Palmer pronounced she’ll be stepping into a pretension purpose in Rodgers Hammerstein’s Cinderella starting on Sep 9 during a Broadway Theatre. She will turn a initial African-American to play a partial on a Great White Way.
Photo: AFP
Like many girls, thespian and thespian Keke Palmer grew adult forgetful of assembly a king who would drive her divided to a life of adore and happiness. In her case, it’s going to occur — 8 shows a week on Broadway.
Palmer pronounced she’ll be stepping into a pretension purpose in Rodgers Hammerstein’s Cinderella starting on Sep 9 during a Broadway Theatre. She will turn a initial African-American to play a partial on a Great White Way.
“It’s overtly one of those things that we can’t trust is unequivocally happening,” Palmer pronounced recently from her Los Angeles home. “I’m really excited. Very vehement and shaken as good — a garland of feelings all during once.”
Palmer, 21, is stepping into a sparkly boots initial ragged by Tony-nominated Laura Osnes, afterwards put on by Call Me Maybe Canadian cocktail star Carly Rae Jepsen and now ragged by Paige Faure, who launches a inhabitant debate in a pretension purpose this fall.
Palmer, who will be creation her veteran theatre debut, will rest on a horde of skills she’s grown from film — including Barbershop 2: Back in Business and Akeelah and a Bee — her BET speak show, Just Keke, and on TV in Showtime’s Masters of Sex. Her albums embody a 2007 CD So Uncool and a self-titled 2012 EP.
She has played Chili in CrazySexyCool: The TLC Story and starred in Nickelodeon’s True Jackson, VP. Palmer also seemed conflicting Cicely Tyson and Vanessa Williams in Lifetime’s A Trip to Bountiful, that was nominated for an Emmy Award.
“She acts beautifully, she dances, she sings — she’s an extraordinary immature woman,” Tony Award-winning writer Robyn Goodman said. “I consider she’s going to be only so lovely.”
The Illinois-born actress’s parents, Sharon and Larry Palmer, both worked as veteran actors, and immature Keke pronounced she grew adult examination museum and welcomes a fortify it will give her.
“Theater offers so most some-more than we haven’t been means to entrance doing film and TV and all like that,” she said. “I’m really vehement to learn all that it has to offer — that concentration and that loyalty to perform during a certain turn each night.”
One of Palmer’s heroines flourishing adult was a thespian and thespian Brandy Norwood, who played Cinderella in a 1997 TV film conflicting Whitney Houston. “I feel like a reason I’m means to do this is really since Brandy did it on TV,” Palmer said. “In me doing this, it shows everybody that all is possible.”
The producers of Rodgers Hammerstein’s Cinderella have always been colourblind about casting a show, that Actors Equity celebrated for value in farrago on Broadway final year.
“We’ve always only expel a best people for a parts. Sometimes they’re African-American, infrequently they’re Latino, infrequently Asian-American,” Goodman said. “It’s smashing when it works out and we’ve finally found a Cinderella.”
The normal angel story has been given a wily and smart makeover by Douglas Carter Beane, who updated a story for a new generation. The songs by Richard Rodgers and Oscar Hammerstein II embody In My Own Little Corner, Impossible/It’s Possible and Do we Love You Because You’re Beautiful?
“Every girl’s dream is that story so to be means to play is going to be a dream come loyal for me. Not to discuss that Stuart Weitzman done a potion slippers I’ll be wearing,” Palmer said, laughing.
Winning a purpose of Cinderella is a latest breakthrough for African-Americans on Broadway, fasten Norm Lewis as a initial black male to play a pretension purpose in The Phantom of a Opera, Nikki M. James personification Eponine in Les Miserables, James Monroe Iglehart as a manic Genie in Aladdin and Condola Rashad as Juliet conflicting Orlando Bloom’s Romeo.
“Look around America. Broadway is a small behind America,” Goodman said.
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