian multi-media artist Gu Xiong has an installation entitled “A River of Migration”. Xiong says, “When the salmon returns, the river flows red. A spiritual river. A river of migration.” On view through Nov. 28, 2016. San Juan Islands Museum of Art on 540 Spring St. in Friday Harbor. 360-370-5050 or go to www.sjima.org.
“Matter” is the first North American retrospective to highlight two decades of art by Bharti Kher, a UK-born, New Delhi-based artist. The exhibition presents elements of painting, photography, and sculpture that have been the hallmarks of her practice over the past two decades. On view through Oct. 10, 2016. Organized by Vancouver Art Gallery and curated by Daina Augaitis and Diana Freundl. Her use of the bindi (a popular fashion accessory that once was a symbol of the third eye) is reclaimed by the artist to show the resilience of women. Ideas of hybridity and the female cyborg are also explored in her art. The exhibition is accompanied by a catalogue co-published with Black Dog Publishing. Vancouver Art Gallery is at 750 Hornby St. in Vancouver BC, Canada. 604-662-4722 or go to www.vanartgallery.bc.ca.
On view through Sept. 4, 2016 is “Chino Otsuka: Arrival”, an audio visual multi-channel installation that combines archival images and new photographs as a way to explore the early history of Japanese immigrants in Canada, stories of young women who came as picture brides. It captures a time of anticipation, hope and adventure as they begin their journey to a new country. Otsuka is based in England and this project was inspired by a 2014 residency at the Nikkei archives here. Also ongoing is “Taiken – Japanese Canadians Since 1877”, photography and artifacts that chronicle the hardships of pioneers to the struggles of the war years to the Nikkei community today. Nikkei National Museum at 6688 Southoaks Cres. In Burnaby B.C., Canada. 604-777-7000 or go to nikkeiplace.org.
The Denver Art Museum has the following shows. “All That Glistens – A Century of Japanese Lacquer” has on display containers, trays, plaques, braziers and screens all handcrafted by the Japanese artisan tradition. On view through September 7, 2016. “Depth & Detail – Carved Bamboo from China, Japan & Korea” looks at this intricate decorative art that includes religious imagery, people, animals, birds, insects, plants and landscapes. All with a story to tell or having symbolic meaning. On view through Jan. 15, 2017. 100 W 14th Ave. Parkway in Denver. 720-865-5000.
Korean American artist Soo Sunny Park is known for using everyday building materials to create large, experiential installations that rely on repetition and the interplay of light. Her “Unwoven Light” piece is a suspended sculptural composition of chain-link fencing and iridescent Plexiglas formed in organic shapes that changes color, light and shadow as the viewer walks through it. On view through Sept. 4, 2016 at The Dennos Museum Center at 1701 E. Front St. in Traverse City, Michigan. 231-995-1055. Go to http:/www.dennosmuseum.org/exhibitions/current/soo-sunny-park-unwoven-light.html for details.
The East-West Center Arts Program presents “China Through The Lens of John Thomson 1869-1872”. In 1868 the Scottish photographer and travel writer spent four years in Hong Kong and China documenting the people and landscape. The range, depth and aesthetic quality of his photographic vision makes him stand out as one of the pioneers of travel photography. On view through Sept. 11, 2016. East-West Gallery is located in the John A. Burns Hall at 1601 East-West Rd. in Honolulu. Hours are weekdays 8 – 5pm and Sundays noon – 4pm. 808-944-7177. Go to http://arts.EastWestCenter.org for details.
“Summer Trees Casting Shade – Chinese Paintings at Berkeley” highlights the collection of the late highly respected Chinese art historian and UC Berkeley Professor Emeritus James Cahill. The works date from the twelfth to the eighteenth centuries. Highlights include the Song Dynasty galleries and the Ma Yuan Paintings. On view through Sept. 25, 2016. A related activity is art historian Patricia Berger’s talk entitled “A Passion for Grapes – Thoughts on a Chinese Painting” set for Sept. 24 at 1:30pm. At the Berkeley Art Museum & Pacific Film Archive (BAMPFA) which has moved from its former UC Berkeley campus location to downtown. 2155 Center St. 510-642-0808 or go to bampfa@berkeley.edu.
