This month, The Academy of Motion Picture arts and Sciences will host legendary film composer Ennio Morricone in a rare public conversation with writer/director Quentin Tarantino; Academy Award-winning actress Tilda Swinton in a Q&A moderated by Henry Rollins after a special screening of her new film, “Only Lovers Left Alive” (written and directed by Jim Jarmusch); and a series highlighting other films by Jarmusch, a seminal figure in American independent cinema, all drawn from the Academy Film Archive. Tickets will go on sale at 11 a.m. February 28, $5 General admission is $3 Academy members, LACMA Film Club members and students. All the screenings and special events will be at the Bing Theater (Los Angeles County Museum of Art, 5905 Wilshire Blvd, Los Angeles).

Jim Jarmusch: DOWN BY LAW

March 7 | 7:30 pm Buy Tickets

Writer/director Jim Jarmusch’s third feature is a stylish and mordantly comical take on the classic prison drama. Small-time pimp John Lurie, loafing disc jockey Tom Waits and excitable Italian tourist Roberto Benigni wind up sharing a jail cell on the outskirts of New Orleans Parish after each commits, or is set up to commit, crimes of varying degrees of pettiness. Benigni – with his handy notepad of American idioms such as “buzz off” and “I scream, you scream, for ice cream” – is an electric foil to laconic Lurie and Waits. But despite their differences, this trio of misfits bands together and breaks out. Working for the first time with Jarmusch, cinematographer Robby Müller (“Paris, Texas,” “The American Friend”) graces the film with masterful black-and-white imagery. Whether framing lone figures on the desolate streets of the French Quarter or shadow-latticed swamplands, the sumptuous look of “Down by Law” pays homage to the Southern Gothic while infusing it with beatnik wit. Bookended by a pair of smoky Waits gems and scored by Lurie with noirish moods, “Down by Law” remains a cult classic of idiosyncratic comedy.

1986, 107 minutes, black and white, 35mm | Written and directed by Jim Jarmusch; with Tom Waits, John Lurie, Roberto Benigni, Nicoletta Braschi, Ellen Barkin, Billie Neal and Rockets Redglare.

Raised in Akron, Ohio, and a student of Nicholas Ray in the NYU Film School, Jim Jarmusch has written and directed 11 features over three decades. Jarmusch’s body of work is one of the most singular in the American independent scene. Cinephilic and deliberate, Jarmusch’s films combine wry humor, modernistic compositions, languorous edits and cross-cultural characters to render the itinerant drift of life’s outliers and vagabonds. A member of the no wave band The Del-Byzanteens in the early ’80s, Jarmusch has also begun writing and recording with Dutch lutenist Jozef van Wissem and his own band SQÜRL.


March 7 | 9:45 pm | 30th anniversary Buy Tickets

Piddling New York City gambler John Lurie unwittingly plays host to his wayfaring Hungarian cousin, Eszter Balint, in his cramped studio apartment. He introduces her to such touchstones of American life as TV dinners, Monday Night Football and Chesterfield cigarettes…not to mention his unflappable sidekick, Richard Edson (Sonic Youth’s original drummer). But after Balint splits for Cleveland to live with Aunt Lotte (Cecillia Stark), Lurie and Edson decide to use their poker winnings for an impromptu road trip to the Midwest and beyond. Punctuated by Screamin’ Jay Hawkins’s “I Put a Spell on You” and crisply shot by future director Tom DiCillo (“Johnny Suede,” “Living in Oblivion”), Jarmusch’s minimalist comedy swept awards throughout international film festivals: winning a Special Jury Prize in Sundance, the Camera d’Or in Cannes for best first feature (Jarmusch’s true debut, the short film Permanent “Vacation,” was little seen outside New York), and the Golden Leopard in Locarno.

1984, 89 minutes, black and white, 35mm | Written and directed by Jim Jarmusch; with John Lurie, Eszter Balint, Richard Edson and Cecillia Stark.

Jim Jarmusch: DEAD MAN

March 8 | 5 pm Buy Tickets

Johnny Depp is a man lost in the sublime and surreal American frontier in Jim Jarmusch’s ‘acid Western.’ Landing in the town of Machine to start a new job at Dickinson Metalworks, Cleveland accountant Depp winds up with a slug in his chest and a group of bounty hunters on his tail. Led by a Native American who goes by the name Nobody (Gary Farmer), Depp embarks on a mystical journey through the woods and, perhaps, yonder to the afterlife. Along the way, a cross-dressing Iggy Pop and gun-toting Robert Mitchum (in one of his final screen roles) pop up. Scored by Neil Young in varying shades of electric guitar fuzz and splotch, “Dead Man”was hailed by The Village Voice’s J. Hoberman as “The western Andrei Tarkovsky always wanted to make….a visionary film.”

