NEW YORK (AP) — Gene Wilder was terrific when he was calm and collected. But when he lost it, he was transcendent.
Often playing opposite enormous, big performers like Zero Mostel and Richard Pryor, Wilder was a straight man who often wound up in a straight jacket. His enormous range was everything in between: from a quiet sweetness to a madcap lunacy.
RELATED: Legendary Comedic Actor Gene Wilder Dead At 83
Wilder died Sunday in Stamford, Connecticut, from complications of Alzheimer’s disease at age 83.
Goodbye, Gene Wilder. You were one of the great screen comedians. Original and surprising every time.
— Steve Martin (@SteveMartinToGo) August 29, 2016
With wild, Harpo-like hair, a melancholy face and a mad glint in his eye, Wilder was an earthquake of neuroses that tremored with blinks and sweat before cracking and quivering in hysteria.
#GeneWilder Au revoir to a gifted actor whose films I suggest you re-visit if you want to be thoroughly entertained. pic.twitter.com/FgcO4OVkYg
— carl reiner (@carlreiner) August 29, 2016
“I can’t stop! I’m hysterical!” he screamed as Leo Bloom in “The Producers” when the well-planned flop refused to flop. His partner (Mostel) tries to calm him by throwing a glass of water in his face. A beat. “I’m wet! I’m wet! I’m hysterical and I’m wet!”
Gene Wilder was a giant of comedy. His legacy of films is inspiring. A true genius..
— Billy Crystal (@BillyCrystal) August 29, 2016
Born Jerome Silberman in Milwaukee, Wilder first began performing for his mother, who was badly marred by a heart attack when Wilder was six, as a way to entertain and cheer her up. He would later be schooled by Lee Strasberg at the Actor’s Studio, but that early aura — of laughter with darkness around— never left Wilder.
Gene Wilder was one of the funniest and sweetest energies ever to take a human form. If there's a heaven he has a Golden Ticket. ;^)
— Jim Carrey (@JimCarrey) August 29, 2016
“Come with me and you’ll be in a world of pure imagination,” he sang in “Willy Wonka & the Chocolate Factory.” His Wonka was at once iconic and impossible to pin down. His combination of charm and whimsy, darkness and strangeness breathed life into Roald Dahl’s tale. His Wonka was too much for initial audiences (the film was a box-office disappointment) but grew to be adored for its off-kilter complexity.
A moment of silence for the master of the comedic pause.
Gene Wilder: funny doing something & funny doing nothing. pic.twitter.com/d5iySZVll6
— edgarwright (@edgarwright) August 29, 2016
“I’m an actor not a clown,” Wilder was fond of saying.
"Good Day Sir!"
RIP Gene Wilder
— Ricky Gervais (@rickygervais) August 29, 2016
His early big-screen roles were feats of lunacy: the kidnapped undertaker of “Bonnie and Clyde,” the doctor who falls for a sheep named Daisy in Woody Allen’s “Everything You Wanted to Know About Sex.”
A man who lit up the world with his joy and genius. I can't say what it meant to act with him and get to know his heart. ❤️RIP #GeneWilder
— Debra Messing (@DebraMessing) August 29, 2016
“My quiet exterior used to be a mask for hysteria,” he told Time magazine in 1970. “After seven years of analysis, it just became a habit.”
Wilder’s bug-eyed knack for neurotic extremes, though, was only so winning because of his underlying tenderness. Fully embodying his characters, Wilder was utterly unpredictable, moment to moment.
In Mel Brooks’ “Young Frankenstein,” in which he plays Dr. Frankenstein, might be his greatest performance: a mad scientist with his own demons and an acute sensitivity to the pronunciation of “Frankenstein.” He and the monster, in tuxes, singing and dancing to “Putting on the Ritz” might sum up Wilder, in all his bizarre glory, more than any other scene.
He could be sentimental, too. The title of his 2005 memoir, “Kiss Me Like a Stranger,” came from his then-late third wife, Gilda Radner, whom he met while filming 1982’s “Hanky Panky.” It was a phrase Radner would say to him, its meaning mysterious to Wilder. He acted rarely after her death in 1989.
Renowned actor & #SoldierForLife #GeneWilder was drafted into #USArmy in 1956 Thanks for your service & spirit #RIP pic.twitter.com/zsDsykHy0f
— U.S. Army (@USArmy) August 29, 2016
Wilder was much more than a comic actor, too. He was a screenwriter (he co-wrote “Young Frankenstein” with Mel Brooks), a director of four films, a novelist and a stage actor. He met Brooks through Anne Bancroft, with whom he starred in the Brecht play “Mother Courage.”
Their collaboration together — “Blazing Saddles,” ”Young Frankenstein,” ”The Producer” — constitutes one of the great pairings in comedy. Wilder and Pryor, too, were an exceptional duo, albeit with more mixed results: “Stir Crazy” and “Silver Streak” as well as the lesser “See No Evil, Hear No Evil” and “Another You.”
Wilder, who shied away from interviews, remained delightfully enigmatic through his many decades in show business. We knew his characters better than him.
“Time is a precious thing. Never waste it,” he told Veruca Salt in “Wonka,” before tossing a clock into bubbling tub.
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