“Emperor’s Treasures – Chinese Art from the National Palace Museum, Taipei” is on view through Sept. 18, 2016. Nearly 150 imperial masterworks from across eight centuries and four dynasties with many making their North American debut. The Asian Art Museum, San Francisco at 200 Larkin St. 415-581-3500. In related news, the museum is planning a massive expansion and renovation underwritten by donations from board members which include the wife of the original founder of Yahoo! and the President of Dreyer’s Ice Cream. Thai-born Kulapat Yantrasast’s wHY architectural firm of Los Angeles will oversee the project which begins in 2017. In an effort to step up its contemporary art programming, the museum recently hired curator Karin G. Oen from Dallas where she worked as curator at the Crow Collection of Asian Art. The museum better known for historical exhibitions in the past is adding more contemporary shows as well. “28 Chinese” is a group show opening this summer with Xu Zhen, Zhang Huang and Ai We Wei organized by Miami collectors Mera and Don Rubell. The museum’s recent acquisitions of new art will debut in the fall with a group show entitled “First Look: Collecting Contemporary at the Asian” with work by Ahmed Mater, RongRong & Inri, Zhu Jinshi, Okura Jiro, Lu Shoukun and C. C. Wang.
“Yasuhiro Ishimoto: Bilingual Photography and the Architecture of Greene & Greene” is the title of a new show at the Huntington Library. Photographs made by Ishimoto of architecture by these early 20th-century designers on assignment for the Japanese design magazine, “Approach” (on loan from Museum of Art, Kochi) plus images from his “Katsura Imperial Villa” series are now on view until Oct. 3, 2016. This show coincides with the reopening of a refreshed permanent display of Greene & Greene furniture in an adjacent room. A new exhibition opens Sept. 17 entitled “Gardens, Art and Commerce in Chinese Woodblock Prints” and remains on view through Jan. 9, 2017. The show includes forty-eight examples of woodblock prints made from the 16th century to 19th centuries on loan from the National Library of China in Beijing, the Nanjing Library, the Shanghai Museum and 14 other institutions and private collections. 1151 Oxford Rd. in San Marino, California. 626-405-2100.
Los Angeles Museum of Art (LACMA) is one of the sites for Mel Chin’s land art project “The Tie That Binds: Mirror of the Future” which is part of the new public art biennial “CURRENT: LA Water. Chin, is internationally known for her public art installations that involve community and this one is no different. As you know California is in the midst of a long drought. The project begins at the Bowtie, a piece of land in Atwater village near the Los Angeles River. Here, “mirror makers” guide viewers through eight unique, drought-resistant sample gardens created by the artist. Visitors can commit to creating a mirror of a sample garden in their own yard, and receive a blueprint for one of the sample gardens with instructions on how to plant and maintain their very own mirror garden, It is hoped this will help drought-resistant gardens proliferate all across the city. For details, go to the CURRENT:LA website.
Currently on view through Dec. 4, 2016 is “Alternative Dreams: 17th Century Chinese Paintings From the Tsao Family Collection” which showcases works by many of the most famous painters of this period, including scholars, officials, and Buddhist monks. Los Angeles County Museum of Art (LACMA). 5905 Wilshire Blvd. 323-857-6010.
The Asia Society Museum in New York presents “No Limits: Zao Wou-Ki.” Co-organized with Colby College Museum of Art, it is the first retrospective of the work of this artist (1920-2013) in the United States. This Chinese-French artist melded eastern and western aesthetic sensibilities in his paintings to great effect and was a key figure of the post-WWII abstract expressionist movement. Zao was born in Beijing but grew up in Shanghai and Hangzhou, where he studied at the China Academy of Art. In 1948, he emigrated to Paris where he became a major name in the European art world. His work found its way into American collections in the 50’s and 60’s. He was one of the first artists to adapt the visual characteristics of Chinese art within twentieth-century oil painting idioms. The show is curated by Melissa Walt, Ankeney Weitz and Michelle Yun and is accompanied by a fully illustrated catalog. On view September 9, 2016 – January 8, 2017. 725 Park Ave. New York City, New York. 212-327-9721 or go to www.asiasociety.org.