1996, 121 minutes, black and white, 35mm | Written and directed by Jim Jarmusch; with Johnny Depp, Gary Farmer, Crispin Glover, John Hurt; Robert Mitchum and Iggy Pop.


March 8 | 7:30 pm Buy Tickets

In a tumble-down Memphis hotel run by rock ‘n roll royal  Screamin’ Jay Hawkins (with bellboy Cinqué Lee, brother of Spike Lee, in tow) three stories unfold: a pair of Elvis-obsessed Japanese tourists make the rounds of the King’s hometown, a woman stranded en route  to Italy is met by an apparition, and a greaser (played by Joe Strummer) goes an all-night bender that turns perilous. “A meditation on nighttime and transience, on rhythm-and-blues and the city of Memphis, that comes camouflaged as a deck of three stories. Like its predecessors, it mixes high and low comedy, sadness and high jinks, and extracts a subtle, limpid beauty from the rawest of materials”—Luc Sante.

1989, 110 minutes, color, 35mm | Written and directed by Jim Jarmusch; with Masatoshi Nagase, Youki Kudoh, Screamin’ Jay Hawkins, Joe Strummer, Steve Buscemi and Cinqué Lee.


March 10 | 7:30 pm | In person: Tilda Swinton Buy Ticket

Tilda Swinton and Tom Hiddleston are a married couple separated by an ocean in writer/director Jim Jarmusch’s newest film. She resides in Tangiers with her mountains of books in seemingly every language, occasionally dropping in on Elizabethan scribe Christopher Marlowe (John Hurt). He’s in Detroit, recording doom-laden drone instrumentals in his cavernous home studio when not hanging out with vintage-guitar dealer Anton Yelchin. But what’s a few thousand miles when you’re a pair of vampires who’ve been together for centuries? And what happens when the two lovers’ reunion is interrupted by a surprise visit from Swinton’s impish little sister Ava (Mia Wasikowska)? Jarmusch’s eternal romance is equally literate and entrancing, thrumming to Jozef van Wissem’s sulfurous score and punctuated by live performances from fuzz-drenched psych-rockers White Hills and Lebanese singer Yasmine Hamdan.

2013, 123 minutes, color, DCP | Written and directed by Jim Jarmusch; with Tom Hiddleston, Tilda Swinton, Mia Wasikowska, John Hurt, Anton Yelchin, Jeffrey Wright, Slimane Dazi, Carter Logan and Ali Amine.

Ennio Morricone in Conversation with Quentin Tarantino

March 18 | 8 pm Buy Tickets

In an extremely rare Los Angeles appearance, legendary Italian composer Ennio Morricone will discuss his far-ranging career in a dialogue with writer/director Quentin Tarantino. With over 500 credits and various accolades including an Honorary Award from the Academy, the prolific and versatile Morricone has written music for films ranging from Sergio Leone classics such as “The Good, The Bad and The Ugly” and “Once upon a Time in the West,” revolutionary auteur Pier Paolo Pasolini’s “Teorema” and “The Decameron,” and cult classics from Mario Bava (“Danger: Diabolik”) and Elio Petri (“Investigation of a Citizen above Suspicion”), not to mention countless Spaghetti Westerns and recent collaborations with Brian De Palma, Warren Beatty and Giuseppe Tornatore. Two-time Academy Award winner Tarantino has directed films that have redefined the American cinematic landscape, beginning with the one-two punch of “Reservoir Dogs” and the Palme d’Or winning “Pulp Fiction.” Beginning with 2003’s “Kill Bill: Vol. 1” and continuing with subsequent films “Inglourious Basterds” and “Django Unchained,” Tarantino has masterfully employed the music of Morricone, introducing the maestro’s epic scores to new audiences. On Thursday, March 20, Morricone will mark his first Los Angeles performance when he conducts a 200-member orchestra and choir performing a selection of his works at Nokia Theatre L.A. LIVE, followed on Sunday, March 23, by a concert at Barclays Center in Brooklyn.

Filed under: Film Tagged: Academy Film Archive, Academy of Motion Picture Arts and Sciences, Ennio Morricone, Jim Jarmusch, Quentin Tarantino

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