The Art Institute of Chicago presents the following. “The Shogun’s World: Japanese Maps of the 18th and 19th Centuries” through Nov. 6, 2016. This exhibition of maps showcases the beauty of Japanese printmaking. Coming up is “Provoke”: Photography in Japan Between Protest and Performance, 1960-1975. Opens Jan. 28, 2017 and remains on view through April 30, 2017. 111 South Michigan Ave. 312-443-3600.
“Narcissus Garden” was an installation created by the grande dame of contemporary Japanese art, Yayoi Kusama for the 33rd Venice Biennale back in 1966. She re-creates that piece consisting of over 1,000 mirrored spheres at the famed American architect Phillip Johnson’s historic glazed building in New Canaan, Connecticut known as the Glasshouse Museum. Kusama floats a landscape of metallic orbs that sweep across the meadow and forest of the grounds on the way to the building. Also as an added bonus during the month of September, visitors can see how she has turned the interior of the Glasshouse into a colorful polka-dot infinity room. “Narcissus Garden” is on view through November, 2016. For tickets for a tour, go to contact@theglasshouse.org.
The Broad Art Museum at Michigan State University has the following – A show by Yan Xing through Oct. 16, 2016. “Epic Stories and Cultural Flux: A Brief Visual History of South Asia” though Sept. 11, 2016. Upcoming is a group exhibition that investigates a wide range of themes surrounding the changing role of women in China in an exhibition entitled “Fire Within: A New Generation of Chinese Women Artists”. Included are the work of twenty-eight emerging working in painting, installation, sculpture, video, animation, photography and performance. The generation of artists born in China during the 1970s and 1980s witnessed significant changes throughout their society as the country opened up to foreign markets and international exchange. The exhibition is accompanied by a catalog with an essay by the curator, Dr. Wang Chunchen and interviews with the artists. There will be various activities including performances by Hu Jiayi, Lin Ran, and Luo Wei. On view August 27, 2016 through February 12, 2017. This museum was designed by the late Pritzker prize-winning architect Zaha Hadid. 504 East Circle Dr. in East Lansing, Michigan. 517-884-4800 or try eebam@msu.edu.
The Metropolitan Museum of Art in New York has the following. “Divine Pleasures: Paintings from India’s Rajput Courts – the Kronos Collection” through Sept. 12, 2016. “Masterpieces of Chinese Painting from the Metropolitan Collection” through Oct. 11, 2016. 1000 Fifth Ave. Go to metmuseum.org for details.
Another large exhibit in Seoul honoring the artist is “The Paik Nam June Show” where over a hundred of his pieces are arranged in thematic sections including a huge turtle sculpture composed of over 166 TV monitors. On view through Oct. 30, 2016 at Dongdaemun Design Plaza. Go to www.ddp.or.kr for details.
A major new work by installation artist Kimsooja entitled “Archive of Mind” encourages visitors to make clay balls at a giant oval wooden table to the soundtrack of dried clay balls rolling on the table. When dry, the audience-made balls of clay will be set against the black walls transforming the room into the landscape of an alien planet. Also on view is the latest piece of Kimsooja’s “Thread Route” film series. This series shows how a region’s sewing and weaving culture is intertwined with residents’ lives and history. The current show is part of “The MMCA Hyundai Motor Series 2016”, the museum’s annual solo show given to a leading artist as sponsored by the auto giant. National Museum of Modern and Contemporary art in Seoul. +82 23701 9500. 30, Samcheong-Ro, Jongno-gu in Seoul.
The National Arts Council chose multidisciplinary artist Zai Kuning to represent Singapore at the 2017 Venice Biennale. Jompet Kuswidananto’s “After Voices” is a haunting memorial to the voice of protest in Indonesia utilizing pairs of worn out shoes in procession, above them suspended are empty busts formed by motorcycle helmets or balaclavas made from t-shirts. A noisy fan blows on large banners with printed figures ready to shoot at the crowd accompanied by an audio visual video portrayal of an re-enacted 1949 military offensive. Also includes a film entitled “Noda/Stains” in which a lone figure mops up a dark stain. Through Sept. 10, 2016 at Sherman Contemporary Art Foundation in Sydney. Yuan Gong’s “The Shape of Scent” takes the use of fog to invoke a visual depiction of scent in a series of six large oil paintings and three video pieces. Closed on August 27, 2016 at Tang Contemporary Art in Hong Kong. Excerpted from Artsasiapacific’s website.
If current shows in Japan are any indicator, that country is in a navel-gazing mood with shows that look back to the past to evaluate the future.”1945+5: War and Reconstruction – How artists Faced the Turbulent Period” is on view through Oct. 10, 2016. The show looks at the oil painting tradition in the years before and after WWII and how it affected Japanese artists. At the Hiroshima City Museum of Contemporary Art at 1-1 Hijiyama Koen, Minami-ku in Hiroshima. “A Feverish Era: Art Informel and The Expansion of Japanese Artistic Expression in the 1950s and 60s” on view until Sept. 11, 2016 looks at the year of 1956 when Parisian art critic and collector Michel Tapie brought an influential collection of Western “art informel” abstract art to Japan. This trend stressed gestural styles that broke with artistic tradition. 100 works in various genres by Japanese artists influenced by this Western style. National Museum of Modern Art in Kyoto, Okazaki Enshoji-cho, Sakyo-ku, Kyoto, Japan. In 1946 as Japan was reeling from WWII, the first Japanese woman manga artist – cartoonist Machiko Hasegawa gave the nation some light relief with her hit manga entitled “Sazae-san.” This exhibition entitled “The 70th Anniversary of Sazae-san: The Best of Machiko Hasegawa” runs from August 27 – Oct. 10, 2016 at Itabashi Art Museum in Tokyo. 5-34-27 Akatsuka, Itabashi-ku. “Okazaki Kyoko: Exhibition – Battlefield of Girls Life” looks at this manga illustrator whose work focuses on the lives of contemporary young women living in major cities, and their desires and insecurities facing the changing environment of a capitalistic society. On view until Sept. 11, 2016 at Itami City Museum of Art at 2-5-20 Miyanomae in Itami, Hyogo Prefecture. In the 1960’s there was an explosion of new graphic art that graced the covers of albums and rock concert posters. Japan was not exempt from this trend and Tadanori Yokoo is best known for his vibrant poster art and album covers. “Yokoo Maniarism Vol. 1” looks at his works based on diary entries in which he attempted to draw/scribble down images from his dreams and whatever else he could catch before they dissolved from memory. On view until Nov. 27, 2016 at the Yokoo Tadanori Musem of Contemporary Art at 3-8-30 Harada-dori, Nada Ku, Kobe in Hyogo Prefecture. “Charm of the Scholar’s Desk – Water Droppers of the Joseon Dynasty” on view until Nov. 27, 2016. In the Asian tradition of calligraphy, the “four treasures of the study” are considered brush, ink, paper and inkstone” but the water dropper (used to wet inkstones) is not far behind. In the Joseon Dynasty (1397-1910), calligraphy was a popular art form for the ruling class and literati alike. Water droppers were made in a variety of shapes and sizes and decorated with ideas and motifs. This show brings together 126 water droppers from the Museum of Oriental Ceramics collection. 1-1-26 Nakanoshima, Kita-Ku in Osaka, Japan. “The Power of Colors – Contemporary Ceramic Art from the Kikuchi Collection” on view until Dec. 4, 2016. Colors take on various significance in the world of ceramic art. This show shows the vast array of possibilities and the power of unique hues. All pieces taken from the Tomo Kikuchi Collection. At Musee Tomo in the Nishikubo Building, 4-1-35 Toronomon, Minato-Ku in Tokyo.
The theme for the 3rd Aichi Triennale as coined by curator Chihiro Minato is “Homo Faber: A Rainbow Caravan.” It takes place in the cities of Okazaki, Toyohasi and Nagoya, Japan. Parameters are wide for this festival of art that will include photography, moving image, performing arts and architecture. Through Oct. 23, 2016.
The ever controversial Chinese artist Ai Weiwei has been eliminated from the Yinchuan Biennale just two weeks before its scheduled opening due to his “political status” according to a post by the artist on Twitter. Displeasure of the artist’s inclusion in the show was voiced by domestic media. Yinchuan MoCA is just starting out in that area of China and didn’t want controversy to be a stumbling block in its growth as a contemporary art institution. Work of over 70 international artists are included in this inaugural show including contributions from Anish Kapoor, Song Dong and Yoko Ono. Ai Weiwei had this to say about his elimination. While acknowledging that censorship is a given under Communism, he said “it still comes as a surprise to me for an ‘international art biennale’…to remove a single artist for the reason of defending human rights and freedom of speech. That shows what we face is a world which is divided and segregated by ideology, and art is used merely as a decoration for political agendas in certain societies.” He closed his remarks by saying “China is trying to develop into a modern society without freedom of speech, but without political arguments involving higher aesthetic morals and philosophies, art is only served as a puppet of a fake cultural efforts. Therefore I am happy not to be part of that effort as a political decoration.” Excerpted from The Art Newspaper. Go to http://theartnewspaper.com/news/news/ai-weiwei-dropped-from-biennial-in-china-/ for the complete story.
Kyoto Arts & Antiques have been wholesaling Japanese antiques for 25 years. Based in Kyoto, Seattle is their only U.S. port of call for two weeks in the spring and fall. They will open up their warehouse to the Friends of Asian Art Association for a special evening of discovery. Space is limited so register now. Oct. 7 from 7 – 9pm. The warehouse is at 5840 Airport Way South in Georgetown. Tickets are always cheaper for organization members so you might consider joining before making your reservation. To register, go to www.friendsofasianart.org/eventflyer4.html.
The non-profit organization known as Washington Lawyers for the Arts celebrates 40 years of providing legal services to people in the arts on Thurs., Oct 6, 2016 from 5:30pm – 8:30pm. Columbia Tower Club at 5 Columbia Center at 701 – 5th Ave. in downtown Seattle. Tickets are $25 and available at www.thewla.org. WLA members get complimentary tickets. For more information, go to info@wla.org.
Performing Arts
Seattle Kokon Taiko formed in 1980 and is still going strong. To celebrate they plan a 35th Anniversary Concert entitled “Rhythm, Movement & Spirit” on Oct. 1, 2016. Tickets are on sale now. This will be a big production with special guests they have been collaborating with the last few years including Michelle Fujii and Toru Watanabe of UNIT SOUZOU, singer-songwriter Aura Ruddell and the rock band, Ravenna Woods. Concert takes place at the Shorewood Performing Arts Center in Shoreline. Planning a concert this big takes lots of money and the organization would appreciate any financial support it can receive from friends, family and community. This group has always been there for the community performing at rallies, concerts and community events. Now it’s our turn to step up and support them. For more information on the concert, go to http://seattlekokontaiko.org/skt35/. To keep up with the group’s activities, go to their facebook page at https://www.facebook.com/Seattle-Kokon-Taiko-SKT-101296766070/. And more importantly, to send donations to the group so they can put on their concert, go to https://www.gofundme.com/skt35.
Singer/songwriter/musician Kishi Bashi was born in Seattle but raised in in Virginia, the son of academics. He studied film scoring at Berklee School of Music and founded the rock band “Of Montreal” before going solo. He will be touring on behalf of his latest release “Sounderlust.” This recording came out of the ashes after touring and marital problems saw him at a spiritual and creative impasse. He appears in Seattle on Oct. 18 at 8pm at the Showbox in downtown Seattle at 1426 – 1st Ave. 1-888-9-AXS TIX or try the ShowBox or SODO ShowBox offices for tickets in-person fromWed. – Fri. from 10am – 2pm. Doors will open at 7 p.m.
Here’s a sneak peek at some of the programs Seattle Symphony has to offer under the baton of Music Director Ludovic Morlot later this year going into 2016/2017. Bass vocalist Jonathan Lemalu is part of the choir performing Beethoven’s Symphony No. 9 with Ludovic Morlot conducting January 5 and 7. Kevin Ahfat is featured pianist during the Symphony’s “Shostakovich Concerto Festival”. He’s perform with Pablo Rus Broseta conducting the following. On Thurs., Januanry 19 – Piano Concerto No. 1, Violin Concerto No. 2 and Cello Concerto No. 1. On Friday, January 20 – Cello Concerto No. 2, Piano Concerto No. 2 and Violin Concerto No. 1. Cellist Yo Yo Ma makes what seems to be one of annual Seattle visits when he performs a program of Bartok, Mozart and Haydn with Seattle Pymphony under the baton of Pablo Rus Broseta on Friday, October 14 at 8pm. On Sunday, March 26 at 4pm, the annual “Celebrate Asia” concert returns featuring movie music by famous Chinese and Indian composers including Grammy and Academy Award winners Tan Dun and A. R. Rahman. Finally on Friday, February 10 at 8pm, catch violinist Leonidas Kavakos & pianist Yuja Wang in a program featuring Medtner’s “Two Canzonas with Dances for Violin and Piano and other works by Schubert, Debussy and Bartok. For details on tickets, go to seattlesymphony.org or call (206) 215-4747.
Tea ceremony demonstrations continue at Seattle Art Museum downtown on Third Thursdays at 5:30pm and Third Sundays at 2:30pm in the Japanese teahouse on the third floor of SAM. Free with admission. No tea ceremonies will be held in August. Go to vistsam.org/performs for details. Also at Seattle Art Museum on Sept. 8 at 6pm will be an “Opening Reception for Travelers”. Travel from Shanghai to Bakersfield and beyond as visitors get a chance to explore the world with artists as they exhibit work based on their expeditions. Free and open to the public.
Friends of Asian Art Association present “Glimpses of India” on Sunday, Sept. 11 from 2 – 4pm. Enjoy dancing, music, henna, sari draping, chai and snacks. Kids under 12 are free. $10 for members and $15 for non-members. At the Mountaineers Seattle Program Center at 7700 Sand Point Way NE. To register for this event go to www.friendsofasianart.org.
Emerald City Music is a new local organization specializing in chamber music. They recently announced their first season featuring over 40 world-class musicians with many performances all over Puget Sound. There will be seven in Seattle, two in Tacoma and five in Olympia. The concerts are curated by Kristen Lee, Artist Director and violinist. Some of the musicians include Ben Hong, Tien-hsin Cindy, David Requiro, The Dover Quartet, Gloria Chien, Hyeyeon Park, Windsync, Yura Lee and Kristen Lee. Concerts will be at Washington Center, 415 Westlake, Lagerquitt Concert Hall, Minnaert Center and St. Michael Westside Church. Go to http://www.emeraldcitymusic.org/blog/2016/5/16/announcing-season-one for details. Opening concert of Brahms kicks off on Sept. 16 at 415 Westlake in Seattle. Go to emeraldcitymusic.org.
Aerialist Rui Ling performs in Teatro ZinZanni’s romantic production of “Hotel L’Amore” staring Lilliane Montevecchi. Through Sept. 25. 222 Mercer St. in Seattle. 206-802-0015 for details.
Sept. 11 from 11am – 7pm is the annual “Live Aloha Hawaiian Cultural Festival”. Hula and mele performances, music, ono food and lei making workshops. Go to www.seattlelivealohafestival.com for details. Both events at Seattle Center Armory & Fisher Rooftop. Free.
The 2016 Mayor’s Arts Awards is a free program in which Mayor Ed Murray, The Seattle Arts Commission, and The Office Of Arts & Culture invite you to the ceremony in which many of Seattle’s strongest proponents for the arts will be honored. In the “Arts & Innovation” category, artist Louie Gong is honored. Under the category of “Philanthropy”, Ellen Ferguson who is Co-President of the Wing Luke Asian Museum and Huong Vu are both honored. The event takes place on Friday, Sept. 1 at 12pm at the Mural Amphitheatre at Seattle Center. Free but reservations are suggested. Go to arts.culture@seattle.gov for details.
Coming to Jazz Alley are two pianists of contrasting styles. The pop/jazz of singer/songwriter/pianist L.A.-based Keiko Matsui is on stage Sept. 1 – 4. Jazz prodigy Joey Alexander hails from Bali but is presently based in New York. He’s a storehouse of the jazz tradition and though only 12, plays with the warmth of a musician years older. See him with his trio Sept. 13. Shows start at 7:30pm. 2033 6th Ave. 206-441-9729 or go to jazzalley.com.
Book-It Repertory Theatre kicks off their 2016-17 season with an adaptation of Ruth Ozeki’s best-selling novel “A Tale For The Time Being” set fro Sept. 14 – Oct. 9. The story centers around a woman on an island off the coast of British Columbia who finds the diary of a young Japanese young girl washed up on the shore as part of the tsunami debris and how she imagines her story from reading the pages. Cast includes Khanh Doan, Mi Kang, Mariko Kita, Scott Koh, Keven Lin, Michael Patten, Rachel Rene and Annie Yim. Adapted by Laura Ferri and directed by Desdemona Chiang. For tickets, go to book-it.org or call 206-216-0833.
“Narae 2016 – A Korean Folktale” is Morning Star Korean Cultural Center’s annual concert. Translated into English as “Wings”, it will have the Northwest Korean ensemble “spreading their wings” over the community in a cultural embrace. Expect traditional Korean music, costumes, choreography and beautiful set design. This year’s theme explores and brings to life an old traditional folktale through music and dance. On Sunday, Sept. 18 from 7 – 9pm. At McCaw Hall at 321 Mercer St. in Seattle Center. For details email sinae@morningstarkcc.org.
Access To Ustads presents: Master of Tabla Anindo Chatterjee Institute of Tabla’s North Indian concert with Hindustani vocalist Srivani Jade and Master Artist Anindo Chatterjee on the table. Both artists perform and talk about their art form. Sat., Sept. 24 at 2pm. For more information, go to wingluke.org.
Singer/songwriter Rachael Yamagata comes to the Tractor Tavern on Oct. 17. Presented by Monqui. Go to monqui.com for details.
Chan Centre, the performing arts theatre space for the University of British Columbia in Vancouver B.C. presents Anda Union, a nine-member band that unites tribal and musical traditions from all over Inner Mongolia. A wide range of traditional instruments and vocal throat singing styles are used. They are part of the new season and will perform on March 26, 2017 at 8pm. Go to http://chancentre.com/subscribe/ for details on their complete season. Single tickets on sale on June 14, 2016 from noon on.
UW instructor/composer/trumpet player Cuong Vu continues his association with noted jazz guitarist Pat Metheny in a new recording on Nonesuch entitled “Cuong Vu Trio Meets Pat Metheny”. It includes five tunes written by Vu and features a rhythm section of Stomu Takeishi on bass and Ted Poor on drums. For details, go to publicity.nonesuch.com or contact Melissa Cusick at melissa.cusick@nonesuch.com.
Bleachbear is an all-girl Asian American indi-rock band consisting of two sisters and a cousin. They were named “Seattle’s Best Underage Band” by Seattle Weekly. Their sophomore EP entitled “Cowboy Movie Star” will be released on July 30, 2016. For details, go to www.bleachbear.com.
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